=REz=
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`8a
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`a
`EEi
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`STEPPING INTO STORE WINDOWS
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`URE:
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`PLUS
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`PRIORART_00000319
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 1
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`WOD:pPs0991/21N}JIB}IIYIAR"MMMSFINVdWODT1IH-MVYDOWAHL40NOILVOITENdWVGZ6$ony
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 1
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`

`

`ARCHITECTURAL
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`PRIORART_00000324
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 2
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 2
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`

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`ARCHITECTURAL
`RECOR D
`
`09.2004
`
`On the Cover: Q/, by Graft. Photograph by Hiepler Brunier
`Right: Barneys New York window. Photograph courtesy Simon Doonan
`
`
`
`News
`27 Major world projects face an uncertain future
`46 Ground Zero—threeyearslater
`
`Departments
`19 Editorial: New Kind of Hero
`23 Letters*
`57 Dates & Events*
`
`67 Archrecord2: For the emerging architect by Randi Greenberg*
`71 Correspondent’s File: Cairo by SeifEl Rashidi
`77 ‘Critique: The critic and the building by Robert Campbell, FAIA
`81 Books: Landscapeand the garden
`86 Exhibitions: Tall Buildings by Deborah Snoonian, PE.
`89 Snapshot: Do-Ho Suh’s 348 West 22nd St., Apt. A by Sara Hart
`244 Profile: Robert Young by Deborah Snoonian, P.E.*
`
`Features
`94 Shallow Space by Thomas Hine
`Store windowsremain beaconsof style and compositional ideas.
`Building Types Study 837
`111 Introduction by Sarah Amelar
`112 De Lairesse Apotheek, Amsterdam by Tracy Metz*
`Concrete Architectural Associates
`Holistic pharmacy suggests a temple oftranquillity and well-being.
`118 IniAni Coffee Shop, New York City by Clifford A. Pearson*
`Lewis. Tsurumaki. Lewis
`
`128 QI, Berlin by Philip Jodidio*
`Graft
`A hard-angled gray box harborshotel’s streamlined interiors.
`136 AZ Los Angeles, Los Angelesby Sarah Amelar*
`Studio 0.10 Architects
`Soundstudio’s design transcends auditory considerations.
`142 Fabryka Trzciny, Warsaw by SamLubell*
`Kulcezynski Architects
`Wearingits history on its sleeve, factory gets makeoverasarts center.
`148 James Stewart Centre, Ontario by Barbara Dixon*
`Kuwabara Payne McKenna Blumberg
`Behind a neo-Gothicshell, Modernist mathcenterinvites collegiality.
`
`For 5 additional projects, go to Building Types
`Study at architecturalrecord.com.
`
`Architectural Technology
`169 Introduction by Deborah Snoonian, P.E.
`171 Mold May Not Be a Severe Health Menace,
`but It Is Still a Complex Problem Ss
`by Nancy B. Solomon, AIA*
`Understandingair, heat, and moisture flowforbetter air quality.
`181 Digital Commentary: Building Information Modeling
`by Ken Sanders, FAIA
`184 Zoom In: SCL Headquarters by Deborah Snoonian, P.E.
`187 Tech Briefs
`191 Tech Products
`
`Fast, cheap, and inventive: Design turnscafe’s limitationsintoassets.
`122 The Skyscraper Museum, New York City by Suzanne Stephens*
`Skidmore, Owings & Merrill
`226 AIA/CES Self-Report Form*
`228 Reader Service*
`Smoke and mirrors make horizontalspacea tall-building showcase.
`
`buezy,Ye
`s% The AIA/ARCHITECTURAL RECORD
`
`“ad Continuing-Education Opportunityis “Mold May Not Bea
`Severe Health Menace, butItIs Still a Complex Problem”(page 171). To find out about
`other Continuing Education opportunitiesin this issue, go to the box on page 171.
`
`Products
`205 Walls & Ceilings
`209 Product Briefs
`
`222 Product Literature
`
`* You can find these stories at www.architecturalrecord.com,
`including expanded coverage ofProjects, Building Types Studies, and Web-
`only special features.
`
`09.04 Architectural Record
`
`13
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`PRIORART_00000333
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 3
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 3
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`

`

`Products wai: &Ceilings
`
`Wall and ceiling manufacturers continue to develop products that improve
`acoustics, mold and mildew resistance, and design flexibility, while furthering
`the ongoing effort to be sustainable. The following roundupincludes a
`“breathable” wall covering and the latest 3D ceiling panel. Rita F Catinella
`
`\L
`
`=
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`
`
`Flexible textile walls expand and compress to create rooms-within-a-room
`Soft Wall is a flexible partition pre-
`design is the Soft House, a housing
`fabricated from 600thin layers of
`system thatutilizes the same honey-
`a soft, translucent, nonwoventextile.
`combstructure and appliesit to an
`The product is currently in develop-
`enclosed room.Intended to provide
`a flexible relationship betweenthepri-
`ment by molo design, the product
`vate and public spaces of the home,
`design firm founded by Canadian
`the structure allows rooms and walls
`architects Stephanie Forsythe and
`Todd MacAllen, whose architectural
`to openin a variety of ways or com-
`endeavors include a $140 million
`pletely fold away whennotin use.
`public space project in Aomori, Japan.
`Working closely with a non-
`woven-textile manufacturer and
`Soft Wall’s expandable honey-
`combstructure optimizesthetextile’s
`honeycombfabricators, the archi-
`acoustic-dampening properties, can
`tects are designing the material for
`both Soft Wall and Soft House to be
`transmit or absorblight, is compress-
`flame-, U.V.-, and chemical-resistant,
`ible for storage and transport, and
`allowsthe walls to open, curve, or
`as well as 100 percentrecyclable
`fold away whennotin use. The wall
`and madewith recycled content.
`measures a mereinchin length when
`The studio hopes to have a 4' and 6'
`version of the wall available in spring
`compressed and extends to lengths
`of 20' or more when expanded.
`2005. molo design, Vancouver.
`The Soft Wall (above) can create a flexible private space within a larger room.
`Another concept from molo
`www.molodesign.com crrcLe 200
`
`
`
`
`
`ing to spaces ranging
`from building lobbies
`and corridors to hospi-
`tality and retail settings.
`The panel's distinctive
`repeating pattern also
`helps hide the grid sys-
`tem while still providing
`the accessibility of a
`suspendedceiling.
`The 24" x 24" pan-
`els have a square
`edge detail andinstall
`easily in an Armstrong
`Prelude “%c" suspen-
`Embossed-plaster-style
`sion system. Ledges
`ceiling helps hide the grid
`ceiling panels carry a
`Ledges, a new suspendedceiling
`Class A UL Flame Spread rating
`from Armstrong, provides archi-
`and have a Light Reflectance value
`tects with the 3D look and clean,
`of .80, meaning they reflect 80
`smoothfinish of embossed plaster
`percentof the light that strikes
`at a fraction of the cost. The ceil-
`them to help them brighten a
`space. Armstrong World Industries,
`ing’s design, reminiscent of Old
`Lancaster, Pa.
`World raised-panel woodwork, adds
`dimension and architectural cetail-
`www.armstrong.com CIRCLE 201
`
`Working with poured castresin as a
`base material, the L.A.-basedfirm
`em [collaborative studio] offers a
`range of products, includinglight-
`ing, tables, chairs, and
`accessories. The studio’s Helix
`3D partition wall features rotat-
`ing translucent resin panels with
`stainless-steelrods, plates, and
`collars in a mirror or brushed
`finish. Each 24"
`
`high x 36" long
`panel is separated
`from the next by a
`3" space. The wall
`system shown here
`features mixed sur-
`face treatments,
`includingall frosted
`and oneside frosted/one side
`patterned. Since each pieceis
`produced manually, there may
`be slight dimension and color
`
` Hand-cast-resin rotating partition wall
`
`variations from piece to piece.
`em [collaborative studio], Los
`Angeles. www.emcollection.com
`CIRCLE 202
`
`
`
`
`
`
`
`
`
`For more information,circle item numbers on Reader Service Card or go to www.archrecord.com, under Resources, then ReaderService.
`
`09.04 Architectural Record
`
`205
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`PRIORART_00000531
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 4
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`Petitioner Chanel, Inc. Exhibit 1028
`Page 4
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