`
`Subject:
`
`Sent:
`
`Sent As:
`
`Attachments:
`
`Legend Pictures, LLC (carla.calcagno@calcagnolaw.com)
`
`U.S. TRADEMARK APPLICATION NO. 85170771 - LEGENDARY COMICS - N/A
`
`11/3/2014 10:01:33 PM
`
`ECOM101@USPTO.GOV
`
`Attachment - 1
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`Attachment - 58
`
`UNITED STATES PATENT AND TRADEMARK OFFICE (USPTO)
`OFFICE ACTION (OFFICIAL LETTER) ABOUT APPLICANT’S TRADEMARK APPLICATION
`
`(cid:160) (cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)
`
`(cid:160)M
`
`ARK: LEGENDARY COMICS
`
`U.S. APPLICATION SERIAL NO. (cid:160) 85170771
`
`CORRESPONDENT ADDRESS:
`(cid:160)(cid:160)
`(cid:160)(cid:160) (cid:160) (cid:160) Carla C. Calcagno
`(cid:160)(cid:160)
`(cid:160)(cid:160) (cid:160) (cid:160) Calcagno Law PLLC
`(cid:160) (cid:160) (cid:160)(cid:160)(cid:160)(cid:160) Suite 300
`(cid:160) (cid:160) (cid:160)(cid:160) (cid:160) (cid:160) 1250 24th Street, N.W.
`(cid:160)(cid:160)(cid:160)(cid:160)
`(cid:160) (cid:160) Washington DC 20037
`APPLICANT: Legend Pictures, LLC
`
`*85170771*
`
`(cid:160)C
`
`LICK HERE TO RESPOND TO THIS LETTER:
`http://www.uspto.gov/trademarks/teas/response_forms.jsp
`
`VIEW YOUR APPLICATION FILE
`
`(cid:160) (cid:160)(cid:160)
`CORRESPONDENT’S REFERENCE/DOCKET NO :(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)
`CORRESPONDENT E-MAIL ADDRESS:(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)(cid:160)
`
`(cid:160) N/A
`
`(cid:160)(cid:160)(cid:160)
`
`carla.calcagno@calcagnolaw.com
`
`STRICT DEADLINE TO RESPOND TO THIS LETTER
`TO AVOID ABANDONMENT OF APPLICANT’S TRADEMARK APPLICATION, THE USPTO MUST RECEIVE APPLICANT’S
`COMPLETE RESPONSE TO THIS LETTER WITHIN 6 MONTHS OF THE ISSUE/MAILING DATE BELOW.
`
`OFFICE ACTION
`
`(cid:160)I
`
`SSUE/MAILING DATE: 11/3/2014
`
`THIS IS A FINAL ACTION.
`
`(cid:160)(cid:160)(cid:160)(cid:160)
`
`TEAS PLUS APPLICANTS – TO MAINTAIN REDUCED FEE, ADDITIONAL REQUIREMENTS MUST BE MET, INCLUDING
`SUBMITTING DOCUMENTS ONLINE:(cid:160) Applicants who filed their application online using the lower-fee TEAS Plus application form must
`(1) continue to submit certain documents online using TEAS, including responses to Office actions (see TMEP §819.02(b) for a complete list of
`these documents); (2) accept correspondence from the USPTO via e-mail throughout the examination process; and (3) maintain a valid e-mail
`address.(cid:160) See 37 C.F.R. §2.23(a)(1), (a)(2); TMEP §§819, 819.02(a).(cid:160) TEAS Plus applicants who do not meet these three requirements must
`submit an additional fee of $50 per international class of goods and/or services.(cid:160) 37 C.F.R. §2.6(a)(1)(iv); TMEP §819.04.(cid:160) However, in certain
`
`situations, authorizing an examiner’s amendment by telephone will not incur this additional fee. (cid:160)(cid:160)(cid:160)
`
`(cid:160)
`(cid:160)
`(cid:160)
`(cid:160)
`(cid:160)(cid:160)
`
`
`APPLICATION STATUS
`This Office action is in response to applicant’s communication filed on 10/14/2014.
`
`(cid:160)A
`
`fter considering applicant’s arguments carefully, the trademark examining attorney found them unpersuasive for the reasons below. Therefore,
`the refusal under Trademark Act Section 2(d), 15 U.S.C. §1052(d), is now made FINAL with respect to U.S. Registration No. 4436755. See 15
`
`U.S.C. §1052(d); 37 C.F.R. §2.64(a).(cid:160)(cid:160)(cid:160)
`
`LIKELIHOOD OF CONFUSION REFUSAL UNDER SECTION 2(d)
`Registration of the applied-for mark is refused because of a likelihood of confusion with the mark in U.S. Registration No. 4436755. Trademark
`Act Section 2(d), 15 U.S.C. §1052(d); see TMEP §§1207.01 et seq. See the enclosed registration.
`
`(cid:160)A
`
`pplicant seeks to register the mark LEGENDARY COMICS for:
`Publishing of comic books and graphic novels; Providing online non-downloadable comic books and graphic novels
`
`(cid:160)R
`
`egistrant has registered the mark LEGENDARY for:
`Posters; photographs; brochures, pictures.
`
`(cid:160)T
`
`rademark Act Section 2(d) bars registration of an applied-for mark that so resembles a registered mark that it is likely a potential consumer
`would be confused, mistaken, or deceived as to the source of the goods and/or services of the applicant and registrant. See 15 U.S.C. §1052(d). A
`determination of likelihood of confusion under Section 2(d) is made on a case-by case basis and the factors set forth in In re E. I. du Pont de
`Nemours & Co., 476 F.2d 1357, 177 USPQ 563 (C.C.P.A. 1973) aid in this determination. Citigroup Inc. v. Capital City Bank Grp., Inc., 637
`F.3d 1344, 1349, 98 USPQ2d 1253, 1256 (Fed. Cir. 2011) (citing On-Line Careline, Inc. v. Am. Online, Inc., 229 F.3d 1080, 1085, 56 USPQ2d
`1471, 1474 (Fed. Cir. 2000)). Not all the du Pont factors, however, are necessarily relevant or of equal weight, and any one of the factors may
`control in a given case, depending upon the evidence of record. Citigroup Inc. v. Capital City Bank Grp., Inc., 637 F.3d at 1355, 98 USPQ2d at
`1260; In re Majestic Distilling Co., 315 F.3d 1311, 1315, 65 USPQ2d 1201, 1204 (Fed. Cir. 2003); see In re E. I. du Pont de Nemours & Co., 476
`F.2d at 1361-62, 177 USPQ at 567.
`
`(cid:160)I
`
`n this case, the following factors are the most relevant: similarity of the marks, similarity and nature of the goods and/or services, and similarity
`of the trade channels of the goods and/or services. See In re Viterra Inc., 671 F.3d 1358, 1361-62, 101 USPQ2d 1905, 1908 (Fed. Cir. 2012); In
`re Dakin’s Miniatures Inc. , 59 USPQ2d 1593, 1595-96 (TTAB 1999); TMEP §§1207.01 et seq.
`
`(cid:160)I
`
`n the present case, the applicant’s mark is highly similar to the registered mark because the marks are similar in appearance, sound, and
`commercial impression. Marks may be confusingly similar in appearance where there are similar terms or phrases or similar parts of terms or
`phrases appearing in both applicant’s and registrant’s mark, here the dominant term LEGENDARY. See Crocker Nat’l Bank v. Canadian
`Imperial Bank of Commerce, 228 USPQ 689 (TTAB 1986), aff’d sub nom. Canadian Imperial Bank of Commerce v. Wells Fargo Bank, Nat’l
`Ass’n , 811 F.2d 1490, 1 USPQ2d 1813 (Fed. Cir. 1987) (COMMCASH and COMMUNICASH); In re Phillips-Van Heusen Corp., 228 USPQ
`949 (TTAB 1986) (21 CLUB and “21” CLUB (stylized)); In re Corning Glass Works, 229 USPQ 65 (TTAB 1985) (CONFIRM and
`CONFIRMCELLS); In re Collegian Sportswear Inc., 224 USPQ 174 (TTAB 1984) (COLLEGIAN OF CALIFORNIA and COLLEGIENNE); In
`re Pellerin Milnor Corp., 221 USPQ 558 (TTAB 1983) (MILTRON and MILLTRONICS); In re BASF A.G., 189 USPQ 424 (TTAB 1975)
`(LUTEXAL and LUTEX); TMEP §1207.01(b)(ii)-(iii).
`
`(cid:160)T
`
`he term LEGENDARY is dominant because consumers are generally more inclined to focus on the first word, prefix, or syllable in any
`trademark or service mark. See Palm Bay Imps., Inc. v. Veuve Clicquot Ponsardin Maison Fondee En 1772, 396 F. 3d 1369, 1372, 73 USPQ2d
`1689, 1692 (Fed. Cir. 2005); Presto Prods., Inc. v. Nice-Pak Prods., Inc., 9 USPQ2d 1895, 1897 (TTAB 1988) (“it is often the first part of a
`mark which is most likely to be impressed upon the mind of a purchaser and remembered” when making purchasing decisions).
`
`(cid:160)T
`
`he additional wording in applicant’s mark COMICS is highly descriptive or generic wording regarding the nature of the services. Therefore,
`the identical wording LEGENDARY-creates the strongest commercial impression in each of the marks.
`
`(cid:160)H
`
`ere the goods and services are closely related because they are of the type that emanate from a single source. The evidence of record shows that
`the same entity commonly provides posters, photographs, and pictures as well as online non-downloadable comic books and graphic novels and
`publishes those comic books and graphic novels. See websites from:
`http://www.dcentertainment.com/
`http://marvel.com/comics
`www.sheldoncomics.com
`http://xkcd.com/
`http://archiecomics.com/
`http://www.darkhorse.com/
`
`(cid:160)(cid:160)
`
`
`https://imagecomics.com/
`http://www.topcow.com/
`http://www.onipress.com
`
`(cid:160)E
`
`vidence obtained from the Internet may be used to support a determination under Trademark Act Section 2(d) that goods and/or services are
`related.(cid:160) See, e.g., In re G.B.I. Tile & Stone, Inc., 92 USPQ2d 1366, 1371 (TTAB 2009); In re Paper Doll Promotions, Inc., 84 USPQ2d 1660,
`1668 (TTAB 2007).
`
`(cid:160)T
`
`he goods and services are commonly marketed under the same trademark. See the attached third party registrations that show the same mark
`used for both the applicant’s services and registrant’s goods. The third-party registrations showing the same mark for posters, photographs,
`pictures, publishing of comic books and graphic novels would indicate that in the marketplace consumers are used to seeing the goods and
`services provided by a single source under a single mark. See In re Anderson, 101 USPQ2d 1912, 1919 (TTAB 2012); In re Albert Trostel &
`
`Sons Co., 29 (cid:160)(cid:160) (cid:160)
`
`The overriding concern is not only to prevent buyer confusion as to the source of the goods and/or services, but to protect the registrant from
`adverse commercial impact due to use of a similar mark by a newcomer. See In re Shell Oil Co., 992 F.2d 1204, 1208, 26 USPQ2d 1687, 1690
`(Fed. Cir. 1993). Therefore, any doubt regarding a likelihood of confusion determination is resolved in favor of the registrant. TMEP
`§1207.01(d)(i); see Hewlett-Packard Co. v. Packard Press, Inc., 281 F.3d 1261, 1265, 62 USPQ2d 1001, 1003 (Fed. Cir. 2002); In re Hyper
`Shoppes (Ohio), Inc., 837 F.2d 463, 464-65, 6 USPQ2d 1025, 1026 (Fed. Cir. 1988).
`
`(cid:160)(cid:160) (cid:160)
`In view of the foregoing, the refusal to register under Section 2(d) of the Trademark Act is continued and made FINAL.
`
`PROPER RESPONSE TO FINAL ACTION – Substantive Refusal(s)/Requirement(s)
`Applicant must respond within six months of the date of issuance of this final Office action or the application will be abandoned.(cid:160) 15 U.S.C.
`§1062(b); 37 C.F.R. §2.65(a).(cid:160) Applicant may respond by providing one or both of the following:
`
`(1)(cid:160) A response that fully satisfies all outstanding requirements and/or resolves all outstanding refusals.
`
`(2)(cid:160) An appeal to the Trademark Trial and Appeal Board, with the appeal fee of $100 per class.
`
`(cid:160)3
`
`7 C.F.R. §2.64(a); TMEP §714.04; see 37 C.F.R. §2.6(a)(18); TBMP ch. 1200.
`
`(cid:160)I
`
`n certain rare circumstances, an applicant may respond by filing a petition to the Director pursuant to 37 C.F.R. §2.63(b)(2) to review
`procedural issues.(cid:160) 37 C.F.R. §2.64(a); TMEP §714.04; see 37 C.F.R. §2.146(b); TBMP §1201.05; TMEP §1704 (explaining petitionable
`matters).(cid:160) The petition fee is $100.(cid:160) 37 C.F.R. §2.6(a)(15).
`
`/Benji Paradewelai/
`Trademark Attorney
`Law Office 101
`U.S. Patent and Trademark Office
`Direct Dial: (571) 272-1658(cid:160)(cid:160)
`Email: benji.paradewelai@uspto.gov (for informal inquiries)
`http://www.uspto.gov (for filing Official responses)
`---
`
`(cid:160)T
`
`O RESPOND TO THIS LETTER: (cid:160) Go to http://www.uspto.gov/trademarks/teas/response_forms.jsp. (cid:160) Please wait 48-72 hours from the
`issue/mailing date before using the Trademark Electronic Application System (TEAS), to allow for necessary system updates of the application.(cid:160)
`For technical assistance with online forms, e-mail TEAS@uspto.gov.(cid:160) For questions about the Office action itself, please contact the assigned
`trademark examining attorney.(cid:160) E-mail communications will not be accepted as responses to Office actions; therefore, do not respond to
`this Office action by e-mail.
`
`(cid:160)A
`
`ll informal e-mail communications relevant to this application will be placed in the official application record.
`
`(cid:160)W
`
`HO MUST SIGN THE RESPONSE:(cid:160) It must be personally signed by an individual applicant or someone with legal authority to bind an
`applicant (i.e., a corporate officer, a general partner, all joint applicants).(cid:160) If an applicant is represented by an attorney, the attorney must sign the
`response.(cid:160)
`
`(cid:160)(cid:160)(cid:160)
`(cid:160)
`(cid:160)
`(cid:160)(cid:160)(cid:160)
`
`
`(cid:160)P
`
`ERIODICALLY CHECK THE STATUS OF THE APPLICATION: (cid:160) To ensure that applicant does not miss crucial deadlines or official
`notices, check the status of the application every three to four months using the Trademark Status and Document Retrieval (TSDR) system at
`http://tsdr.uspto.gov/. (cid:160) Please keep a copy of the TSDR status screen. (cid:160) If the status shows no change for more than six months, contact the
`Trademark Assistance Center by e-mail at TrademarkAssistanceCenter@uspto.gov or call 1-800-786-9199. (cid:160) For more information on checking
`status, see http://www.uspto.gov/trademarks/process/status/.
`
`(cid:160)T
`
`O UPDATE CORRESPONDENCE/E-MAIL ADDRESS:(cid:160) Use the TEAS form at http://www.uspto.gov/trademarks/teas/correspondence.jsp.
`
`(cid:160)(cid:160)
`
`
`Print: NOV 3, 2014-
`
`77928583
`
`DESIGN MARK
`
`Serial Number
`TT928583
`
`Status
`REGISTERED
`
`Word Mark
`LEGENDARY
`
`Standard Character Mark
`Yes
`
`Registration Number
`4435755
`
`Date Registered
`2DI3x11x19
`
`Type of Marin
`TRADEMARK
`
`Register
`PRINCIPAL
`
`Mark Drawing Code
`[4]
`STANDARD CHARACTER MARK
`
`Owner
`World Wrestling Entertainment, Inc. CORPORATION DELRWERE 1241 East
`Main Street Stamford CONNECTICUT 06902
`
`Goodsfserviees
`Claee Statue -- ACTIVE.
`
`IC 016.
`
`US
`
`U02 U05 U22 U23 029 O3? U38 050.
`
`G & 5: Posters; photographs: brochures, pictures. First Use:
`ZOLOHOB/30. First Use In Commerce: 2010/OBHSO.
`
`Filing Date
`2D;D/D2/D4
`
`Examining Attorney
`RWANG,
`JOHN
`
`Attorney of Record
`Lauren A. Dienee—Middlen
`
`
`
`LEGENDARY
`
`
`
`11/3/2014
`
`Image Comics| Chew#15(MR)
`
`COM|CS
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`NEWS
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`formats and howto read them here
`
`Published. November 10. 2010
`Story By:John Layman
`A“ BV5R°bG““'°’>’
`
`It's the final chapter of the ‘Just Desserts‘ and the
`biggest story in CHEW history, figuratively and
`literally. As we reach the one-quarter mark of the
`CHEW run, the last remaining major characters are
`introduced and an event transpires that is so
`shocking and unexpected that it changes the book
`forever, fundamentally and irrevocably. And, as a
`special sloppy, wet kiss to everyone who has
`supported the book and helped it to succeed
`beyond our wildest expectations: CHEW #15 is
`bonus-sized, with more story pages and a special
`
`TRI-FOLD POSTER COVER at no extra cost!
`
`DIGITAL RELEASE ARCHIVE
`
`DIGITAL COMICS
`
`November 5,2014
`
`September 24. 2014
`
`Chew: Warriol
`
`Chicken Poyo One-
`Shot
`
`July 30' 2014
`
`Creators;
`John Layman, Rob Guillory
`
`Latest Issue,
`Chew #43
`
`http://i mag ecomics.com/store/comics/chew-15-mr-
`
`
`
`1 1/3/201 4
`
`Image Comics | Chew #1 5 (M R)
`
`Chew #42
`
`June 25, 2014
`
`April 30, 2014
`
`February 26, 2014
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`January 22, 2014
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`December 11, 2013
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`October 9,2013
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`September 4. 2013
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`NEWRELEASES - UPCOMING RELEASES - COMIC SERIES - CREATORS - DIGITAL COMICS -
`NEWS - PRESS RELEASES - CONTACT - FAQ - SUBMISSIONS
`TERMS AND CONDITIONS - PRIVACY POLICY- COPYRIGHT INFRINGEMENT
`
`All content copyrxght © & Trademarked TM 2014 Image Comics or their respective ow ners
`Image and its Iogos are ® and © 2014 Image Comma, Inc AII rights reserved
`
`http://i mag ecomics.com/store/comics/chew-15-mr-
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`
`11/3/2014
`
`Image Comics | Freq uent|yAs|ed Questions
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`NEWS
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`SEARCH
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`LOGIN
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`
`What is Image Comics?
`
`Image is a comics and graphic novels publisher formed in 1992 by seven of Marvel Comics‘
`best-selling artists. Since that time,
`
`.
`
`,: TechJacket
`#5
`
`“ "
`
`3
`
`_
`
`_,
`
`,, ,. ' g
`
`’ November 5,
`2014
`
`Who are the Image founders?
`
`Image Comics was originally founded by seven artists: Erik Larsen, Jim Lee, Rob Liefeld, Todd
`McFar|ane, Whilce Portacio, Marc Silvestri, and Jim Valentino. Of those seven founders, only
`six opted to become full partners: Larsen, Lee, Liefeld, McFar|ane, Silvestri, and Valentino.
`
`Who are the current Image partners?
`
`There are currently five partners in Image Comics: Robert Kirkman, Erik Larsen, Todd
`McFar|ane, Marc Silvestri, and Jim Valentino.
`
`1?
`
`Are Todd McFar|ane Productions and Top Cow Productions part of Image?
`
`Yes.
`
`Punks:The
`c
`' #2
`om“:
`November 5,
`2014
`
`Nightworrd #4
`November 5_
`2014
`
`I
`
`~
`
`I
`
`'
`
`1
`
`Image is currently divided into three major houses: TMP - Todd McFar|ane Productions, Top
`Cow, and Image Central.
`
`“Partner studios" is how we referto TMP and Top Cow. This means that they are owned and
`fully controlled by an Image partner. As such, they are fully autonomous from Image Central and
`are not bound by the rules and regulations thereof(consider it like this: you do not tell your
`boss what to do. The partners own Image. Therefore, they are “the boss“). TMP and Top Cow
`are not “imprints" of Image, they are, for all intents and purposes separate publishing
`companies that are in partnership with Image.
`
`TMP publishes Spawn-related books including Spawn, He||Spawn, and Sam & Twitch. TMP
`is also the home of McFarlane Toys. Any inquiries about TMP products should be directed to
`Spawn.com.
`
`Marc SiIvestri‘s Top Cow Productions publishes Witchblade, Tomb Raider, Fathom, Joe‘s
`
`Comics (Delicate Creatures, Midnight Nation, and Rising Stars), and Battle of the
`Planets, among others. Inquiries about Top Cow products should be addressed to
`TOPCOW-Com
`
`Is Wi|dStorm Productions part of Image?
`
`No.
`
`!,“:"—"L“"T“—E“ Nailbiter #7
`November 5,
`2014
`
`TheMercenary
`Sea #7
`
`November6,
`2014
`
`’
`
`ran ens ern
`'l‘__/|i'=Idil'=I(met
`_
`#7
`November 5,
`2014
`
`=
`
`Jim Lee's WiIdStorm Production separated from Image Comics in 1998. Wildstorm (along with
`its imprints Homage Comics and America's Best Comics) is now part of DC Comics.
`
`The Li’L Depressed Boy:
`igpposed To Be There T00
`November 5, 2014
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`http://i mag ecomics.corn/about/faq
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`
`
`11/3/2014
`What does “creator-owned” mean?
`
`Image Comics | Freq uentlyAsled Questions
`
`“Creator—owned" means exactly that—the trademark and copyright of the work in question is
`wholly owned by its original creator. The majority of the comics and graphic novels published
`by Image are creator-owned. While lrnage as a company does have some say in the promotion
`and distribution of the titles it publishes, it is done with non—creative interference to protect the
`company and maintain responsibility for our public image.
`
`What‘s a miniseries?
`
`A miniseries, sometimes referred to as a finite or limited series, is essentially a finite comic book
`series, generally running between two to eight issues.
`
`lmperil #4
`
`,,
`
`~
`
`November 5,
`2014
`
`What’s the difference between a comic book and a graphic novel?
`
`_
`_
`_
`_
`_
`_
`_
`Comic books are typically 32-page periodicals. Graphic novels are published in book form and
`are generally much longer than a standard comic book. Some graphic novels compile serialized
`.
`.
`.
`.
`comics stories, while others feature completely new material.
`
`Hack/Slash:
`son of
`samham #5
`November 5,
`2014
`
`7
`
`=
`
`'
`
`‘‘
`
`_
`
`~
`
`What kind of comics and graphic novels does Image publish?
`
`Image comics and graphic novels cover nearly every genre, sub—genre and style imaginable.
`
`Image offers science fiction and romance, horror and crime fiction. Historical fiction, humor. You
`name it; Image has it—and all by the finest artists and writers working in the medium today.
`
`God Hates
`» Astronaut) #3
`November 5
`2014
`
`Where can I buy Image comics and graphic novels?
`
`Image comics are primarily sold in comic book specialty shops. To find a comic book shop near
`you, we recommend using Diamond Comics Distributors‘ free Comic Book Locator. Image
`graphic novels are also sold at bookstores. Check your local Yellow Pages for a listing of
`bookstores near you.
`
`.
`
`‘
`
`The Fuse #7
`November 5,
`2014
`
`Can I buy Image graphic novels at my local bookstore?
`
`Yes, and if a title isn't on the shelf at your local bookstore, most Image graphic novels are
`available for backorder.
`
`9
`'
`'
`'
`Can I find Image graphic novels at my local library.
`
`Not at even! library, but more and more Image graphic novels are finding their ways into
`libraries across the country. If you libraiy doesn't carry graphic novels yet, let them know you're
`interested! Ask them to order graphic novels for their YA section.
`
`Are Image comics and graphic novels distributed outside the United States?
`
`Yes. Image comics and graphic novels are available in over 50 countries, in over 20 languages,
`and that number is growing all the time.
`
`T
`
`.
`
`V
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`Have any Image properties been turned into movies or television series?
`
`Birthright #2
`
`November 5,
`2014
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`68:
`Homefront #3
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`November 5
`2014
`
`Yes. The Walking Dead is the best-rated cable television show on television, now in its third
`season on AMC. An adaption of Top Cow Productions‘ Wanted was a major motion picture that
`came out in the summer of 2008. Top Cow Productions’ Witchblade was a |ive—action
`television on TNT from 2001 to 2002 and a feature film is scheduled for a 2009 release. Todd
`
`The walking Dead, Vol. 22: A
`New Beginning TP
`November 5, 2014
`
`McFar|ane‘s Spawn was a major motion picture in 1997, as well as an Emmy Award-winning
`animated series on HBO, running from 1997 to 1999. Asequel to Spawn is presently in
`
`http://i mag ecomics.corn/about/faq
`
`
`
`11/3/2014
`
`Image Comics | Freq uentlyAsled Questions
`
`development. Erik Larsen’s Savage Dragon was an animation series on the USA Network from
`1994 to 1996, and Sam Kieth's The Maxx ran on MTV from 1994 to 1995. Numerous Image
`series have also been optioned fortelevision and film, including Chew (with Showtime), Thief
`of Thieve (with AMC), Noble Causes, Area 52, and Aria.
`
`Have Image characters crossed over with characters from other comics publishers?
`
`Yes. Image has done crossovers with publishers as diverse as Marvel, DC, Dark Horse, Archie,
`Harris, and Mirage, among others. In particular, Spawn has crossed overwith Batman.
`ShadowHawk has crossed over with Vampirella. Savage Dragon has crossed over with
`Superman, Hellboy, the Teenage Mutant Ninja Turtles, and the Atomics. Top Cow's characters
`(including Witchblade) have crossed over with Wolverine, Silver Surfer, Shi, and Darkchylde.
`All of the above Image characters have appeared together with Sonic, the Hedgehog. Most
`recently, Invincible has crossed over with Spider-Man.
`
`_
`_
`_
`Can I read Image comics and graphic novels online?
`
`Image presently offers five—page previews of past, present and future Image titles online.
`Complete versions of Image titles are also available in our features section.
`
`How often is the Image Website updated?
`
`Nearly daily! There's always something new on the site, ranging fromthe latest news to
`updates of our five-page previews or shipping schedules.
`
`Do Image comics run paid advertisements?
`
`Not in all instances, but occasionally, yes.
`
`Does Image ever reprint material previously published by other companies?
`_
`_
`_
`Yes. Image frequently reprints material that has been published elsewhere. Some examples
`include The One Trick Rip-0ff+ Deep Cuts, The Monolith, Liberty Meadows,
`our Zorro books, Hammer of the Gods, Nowheresville, andMadman.
`
`Does Image hire writers and artists to produce its comics?
`
`No. Since the overwhelming majority of Image comics and graphic novels are creator-owned,
`Image does not operate like a typical comics publisher. We do not assign writers and artists to
`the titles we publish; the creators determine who will be involved with the production of their
`individual titles.
`
`Does Image accept proposals for new comics and graphic novels?
`
`Yes. Please read our submissions guidelines for more information.
`
`Who decides which submissions get approved?
`
`I
`
`it
`
`KinskiTP
`November 5,
`2014
`
`Penny Dora &
`The Wishing
`Box #1
`November 5,
`2014
`
`‘
`
`‘
`
`,-
`' ;,
`
`Artifacts #40
`
`November 5
`2014
`
`‘
`
`’
`
`American
`Legends #1
`, November 5,
`2014
`
`,
`
`.
`
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`
`1'
`
`7'
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`#1
`glgyfmber 5'
`
`7- Tooth And
`C|aW#1
`November 5,
`
`2014
`
`Publisher Eric Stephenson personally reviews every proposal. When he finds one he likes, it is
`passed around to the office staff for their input. The proposal is then reviewed at our weekly
`staff meeting.
`
`On what criteria is a book reviewed?
`
`The Superannuated Man #4
`
`N°Vembe' 5’ 2014
`
`There are several. First, we determine ifthe story and art reflect our standards. is it
`professionally executed? Is there an interesting concept or an interesting, new take on an old
`
`http://i mag ecomics.corn/about/faq
`
`
`
`11/3/2014
`
`Image Comics | Freq uent|yAs|ed Questions
`
`concept? Is there a perceived audience forthe work? Do we have a high degree of confidence
`that we can reach that audience.
`
`QSUPEM WED
`
`_» MANV
`
`Is there any particular genre Image is looking for?
`
`No. Image publishes a wide variety of comics. We are looking for good, weII—to|d stories and
`exceptional artwork that run the gamut in terms of both style and genre.
`
`Will someone reply to my submission?
`
`We do our best to respond to submissions. However, due to the high volume and the amount of
`manpower required, there are no guarantees every submission will be responded to.
`
`Will my submission be returned?
`
`No. This is why we askthose submitting proposals NOT to send original art. Please 8 1/2 X 11
`photocopies only. Please DO NOT send your submission floppy or compact disk. We only
`accept hard copies. Please DO NOT send a se|f—address stamped envelope.
`
`Can I submit a proposal to Image via email?
`
`Yes. Proposals are accepted through email. Please read our submissions guidelines for more
`.
`.
`information.
`
`How do I know if my submission got there?
`
`Check the address carefully prior to mailing your submission. Put “ATTN: SUBMISSIONS“
`
`above the Image address on your envelope. Be sure to also include a cover letter with a current W
`email address clearly typed at the top.
`
`Should I make a follow up call?
`
`No. Please be patient. We look at ALL submissions and will eventually get to yours. Please
`make sure a you provide a current email address along with your book proposal.
`
`What if I only write and I don’t have an artist?
`
`Please read the submissions guidelines and note that we do not assemble creative teams. If
`you are a writer and cannot find an artist to work with (orvice-versa), we suggest you submit
`your samples to Marvel, DC, Dark Horse, or any of the other publishers who hire freelance
`writers and artists.
`
`How does publishing a comic book or graphic novel through Image work?
`
`Spread #4
`
`_,
`4‘
`
`'
`
`.
`
`~
`
`. November 5,
`2014
`
`Spawn #248
`
`November 5
`2014
`
`H
`
`Velvet #8
`
`November 5,
`2014
`
`Chew #44
`
`November 5,
`2014
`
`__
`
`_V
`
`‘
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`_
`J
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`'
`
`‘A
`
`Real Heroes
`
`#4
`November 5,
`2014
`
`Image was set up so that creators could do what they want with their creations, and reap the
`benefits financially. When a book is published by Image, creators are not paid up front.
`It can
`sometimes be two orthree months before one sees money from a book.
`It sounds rough, and it
`most definitely can be. But if it's done right, the payoff can be far more rewarding than
`producing a book in the conventional manner.
`
`Ten Grand #11
`2'8}/fmber 5‘
`
`.
`
`'
`
`‘
`
`When the creator does finally get paid, they get paid on what their book makes after the cost of
`printing and image's modest office fee, which covers solicitations, traffic, production, and some
`promotion of the book. We make no more money off of our highest selling book than we do our
`lowest.
`
`Does Image take my film and television rights?
`
`hflp://i mag ecomics.corn/about/faq
`
`
`
`11/3/2014
`
`Image Comics | Freq uentlyAsled Questions
`
`No. You own ALL of your rights.
`
`Can I “rent“ or ‘‘lease‘' the Image “i” for my comic or graphic novel?
`
`is not for “rent“ or “ lease" under any circumstances. Asubmission must be
`No. The Image
`approved prior to publication.
`
`How do I get ajob at Image?
`
`There are presently no positions available, but when ajob does open up, we will post a listing
`here on the site.
`
`Does Image Comics offer subscriptions to its titles?
`
`For a variety of reasons, Image does not offer subscriptions, but if you're interested in receiving
`your comics through the mail there are a number of online comics retailers who can provide a
`similar service.
`
`What does “TPB” stand for?
`
`“TPB" stands for trade paperback.
`
`NEWRELEASES - UPCOMING RELEASES - COMIC SERIES - CREATORS - DIGITAL COMICS -
`NEWS - PRESS RELEASES - CONTACT - FAQ - SUBMISSIONS
`TERMS AND CONDITIONS - PRIVACY POLICY- COPYRIGHT INFRINGEMENT
`
`All content copyright © & Trademarked TM 2014 Image Sonics or their respective ow ners
`huge and its logos are ® and © 2014 Image Comics, Inc All rights reserved
`
`http://i mag ecomics.corn/about/faq
`
`
`
`11/3/2014
`
`Image Comics l Releasesl Spawn Compendium, Vol. 1 TP
`
`COMICS
`
`NEWS
`
`SEARCI-l
`
`LOGlN
`
`REGISTER
`
`Google + Reddit
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`COMICS
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`SERIES
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`RELEASES
`
`SPAVV|\l
`
`FIND A STORE
`
`Spawn Compendium, Vol. 1 TP
`
`Story By: Todd M<:Far|ane
`Alt By: Todd McFar|ane
`Art By: Greg Capullo
`Art By: Tony Daniel
`
`Price $59 99
`Diamond ID‘ NOV110412
`
`Published: January 11, 2012
`
`TODD McFARLANE unleashed his signature
`creation, Spawn, in 1992.
`In doing so, he created
`the most successful independent comic book in
`history. Add in collaborations with industry giants
`ALAN MOORE, FRANK MILLER, TONY DANIEL
`and GRANT MORRISON and Spawn's future as a
`legend was sealed.
`
`Collected forthe first time in black and white format,
`McFARLANE’s hyper-detailed artwork comes to life
`like never before. Relive all the excitement of
`
`everyone‘s favorite anti-hero with this new
`collection.
`
`Collects SPAWN #1 -49
`
`RELEASE ARCH IVE
`
`Spawn: Origins, Vol.
`19 TP
`
`September 25, 2013
`
` Spawn: Origins,
`300'‘ 3 “'3
`
`March 20. 2013
`
`5"“‘”’”“°'“
`
`Creators:
`Todd l\/lcFarlane
`
`Latest Issue:
`Spawn #247
`
`https://i mag ecomics.oom/comics/releases/spav\m-compendium-vol.-1-tp
`
`
`
`1 1/3/201 4
`
`Image Comics 1 Re|eases| Spawn Compendium, Vol. 1 TP
`
`Spawn: Origins
`Collection - Deluxe
`Edition Three
`
`November 21, 2012
`
`Spawn: New
`Beginnings, Vol. 2
`TP
`
`January 25, 2012
`
`Spawn
`Compendium, Vol.1
`TP
`
`January 11, 2012
`
`see more
`
`Spawn #249
`
`Spawn #248
`
`Spawn #247
`
`Spawn #246
`
`Spawn #245
`
`Spawn #244
`
`Spawn #243
`
`Spawn #242
`
`Spawn #241
`
`December 3. 2014
`
`November 5, 2014
`
`October 8. 2014
`
`August 27, 2014
`
`July 9, 2014
`
`June 4,2014
`
`May 7, 2014
`
`April 9, 2014
`
`March 12,2014
`
`https://i mag ecomics.oom/comics/releases/spai/incompendium-vol.-1-tp
`
`
`
`11/3/2014
`
`Image Comics I Re|eases| Spawn Compendium, Vol. 1 TP
`
`Spawn #240
`
`February 12, 2014
`
`NEWRELEPSES — UPCOMING RELEASES — COMIC SERIES — CREATORS — DIGITAL COMICS —
`NEWS - PRESS RELEASES - CONTACT - FAQ - SUBMISSIONS
`TERMS AND CONDITIONS - PRIVACY POLICY- COPYRIGHT INFRINGEMENT
`
`All content copyrIgI'1t© & Trademarked TM 2014 Image Comes or their respective ow ners
`huge and its Iogos are ® and © 2014 Image Comxcs. Inc. AII rights reselved
`
`https://i mag ecomics.oom/comics/releases/spavxncompendium-vol.-1-tp
`
`
`
`11/3/2014
`
`Image Comics i Releases | Spawn: 20th Anniversary Poster #4 (of 4)
`
`COMICS
`
`NEWS
`
`SEARCI-I
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`LOGiN
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`REGISTER
`
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`SERIES
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`RELEASES
`
`SPAWN
`
`FIND A STORE
`
`Spawn: 20th Anniversary Poster
`#4(of4)
`
`Art By: Clayton Crain
`
`Price $9.99
`Diamond ID: SEP120-427
`Published: November 14. 2012
`
`Finish Todd McFar|ane Productions’ yearlong celebration of
`20 years of Spawn in style! The final installment of our 2012
`quarterly poster program is going out with a bang! Fan-
`favorite artist CLAYTON CRAIN offers up this memorable
`digitally painted masterpiece foryour walls. Sized perfectly
`for framing, you don‘t want to miss the last installment of
`the 20th Anniversary poster series!
`
`RELEASE ARCH IVE
`
`Spawn: Origins, Vol.
`19 TP
`
`September 25, 2013
`
`spawn; origins,
`B°°k 3 HC
`
`March 20, 2oi3
`
`Spawn: Origins
`Collection - Deluxe
`Edition Three
`
`November 21, 2012
`
`Spawn: New
`Beginnings» V°l- 2
`TP
`
`January 25, 20i2
`
`Creators:
`
`Todd l\/lcFarlane
`Latest Issue:
`Spawn #247
`
`https://i mag ecomics.oom/comics/releases/spai/in20th-anniversary- poster-4—of-4
`
`
`
`11/3/2014
`
`Image Comics 1 Releases | Spawn: 20th Anniversary Po