I understand that, for purposes of my analysis in this inter partes review proceeding, the terms appearing in the patent claims should generally be interpreted according to their “ordinary and customary meaning.” See Phillips v. AWH Corp., 415 F.3d 1303, 1312 (Fed. Cir. 2005) (en banc).

As previously discussed (supra Section III), as of the Critical Date, POSITAs would have understood the term “synchronizing” to include establishing a relationship between each of a plurality of video takes and an audio track.

As previously discussed (supra Section III), as of the Critical Date, POSITAs would have understood the term “synchronizing” to include establishing a relationship between each of a plurality of video takes and an audio track.

($10,000, with 5 co- awardees) Gerald W. Farnell Teaching Scholar, Faculty of Engineering ($12,500) US Ignite Best App in Education, Augmented Reality for Improved Training of First Responders Canadian National Institute for the Blind, Hochhausen Access Tech- nology Research Award ($10,000) Mozilla Foundation and NSF Gold Prize in the Mozilla Ignite Challenge (out of 305 submissions in the Brainstorming Round) ($5,000) for Real- Time Emergency Response Canadian Internet Registry Association .CA Impact Award (Applica- tions category) for In-Situ Audio Services Project ($5,000) Nominee, NSERC Brockhouse Canada Prize ACM/IEEE Supercomputing, Most Innovative Use of New Technology for Wide Screen Window on the World: Life Size HD Videoconferencing Audio Engineering Society Citation Award for pioneering the technol- ogy enabling collaborative multichannel performance over the broad- band internet

Real-Time Emergency Response (rtER) (with HQP S. Smith, J. Blum, A. Eichhorn, J. An- lauff, S. Beniak, N. Jain, and S. Salenikovich) provides an envisionment of the future of next- generation 911 (NG-911) technologies, supporting enhanced situational awareness for first respon- ders through the use of citizen-supplied smartphone video streams and other relevant data [J11].

Determine a playback screen size Animate and display the photo with the music End Figure 9 9 1 0 9 1 5 Patent Application Publication Aug. 27, 2015 Sheet 10 0f 10

[0016] These and other features, aspects, and adVantages of the present disclosure are better understood when the follow- ing Detailed Description is read with reference to the accom- panying drawings.

Aug. 27, 2015 spanned by data in a discrete track may vary based on a standard or be set for each Video segment and indicated in metadata within, for example, a header.

Typically, although not necessarily, such quantities may take the form of electrical or magnetic signals capable of being stored, transferred, combined, compared, or otherwise manipulated.

It has proven convenient at times, principally for reasons of common usage, to refer to such signals as bits, data, values, elements, symbols, characters, terms, numbers, numerals, or the like.

For example, the pre-existing music video and the end- user-supplied additional visual data may both be in full colour, but nonetheless be readily distinguished because of the characteristics of the lighting used to shoot them.

None of the arguments presented in this Petition were presented by the examiner or addressed by the applicant.

For example, the transition points may be detected by filtering, normal- izing, applying a threshold, comparing, and/or combining the Values indicatiVe of the perceptual characteristics that are assigned to different portions of the audio data.

In one specific example, the synchronizing module 108 may be configured to process the perceptual character- istics to determine, generate, or select a transition point within the audio data that produces a designated emotional response in a listener.

For example, the perceptual model 104 may rank the dif- ferent portions of the audio signal according to the ascer- tained values that are indicative of inducing the perceived emotional impact on the listener.

A method as described in claim 3, wherein a value for a second perceptual characteristic is detected by applying a frequency specific attenuation function to the normalized spectrogram.

A system as described in claim 9, wherein the one or more modules are further configured to accentuate the audio data corresponding to the selected transition point to amplify the designated emotional response in the listener.

Then, if none of the markers that were obtained by the “volume” method are satisfactory, the algorithm could use markers produced by a beat detection algorithm, etc. Needless to say, because of the increased complexity of this ...

However, and continuing with the example, only if none of the key change markers proved to be acceptable for use with the selected video transition, would the markers associated with entry/exit be examined.

On the other hand, if none of the highest priority markers are suitable, the instant algorithm will preferably move to an examination of the next-highest priority markers, etc. If none of the markers from any category prove to be ...

... lnc., Brooklyn, NY; Assignment For Published Patent Application Mibblio, lnc., Brooklyn, NY Power of Attorney: The patent practitioners associated with Customer Number 03705 Domestic Applications for which benefit is claimed - None.

) - None.

Certified copies: b)|:| Some” c)|:I None of the: a)I:l All 1.|:I Certified copies of the priority documents have been received.

One suitable video cassette recorder is the Premier 99 model manufac- tured by Hundai and distributed by Sing Young Music World, located at 18438 Colima Road, Unit 105, Rowland Heights, Calif. 91748.

The central processing unit 76 is also programmed to serve as a means for transmitting to the video display monitor 42 a choice of selection of different print font styles to the human occupant 21.

The central processing unit 76 transmits messages to the video display monitor 42 at step 102 advising the customer as to the remaining amount of money that must be inserted into the slot 52.

At the conclusion of the recordation of the karaoke performance and title selection, the central processing unit 76 takes all data from temporary storage on the hard disk 72 and directs it to a MEPG converter 137.

the Concurrently with its command to the printer 82, central processing unit 76 stores the information as to which karaoke musical composition and background scene were selected, and whether a CD 55, a video tape cassette 57, or both were recorded.

2003 by the President and Fellows ofllamrd College All rights reserved ‘ Primed in the United Slates ofAmerica Instrument drawings by Carmela Clamps and Laszlo Mcszoly.

a formative and essential element of the Greek drama, both sang and danced, and varied considerably in size at differ- ent times.

This occupation of differ- ent vocal ranges by sections of the chorus was essen‘ ‘ tial to the development of the equal-voice imitative style of Renaissance polyphony.

This incrcase in size led to dis- torted performances of earlier choral music Conceived for smaller numbers [see Additional accompaniment].

a single statement of the harmonic-me- lodic pattern (as of a 32-bar popular song in MBA form or the l2-bar 'blues chord progression) whose varied repetition constitutes a performanCc ofa piece.

Goto, et al., “Real-Time Rhythm Tracking for Drumless Audio Signals—Chord Change Detection for Musical Deci- sions,” IJCAL-97 Workshop on Computational Auditory Scene Analysis, pp. 135-144.

Mastaka Goto, Yoichi Muraoka; “A Beat Tracking System for Acoustic Signals of Music,” Association of Computing Machinery, Multimedia 94-Oct. 1994 San Francisco, CA, USA,pp.

In W. R. Neuman, “Beyond HDTV: Exploring Subjective Responses to Very High Definition Television,” MIT Media Laboratory Report, July 1990, listeners judged identical video clips to be of higher quality when accom- panied by higher-fidelity audio or a musical soundtrack.

Further, even simplified tools require extensive creative input by the user in order to precisely select and arrangethe portions of video of interest.

In Christel, M., Smith, M., Taylor, C., and Winkler, D., “Evolving Video Skims into Useful Multimedia Abstractions,” Human Factors in Computing Systems, CHI 98 Conference Proceedings (Los Angeles, Calif.), New York: ACM, pp. 171-178, 1998; Pfeiffer, S., Lienhart, R., Fischer, S., and Effelsberg, W., “Abstracting Digital Movies Automatically,” Journal of Visual Communication and Image Representation, 7(4), pp. 345-353, December 1996; and Smith, M., and Kanade, T., “Video Skimming and Characterization through the Combination of Image and Language Understanding Techniques,” Proc.