`Outdoor Exposure Guide
`for the Kodak Senior Six-16 with the
`Kodak Anastigmat Lens f.6.3
`| ae
`|
`Stop
`| Sacrren |
`Sumecr
`Orkxixc | Speeo
`
`
`
`—_—_
`
`
`
`
`
`
`
`
`;
`
`
`
`fay
`
`fib
`
`fiz2
`
`e
`
`Jed
`
`fs
`
`fe
`
`|
`
`|
`
` APPENDIX AAA
`
`
`Nearby landscapes saowing litthe
`orn sky. Nearby subjects in
`open.
`field, park or garden,
`"Street scenes,
`showing
`Ordinary
`landscapes
`sky, with a principal objeet
`in the foreground.
`Mirine and beach scenes. Dis-
`without prominent dark ol-
`tant landscapes. Snow scenes
`jects in the foreground, Moun«
`tains.
`:
`:
`; Portraits in the open shade, not
`|
`under trees or the toof of a
`porch. Shaded nearby scenes,
`Narrow arid
`slightly
`shaded
`sirects.
`ee onl
`Moving objects.
`
`When photographing a imiv-
`|
`ing object such a8 o Funitner,
`
`
`thetrain or an automobile. |°TobGer
`
`subject should be moving to-
`
`wards or away from the camera
`|
`at an angle of about 45 degrees,
`
`Exposures are for the hours from one hour after sun-
`
`rise until one hour before sunset on days when the sun
`
`ia shining.
`If pictures are made earlier of later, or if it
`is uw elaghtly cloudy or hazy day, use a la
`stop open-
`
`ing. This table is for Kodak Verichrome,
`Super Sensi-
`itive Panchromatie and Panatomie Films;
`if using
`
`| Kodak N. C, Film. exposures can be made from 2}5
`
`hours after qunrise until 244 hours belore sunset,
`,
`|
`
`Kodak Super Sensitive Parehromatic Film is abiout |
`
`
`fifty
`per cent faster with morning or afternoon light
`than Kodak Verichrome Film.
`
`The largest stop opening is 6.3. The Aigher the)
`|
`
`Picture taking with the
`Kodak Senior
`Six-16
`
`ag
`
`Kodak Anastigmat Lens /[.6.3
`
`
`
`
`
`
`ayes
`
`
`
`25 |
`
`|
`
`24
`|
`|
`
`1/23.1
`
`r
`1/25
`
`
`
`
`
`
`
`
`
`
`
`
`
`
`
`Va
`. _
`
`
`
`|
`
`
`
`=
`
`
`
`
`
`
`
`
`
`
`
`
`jess the smaller the opening,
`
`EASTMAN KODAK COMPANY
`Rochester, New York, U.S.A.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`SERVICE
`DEPARTMENT
`
`ApprriONaL ASSISTANCE FOR
`Maxine Betrer Picrures
`
`Picture taking with the
`
`Kodak Senior
`Six-16
`
`Kodak Anastigmat Lens f.6.3
`
`Rocuester, N. Y. APPENDIX AAA
`
`LTHOUGH we give in this manual
`A
`4Athe essential directions for using
`the camera it accompanies,
`there are
`annuiteurs who wish for further knowl-
`edge of photography.
`The Service Department
`service, your service.
`Do not hesitate to call on us for in-
`formation on any photographie subject.
`
`is at their
`
`We are al your service, write ta uws—
`there is no charge, no obligation.
`
`Address all Communications
`
`Service DEPARTMENT
`[EaAstTMAN KopAK COMPANY
`
`Published by
`EASTMAN KODAK COMPANY
`Rocuerster, N.Y. U- 8. A.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`THE CAMERA
`
`l. Lock for Back
`2. Button for Open-
`ing }ront
`3. Bed
`1. Vertical Support
`5. Horizontal Support
`6. Shutter
`7. Lens
`
`8. Optical Direct
`View Finder
`%. Tripod Socket
`Serews
`10. Release for Clos-
`ing Front
`Ll. Winding Knob
`
`A—SpeedIndicator
`B—stop Opening Lever
`C—Exposure Lever
`D—Exposure Button
`
`APPENDIX AAA
`
`IMPORTANT
`EFORKEloading your Kodak with
`film, and before taking anypic-
`tures with it, read these instructions
`carefully. Take especial care to learn
`howto operate the shutter, see page 9.
`While loading and unloading, be
`very careful
`to keep the protective
`paper woundtightly around the film
`to preventlight striking it, The Kodak
`‘an be loaded or unloaded in daylight.
`This should be done in a subdued
`light, not in direct sunlight.
`
`To LOAD
`
`4
`Use film number:
`V 616, SS 616, F 616, or 616 for the
`Kodak Senior Six-16,
`
`
`
`Push the but-
`ton of the lock
`towards
`the
`arrow.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`7 Open the back.
`
`
`
`
`Lift up the spool
`holder in the recess
`adjoining the hinge
`of
`the back and
`place the roll of film
`in it, springing out the flanges until the
`pins engage the holes in the spool.
`Make sure that the word “TOP” on
`the paper is on the side opposite the
`winding knob.
`
`
`
`Remove the paper band and pass the
`protective paper over the tworollers.
`Thread the paper through the longer
`slit in the empty reel, as far as tt will qo.
`
`
`
`Turn the winding knobonce or twice
`to bind the paper on the reel, and be
`sure that the paperis started straight.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`
`Close the back, pressing it so that
`the spring lock snaps into place, se-
`curely fastening the back.
`Push back the slide that
`covers the red window on
`the back of
`the Kodak.
`This slide prevents fogging
`the film.
`Turn the winding knob,
`watching the red window.
`After a few turns, a warning
`hand will appear;
`then turn slowly
`until the figure 1 is in the center of the
`window.
`
`
`
`
`Push the slide over the red window.
`The windowshould be uncovered only
`when winding the film.
`The film is now in position for the
`first exposure. After each exposure
`wind the film to the next number.
`This prevents making two pictures on
`the same seetion of film.
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`OPENING THE FRONT
`Press the
`button2, page
`2, to open the
`Kodak;
`then
`draw down
`the bed until
`it locks. This
`brings the
`lens and shut-
`ter into posi-
`
`tion.
`
`To Focus
`The various distances at which the
`Kodak may be focused sre engraved
`on the beveled edge of the lens mount.
`The seale is marked for 3,5, 4, 5, 6,
`8, 10, 15, 25, 50 feet, and INF, (in-
`finity).
`To focus the Kodak, revolve the lens
`mount by turning it
`to the right or
`left until
`the figure representing the
`distance from the subject
`to lens is
`under the pointer E at the top of the
`lens, see diagram, page 8,
`When facing the Kodak, turn the
`lens mount
`to the right
`for distant
`graduations on the seale, and turn to
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`the left when focusing on nearby or
`
`close subjects.
`
`The distance between the subject
`and Kodak can be estimated without
`measuring, when the subject is beyond
`fifteen feel; for instance, if the focus is
`set at 25 feet (the usual distance for
`ordinary street
`scenes)
`the sharpest
`part of the picture will be the objects
`at that distance from the eamera, but
`everything from about 18 to about 45
`feet will be in goodfocus.
`the
`For ordinary street pictures
`focus may be kept at 25 feet, but where
`the principal object is nearer or farther
`
`APPENDIX AAA
`
`Kodak Senior Six-1th
`
`the focus should be changed
`away,
`accordingly.
`Por distant views turn the lens mount
`to LNF.
`(infinity). Nothing nearer
`than 31% feet can be focused without
`using a Kodak Portrait Attachment,
`see pages 31 and 32, or a small stop
`opening, see page 14.
`
`THE SHUTTER
`
`
`(—Esxposure Lever
`A—Speed [Indicator
`B—Stop Opening Lever E—Focus Pointer
`Instantaneous Exposures
`Move indieator A to 25, 50, or 106
`(see Exposure Guide on back cover or
`table on pages 12 and 13).
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`Move lever B to the correct stop
`opening. See lixposure Guide on back
`cover or table on pages 12 and 13.
`Press button D on the side of the
`Kodak, This makes the exposure. The
`exposure can also be made by pressing
`the lever C. The use of button D,
`however,
`is recommended for snap-
`shots, as it assures a steadier holding
`of the camera.
`
`Time Exposures
`Moveindicator A to the letter *T."’
`Move lever B tof.6.3, 8, 11, 16, 22,
`or 32, according to the time of expo-
`sure and nature of the subject. See
`tables on pages 12, 13, 28, 29 and 34.
`Press lever C or button D. This
`opens the shutter. Time the exposure
`by a watch. Again press lever C or
`button D, This closes the shutter.
`For short time exposures from one-
`half second to ten seconds, “Bulb”
`Iuxposures are recommended,
`
`“Bulb” Exposures
`Move indicator A to the letter “RB,”
`Move lever B to f.6.3, 8, 11, 16, 22,
`or 32. See tables on pages 12, 13, 28,
`29 and 34,
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`
`Press lever C or button D to open
`the shutter, which will remain open as
`long as lever C or button D is held
`down.
`Time and “Bulb” Exposures must
`never be made with the Kodak held in
`the hands,
`the shutter.
`Important: Never oil
`In ease of accident, return the camera
`to your dealer or to us for repairs.
`Cable Release: A cable release
`(No, 29) can be used with this Kodak
`if it is desired to use the Kodak Self
`Timer for self-portraiture. The cable
`release should be removed before elus-
`ing the camera.
`To attach the cable release, remove
`the screw directly behind the lever C
`and replace it with the cable release,
`After using the cable release, detach it
`and replace the serew in the opening.
`The screw may be loosened and tight-
`ened with a thin coin,
`|
`
`STOP OPENINGS
`The stop openings
`regulate the
`amount of light passing through the
`lens. The openings are enlarged or
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`reduced by moving the lever B, see
`page 9.
`jJ.6.3—For rapidly moving objects
`in bright sunlight, use speed 100, For
`exposures on cloudy days and during
`rain in the middle of
`the day, use
`speed 25. For portraits outdoors, when
`the sun is shining, see page 30.
`Important: When using stop f.6.3
`and the distance between the subject
`and camera is ten feet or less, the dis-
`tance must be accurately measured as
`the depth of focus is limited, see table
`on page 14,
`f.8—Vor instantaneous exposures on
`slightly cloudy or hazy days, use speed
`25. For scenes on narrow and slightly
`shaded streets, use speed 25, For mov-
`ing objects in very bright sunlight,
`use speed 100,
`f.A1l—For all ordinary outdoor pie-
`tures, such as nearby landscapes show-
`ing little or no sky, groups and street
`scenes, when the subject is in bright
`sunlight, use speed 25.
`f.16—For open views, when the sun-
`light on the subject is unusually strong
`and there are no heavy shadows, such
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`as views at the seashore and on the
`Water, use speed 50; for ordinary land-
`scapes,
`in bright sunlight, with clear
`sky overhead, use speed 25; also for
`Interior Time Exposures, the time for
`whichis given in the table on page 28.
`j.22—Vor instantaneous exposures
`of extremely distant
`landscapes, ma-
`rines, snow scenes without prominent
`dark objects in the foreground, and
`cloude only,
`in bright sunlight, use
`speed 25; ulso for Time Exposures.
`f.32—For Time Exposures Outdoors
`on cloudy days, see table on page 34.
`For Interior Time Exposures, see pages
`28 and 29. Never for (natantaneous
`exposures,
`if stop f.32 is
`Failure will result,
`used for instantaneous exposures,
`The smaller the stop opening the
`greater the depth of focus or range of
`sharpness, see pages 14 and 15.
`All exposures given for outdoor sub-
`jects are for the hours from one hour
`after sunrise until one hour before
`sunset, when using Kodak Verichrome,
`Super Sensitive Panchromati¢e or Pan-
`atomic Film.
`If Kodak N.C. Filmis
`
`a
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`used, exposures can be made from 215
`hours after sunrise until 24% hours be-
`fore sunset. If earlier or later, the ex-
`posures must be longer.
`For a subjeet
`in the shade, under
`as
`the roof of a porch, or under a tree, a
`Seco"?
`aha es
`Si a
`time exposure must he made, see page
`—_|fen e "sen
`=
`|ssss223338
`44, When making pictures under these
`|\eetecscdes
`conditions, the camera must he placed
`jg herent
`ibs
`eee
`on some steady, firm support.
`|
`See ame tonehit
`
`
`
` Thedepthoffocusisnotgivenfor£22.Thedepthforthisopeningcanbeestimatedbycomparigen.
`
`
`
`
`
`
`
`
`
`“Taf.”iatheabbreviationforInfinity—meaningandolimiteddistancefromthelena
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`
`DEPTH OF Focus
`Depth of focus is the distance from
`the nearest to the farthest objects that
`will appear sharp in the negative or
`rint,
`It depends upon the distance
`yet ween the subject and lens, the focal
`length of the lens, and the size of the
`stop opening used. The smaller the
`stop opening, the greater the depth of
`foeus. See the table on page 14.
`
`THE ‘‘f."' SYSTEM
`A lens is said to work at a certain
`“speed ;"’ this means that the lens will
`give a sharp image from corner to
`corner of the film with an opening a
`certain proportion of its focal length.
`
`
`
`OpeningsBy“depthoffocus”ismeantthedistance,infrontofandbehindthesubjectfocused
`
`
`TheDepthofFocusforDifferentStop.
`
`
`
`
`
`
`
`on,withinwhichdetailsinthepicturewillbesharpanddistinet.
`
`
`
`
`
`
`
`TableforusewiththeKodakSeniorSix-16
`
`a
`a
`
`
`
`
`sd
`nicl
`
`|
`=
`
`sede
`/
`Page seo
`etaoa
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`| a
`
`‘
`
`—
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`——
`
`— ee
`
`IKkodak Senior Bix-li
`
`APPENDIX AAA
`
`_The range of sharpness when your
`Kodak is adjusted as a fixed focus
`camera will be found on page 14.
`Kodak Senior Six-16
`
`(x
`
`OO.
`
`FIi
`
`FIG
`
`A22
`
`“~32
`COPYRIGHT 1922,
`BY EASTMAN KODAK Oo,
`
`These circles are the same size as
`the stop openings of the shutter on
`the Kodak Senior Six-16. Theyclearly
`show the relative sizes of
`the stop
`openings and howtheir areas differ.
`
`The foeal length of a lens is the dis-
`(ance between the lens and the film
`when the Kodak is foeused for INF.
`(infinity).
`It should be borne clearly
`in mind that this "speed" depends nol
`upon the size of the opening, but upon
`the size of the opening fn prapertion to
`the focal length of the lens. The lens
`that will give sharp images with the
`largest opening is said to have the
`greatest “speed.”
`The proportional size or “value”
`of the stop opening is designated by
`the “f." number and is the quotient
`obtained by dividing the focal length
`of the lens by the diameter of the
`slop opemng.
`
`How to Use Your Kodak as a
`Fixed Focus Camera
`
`SeT THE Focus at 25 reer.
`Use Stor Orenina f.16,
`AND SPEED 25,
`
`fixed
`When using the Kodak as a
`focus type, nearby subjects must be
`in bright sunlight,
`to obtain fully
`exposed negatives.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`
`
`Making a Horizontal Picture
`
`fold camera firmly againat the face.
`When making instantaneous expo-
`sures or snapshots, hold the Kodak
`firmly against your face and press the
`exposure button as shown in these two
`illustrations. When pressing the ex-
`posure button, hold the breath for the
`instant.
`If the Kodak is moved during
`the exposure,
`the picture will be
`blurred,
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`Making a Vertical Picture
`
`Hold camerafirmly against the face.
`
`THE OPTIGAL DIRECT VIEW FINDER
`The camera is equipped with an
`optical direct viewfinder 8, page 2,
`attached to the side of the Kodak. To
`use this finder, raise the front
`frame
`by the button and both parts of the
`finder will spring into position. Hold
`the camera with the sight or rear frame
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Pieture taking with the
`
`as close to the eye as possible with the
`camera held firmly against
`the face,
`and frame the picture within the front
`frame of the finder. All vertical lines
`in the subject should be kept parallel
`with the vertical sides of this frame,
`when holding the camera either in the
`vertical or horizontal position.
`
`MAKING INSTANTANEOUS EXPo-
`SURES OR SNAPSHOTS
`When ordinary instantaneous ex-
`posures or snapshots are made,
`the
`subject should be in the broad, open
`sunlight, but
`the camera must not.
`The sun should be behind your back
`or over the shoulder.
`If it shines di-
`rectly into the lens, it will blur andfog
`the picture. For obtaining back- or
`side-lighted pictures, use a Kodak Ad-
`justable Lens Hood No. 2.
`Special instructions for making por-
`traits are given on pages 29 to 33.
`
`HOLD THE KODAK LEVEL
`
`If
`The Kodak must be held level.
`all the subject cannot be included in
`the finder without
`tilling the lens
`
`APPENDIX AAA
`
`kodak Senior Six-1i
`
`upwards, move backwards until it
`
`is
`
`all included with the camera held level,
`
`Eeifeet produced ly lilting the Kodak,
`
`If the subject. is below the normal
`height, like a small child or a dog, the
`Kodak should be held down level with
`the center of the subject.
`After an exposure
`has been made, turn
`the winding knob
`slowly, a few times,
`until No. 2 (or the
`next number)
`is in
`the center of the red window.
`
`
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`
`
`Kodak Senior Six-16
`
`APPENDIX AAA
`
`CLOSING THE KODAK
`Before closing the Kodak, it should
`be focused for INF.
`(infinity);
`then
`press the plate release 10, page 2, as
`shown below, raise the bed and snap
`
`
`
`it shut. The front and bellows fold
`automatically.
`If a cable release has
`been used, remove it before closing
`the camera.
`
`REMOVING THE FILM
`After the last section of film has
`been exposed, turn the winding knob
`until the end of the paper passes the
`red window.
`In a subdued light, open the back
`of the Kodak, see pages 3 and 4.
`Hold the end of the paper taut, see
`illustration at top of page 23, and turn
`the knob until all the paper is on the
`
`roll. If the sticker folds under the roll,
`turn the knob to bring it up.
`
`
`
`Take hold of the ends of the paper
`and sticker to prevent the paper from
`loosening. Drawout the knob andre-
`
`EE
`
`f
`
`
`
`move the film. Fold under about half-
`an-inch of the protective paper, and
`fasten it with the sticker.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`APPENDIX AAA
`
`Picture taking with the
`
`“Cinch" Marks: After removing
`the film from the Kodak, do not wind
`it tightly with a twisting motion, or
`the film might be seratched.,
`Wrap up the exposedfilm, It is now
`ready for development. This may be
`done by a photo finisher, or by your-
`self, Our Service Department will be
`glad to send you, upon request, com-
`plete instructions for developing and
`printing.
`
`
`
`SS
`
`Remove the empty spool and place
`it in the winding end of the camera,
`Che Kodak is now readyfor reloading.
`
`
`
`Kodak Senior Six-16
`
`It is a good plan to reload the Kodak
`as suon as an exposed film has been
`removed, to be readyfor the next. pic-
`tures. For the best results, load with
`Kodak Film,
`Important: Film should be de-
`veloped as soon as possible after expo-
`sure. The quality of the image on all
`sensitized products
`is
`retained by
`prompt development after exposure.
`
`TIME EXPOSURES—INDOORS
`
`
`
`For time exposures the camera must
`always beplaced on a firm support like
`a tripod, Optipod, table or chair, never
`hold it in the hands. The Kodak has
`two tripod sockets for use with a tri-
`pod, an Optipod, or a Kodapod, with
`the Kodak either in the vertical or
`horizontal position. The screws in the
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`tripod sockets can be removed and
`replaced with a thin coin.
`Place the Kodak in such a position
`that the finder will inelude the view
`desired. The diagramon page 25 shows
`three positions for
`the camera.
`It
`should not be pointed at a windowas
`the glare of light mayblur the picture,
`If the Kodak is placed on a table,
`for making « vertical picture, use the
`vertical support 4.
`
`
`
`The camera must not be more than
`two or three inches from the edge of
`the table.
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`To make a horizontal picture, with-
`out a tripod, swing out the support5,
`behind the shutter, and place the
`camera as shown below,
`
`————
`
`'
`!
`|
`
`Adjust the shutter for a time expo-
`sure as described on page 10.
`All being ready, press the exposure
`buttonor lever carefully, once to open,
`time the exposure by a watch, and
`again press the exposure button or
`lever to close the shutter.
`After making an exposure, turn the
`winding knob until the next number
`appears in the red window.
`If no more time exposures are to be
`made, adjust the shutter for an instan-
`taneous exposure, see page 9.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`
`Exposure Table for Interiors
`»| wlelas| oldeles a
`The table on page 28 gives suitable
`25
`"e a S\eele g g
`one for varying conditions of
`o S|leles| x |aolmee —
`light, when using stop f.16.
`ee
`With stop/.6.3 give one-sixth;
`#2| 8/8)
`€/
`s a é| 5 z =
`_
`* et
`. nests
`Se 2|2|
`@]
`&
`a\8 &
`E
`xe 2 " ee
`H |& ah ans le
`
`the exposures given in the table.
`: ae La e :
`|¢
`e
`2
`
`
`
`2 SSR|)S| SRS ee The smaller the stop opening the
`3 |
`areas lie
`Aa
`ar
`greater the depth of focus or range of
`
`
`¢
`£
`‘ 2 |%
`| @
`sharpness, see page 14. Stopf.16 gives
`
`
`ede
`one
`Uae
`= | <
`Lie].
`z
`the best average results for Interiors.
`:
`
`
`
`ExposureTasLerorINrertorsusineSropf.16
`
`Theseexskyandforhoursfromthreehoursaftersunriseuntilthreehoursbeforesun-set.Ifearlieror
`
`
`
`
`
`
`
`
`
`latertheexposuresmustbelonger.
`
`p
`
`=— E
`
`z2 s a E
`
`el eleeine/|s
`
`;
`
`a]
`
`os
`
`:
`
`a)
`
`wcr
`
`Las
`
`6
`
`|=
`-
`
`age
`
`
`
`Whitewallsandmorethanonewin-
`
`dow.
`
`
`
`Mediumeoloredwallsandfurnish-
`
`
`
`Whitewallsandonlyonewindow.
`
`m
`
`
`ingsandmorethanone
`
`
`window.beMediumeoloredwallsandfurnish-ingsandonlyone
`window.
`
`
`
`Darkcoloredwallsandfurnishings
`
`
`
`andmorethanonewindow.
`
`
`
`Darkcoloredwalleandfurnishi
`
`
`
`andonlyonewindow.
`
`——
`
`a) er
`
`“one-half;
`
`*
`
`*
`
`jot
`
`”
`
`Tour times
`
`TO MAKE A PORTRAIT
`The subject should be seated in a
`chair partly facing the light with the
`body turned slightly away from, and
`the face turned towards the Kodak
`which should be a little higher than an
`ordinary table, The subject should
`look at an objectlevel with the lens or
`directly at the lens. Compose the pic-
`ture in the finder. For « three-quarter
`fig
`the Kedak should be about
`-eigh@feet from the subject; and for a
`full-length figure, about ten feet. The
`background should form a contrast
`
`
`
`
`
`
`
`—————
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`APPENDIX AAA
`
`Kodak Senior Six-L6
`
`=<ae=al
`
`rule, unpleasant and distorting shad-
`ows on the face will be avoided. The
`best results are obtained with the sub-
`ject fairly close to the enmera and the
`lens adjusted accordingly. When the
`distance between the subject and
`Kodak is ten feet or less, measure the
`distance carefully, see table on page 14.
`
`Kodak Portrait Attachment
`
`This Kodak ean be focused at 315
`feet, which makes it possible to obtain
`excellent head and shoulder portraits
`without the use of the Kodak Portrait
`Attachment.
`By using the Kodak Portrait At-
`tachment, large images of flowers and
`similar “still life’ subjects ean be ob-
`tained, For
`the best
`results when
`making pictures of subjects at short
`distances, it is advisable to use the f.8
`or a smnaller stop opening.
`Place the Attachment over the lens
`and compose the picture in the finder.
`When making vertical pictures, turn
`the Kodak justa little to the right, as
`the short distances at which the sub-
`ject must be from the lens make it
`
`with the subject; a light background
`usually gives a better
`effect than a dark one,
`To get a good light on
`the face, follow the
`arrangement shown in
`the diagram at the
`left. A reflector helps
`to get detail
`in the
`shaded part
`of
`the
`face, A white towel or
`tablecloth held by an
`assistant or thrown over a screen or
`other high piece of furniture will make
`a suitable reflector; it should be at an
`angle and in the position inchcated.,
`If the above suggestion for lighting
`is followed, an exposure of about one
`second with stop f.11 will be sufficient
`on a bright day,
`
` i
`
`ms
`
`18
`=
`wat
`banca
`
`Making Portraits Outdoors
`When making portraits outdoors,
`with the sun shining brightly, the sub-
`ject should be in the shadowof abuild-
`ing or a large tree, but with clear and
`unobstructed sky overhead—use stop
`f.6.3 and speed 25. By following this
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`————
`
`Picture taking with the
`
`necessary to center the subject by eye
`instead of by the finder.
`
`Distance BETWEEN
`Tue Focusine
`Sugsect anp LENs
`COLLAR MUST BE
`TURNED TO
`MUST BE
`314 fee
`1 foot 11 inches.........
`4
`.
`* 2feet
`lincth ...,.-...
`ye
`UF
`2 feet 4dinches.._..-
`c¢
`a ns as
`ae Spe eS x
`'*
`3
`*
`eu *
`ss” es
`<j teed
`>
`ze .
`‘»
`ao
`:
`4
`*
`es
`oO
`=
`Zee Wy
`_ INF. (infinity)
`
`The subject must be at one of the
`distances from the Kodak, given in the
`table above. Measure the distance
`carefully from the lens to the subject,
`and revolve the lens mount until the
`correct figure is at the pointer F (page
`8) according to the table.
`The same exposure is required as
`without the Attachment.
`Use Kodak Portrait Attachment No.
`5, with the Kodak Senior Six-16, with
`the Kodak Anastigmat Lens f.6.3.
`
`APPENDIX AAA
`
`Kodak Senior Six-16
`
`Kodak Diffusion Portrait
`Attachment
`
`The Kodak Diffusion Portrait At-
`tachmentis a supplementary lens used
`in the same manner as the regular
`Kodak Portrait Attachment.
`It pro-
`duces a true, soft-focus effect.
`Use Kodak Diffusion Portrait Attach-
`ment No. 5, with the Kodak Senior
`Six-16, with the Kodak Anastigmat
`Lens 7.6.3.
`
`“Av Home wire Your Kopak” is a
`booklet containing many diagrams and
`illustrations showing various lighting
`effects. It gives suggestions for making
`pictures in and around the home.
`“Picture Takinc at Nicur” is a
`booklet that describes in detail
`the
`methods of making pictures by electric
`light, flash-light STpaezee campfire
`scenes, fireworks, lightning, moonlight
`effects, silhouettes and other novel and
`unusual pictures.
`These two booklets are free, and
`copies of them will be sent upon re-
`quest to our Service Department.
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`Picture taking with the
`
`
`
`Kodak Senior Six-1t
`
`APPENDIX AAA
`
`The pictures on page 34 illustrate
`the difference between results with a
`dirty and a clean lens.
`Lenses should be cleanedas follows:
`Open the back of the Kodak, see
`pages 3 and 4; then open the front as
`deseribed on page 7, Wipe the front
`and back of the lens with Lens Clean-
`ing Paper or a clean handkerchief.
`Never unscrew the lens.
`
`Keep Dust Out of the Camera
`Wipe the inside of the camera and
`bellows, occasionally, with a slightly
`damp cloth, especially if the camera
`has not been used for some time.
`
`KASTMAN KODAK COMPANY,
`Rocnester, N. Y.
`
`TIME EXPOSURES—OUTDOORS
`When the smallest stop opening
`(7-82) is used, the light passing through
`the lens is so much reduced that very
`short
`time exposures may be made
`outdoors.
`For short time exposures described
`below, use the “Bulb” Exposure, see
`page 10.
`With Light Clouds—I"rom one to
`three seconds will be sufficient.
`With Heavy Clouds—Four seconds
`to eight seconds will be required.
`With Sunshine—Time Exposures
`should not be made.
`When making time exposures the
`Kodak must be placed on some steady,
`firm support, do not hold it
`in the
`hands or the pieture will be blurred.
`CLEAN LENSES
`
`
`
`——E
`Made with Dirty Lena. Made with Clean Lena,
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`This manual should be read thoroughly,
`before you make any pictures,
`While loading and unloading the camera,
`be very careful to keep the protective paper
`wound tightly around the film to provent
`light striking it.
`Before making an exposure be sure that
`the shutter is adjusted properly, for an in-
`stantaneous or time exposure, whichever 15
`required. Use the correct stop
`opening and
`speed, The camera must be focused and un
`unexposed section of film in position.
`The sun must be behind your back or over
`the shoulder,
`If the sun shines directly into
`the lens it will blur and fog the picture.
`Hold the camera level.
`Hold the camera steady when making in-
`SGaNbANCOUS Exposures of snapaliots,
`The
`camera should be held firmly against the face,
`oi orls i
`~
`cath
`Fe
`No. 1.
`and when pressing the exposure button or
`
`PTGS etcectskeel e be epeincse
`lever, hold the breath for the instant,
`If the
`camera is moved during the exposure, the
`picture will be blurred.
`Turn a new section of film into position im-
`mediately after making an exposure.
`‘This
`prevents making two pictures on the same
`section of film,
`Keep the lens and inside of camera clean.
`Never oil the shutter,
`Instructions for making time exposures,
`indoors and outdoors, are included in this
`manual,
`
`PRICE LIST
`Kopak Vericurome Fiom, V 616, for
`
`the Kodak Senior Six-16, 214 x ‘41g, :
`
`eight exposures...
`Kopak Surer SENSITIVE PANCHRO-
`matic Fina, 58 616, 244 x 444, eight
`eXPOSUres. .
`
`Kopak Paxaroatic Fina,F616, 24 x
`414, eight exposures...............
`Kopax
`N, C. Frum, 616, 244 x 444,
`eight exposures. .
`Konak PorTrair ATTACHMENT, No. ,
`for the Kodak Senior Six-16, .
`Konak Dtrrusron PORRASIE Avrracn-
`MENT, No. 5.
`KopAK Sky FinreR, ATBehe en ees
`Kopak Coton Fitter, No. 5.
`Kopak Picrortan Dirrcston Disk,
`Oo: See
`Kopak ApJusTABLE“LENS Hoop, No.2
`Kopak MerauSE2No. 0..
`7
`Option,for.attaching camera to the
`edge of a table, chair, fence, ete,
`Koparop, for attaching camera to a
`tree, fence orsimilar rough surface. ,
`CaBLEe Reiease, No, 24, for the Kodak
`Senior Six-16, .
`Kopak SELF Timer, fits on the cable
`release and automatically presses the
`push-pin, enabling the photographer
`to be included in the picture. .
`Konak NeGaTive ALBUM, to hold 100
`244 x 414 or smaller negatives jiv@ai
`All prices subject to change without neticr.
`EASTMAN KODAK COMPANY,
`Rocuesren, N. ¥
`
`
`
`APPENDIX AAA
`
`IMPORTANT
`
`he
`EASTMAN KODAK COMPANY,
`Rocresrer, N. Y.
`
`4-0Hea
`
`L.25
`
`1.25
`
`APPENDIX AAA
`
`Olympus, Exhibit 1004
`
`

`

`APPENDIX BBB
`
` Nikon
`
`
`ED
`
`INSTRUCTION MANUAL
`
`APPENDIX BBB
`
`Olympus, Exhibit 1004
`
`

`

`NOMENCLATURE
`
`APPENDIX BBB
`
`Chuiterapesd dial keck
`
`Lan aperie cine) mak) ean
`
`Shulbeor recmaee Bel
`
`Shyla Tea three gard
`
`Plo boli feedter
`
`Lepih-ol-field previee leer
`
`See diner marry lack
`
`—
`
`Meter coumlog ect
`
`Wier couples eee! reheat
`
`Sra, berciital (eer peosiied)
`
`
`Leas (emenaig aden
`—
`
`Gores rele belle
`
`
`
`
`
`
`Refer mbar
`
`Litas. Pauacing Tare
`
`Yiwer driv coupling
`
`Fan read bytine
`
`
`
`Focusing stern heldet febeaid
`
`iee
`
`=
`
`:
`
`Pherna (ho ker
`
`Mipithey he ee Vidal Gomer
`
`APPENDIX BBB
`
`Olympus, Exhibit 1004
`
`

`

`
`
`APPENDIX BBB
`
`Aperture/distance scale index
`
`Meter coupling shoe
`
`Depth-of-field indicators
`
`Aperture-direct-readout scale
`
`Hot-+shoe contact
`
`Shutter-speed index
`
`Shutter-speed scale
`
`Frame counter
`
`Multi-exposure lever
`
`Film-advance lever
`
`Meter ON index
`
`Film-plane indicator
`
`Viewfinder evepiece (w/ready-light)
`
`Distancescale
`
`Facusing ring
`
`Aperture ring
`
`Meter coupling ridge
`
`Exposure compensation index
`
`Exposure compensation scale
`
`Film rewind crank
`
`Film rewind knob
`
`Safety lock
`
`Film-speed scale index
`
`ASA film-speed scale/dial
`
`Exposure compensation ring
`
`Power check lever/lamp
`
`ASA film-speed dial lack
`
`APPENDIX BBB
`
`Olympus, Exhibit 1004
`
`

`

`Forcword, ee ee oe Exnaiire meamaroment., .. 2.4.2. ae ka eee
`Prepazationfor oe Se it Pie le -eubenwees
`Automatic shutter perd whection ,.
`.. ,..,
`
`a enet, bi Manual shutter-epeei be ad oa
`Chai Baty ENT jue oe ees&
`Experiute contre, .
`snaleeues
`ee ee
`re ae ee es ae 7
`Metering range .
`Prior ie shaouna.wre a's Se en Higt-conmrast Nettingbustbons..
`. Setting the filmspeed. ,
`‘eowiwens
`Slap-down espoiure measurement .
`Mantasaide —x's00 as ke Re
`Exposure compensationadhstments..
`Operation of camera contra.ah eee“ho
`EW! range of the camera... .
`,
`tank
`Setting the shuauer gerd...
`,,,-,.-++.-10 Mubtiploenpomres,,..,. 0... 655 65
`ne
`
`F ihn-advance lever. ....--..- Atte an Be f2 Flash 1$0ieSank ae bk eae a ees |
`Frame courier Sr ee ¢
`Read-ligta
`de
`Ss we PK bathe eee
`Tips on camera care, .
`Memcey Se brsin' vests. Sao toe estd Mourtingand remeveltty lentes;
`‘Lind owing Film
`pmsed pW Ab ee peed [Ss
`Changing ficining sre, ...,,
`Holding (he COMETS. cc eee weve NG
`Focusing sereen selector guile , otethemdcs i
`‘Shutters pelewse operateon . 2... ee ee eee i?
`Lens(scrmen comoatinility chart... 2... 5...
`2aaa eater Gain wha a ned aeVI)
`a ae Features/cpectfications.
`,
`.
`es
`
`Inlrarce photography., + ds Wes waa cee
`
`
`F ikteplane Indicator... -., - ee ee ee a ee PL,
`Depth field... ck
`Depth-ol-hell preview lever, ..
`
`Denth-of-fied indicators. ....--..--..-. at
`
`APPENDIX BBB
`
`:
`
`APPENDIX BBB
`
`Olympus, Exhibit 1004
`
`

`

`
`
`
`
`
`
`FOREWORD
`The Nikon FE is a compact 35mm single-lens retlen
`camera with a host of outstanding features, It offers
`aperturepreanty aubomalic exposure control wrth shuit-
`fer speeds from 1/1000 second down te 4 second, thus
`Nbercharigeable focusing screens, andaccepts the apticn-
`al MD-12 for motor-driven exposutes wp to 3.5 frees
`per second. In addition, the FE incomorates automatic
`favs specd setting when weed in conjunction #ith the
`accessory Speedlight Unit 58-10, When the $8-10 ix
`mounted on the camera's hot shoe and turned on, the
`Wiuller speed is aubomatically set to Ihe proper eynchre
`nitation speed af 1/90 second when the camera [6 vet to
`“automatic.” The FE will wo accept virtually every
`accessory in the Nikon System—the most comprehemive
`ever created for photography, To get the most out of
`this camera, study the instructions in this manual care
`fully, and practice using the controls before loading the
`camera with film, Keep the manual on hand for ready
`reference until you hive mastered operation, The few
`minutes you wend familiarizing ourself with the
`camera will guarantee you the best results and increase
`your pl