throbber
UNITED STATES PATENT AND TRADEMARK OFFICE
`_____________
`
`BEFORE THE PATENT TRIAL AND APPEAL BOARD
`_____________
`
`WALMART INC.,
`Petitioner,
`
`v.
`
`CARAVAN CANOPY INTERNATIONAL, INC.,
`Patent Owner.
`______________
`
`Case No. IPR2020-01026
`Patent No. 5,944,040
`Issue Date: AUGUST 31, 1999
`Title: COLLAPSIBLE TENT FRAME
`_______________
`
`EX. 2014
`DECLARATION OF LANCE RAKE
`
`
`
`
`
`Patent Owner CCI
`Ex. 2014 - Page 1
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`

`

`TABLE OF CONTENTS
`
`Page
`INTRODUCTION ............................................................................................................... 1
`I.
`BACKGROUND AND QUALIFICATIONS ..................................................................... 2
`II.
`APPLICABLE LAW ........................................................................................................... 7
`III.
`LEVEL OF ORDINARY SKILL IN THE ART ................................................................. 9
`IV.
`THE ’040 PATENT ........................................................................................................... 10
`V.
`HUMAN FACTORS IN DESIGN .................................................................................... 12
`VI.
`VII. WALMART’S GROUNDS OF UNPATENTABILITY ................................................... 14
`A. Walmart’s General Motivations To Combine The References .............................. 14
`1.
`To Increase Headroom Under the Tent ...................................................... 18
`2.
`To Increase the Pitch of the Canopy .......................................................... 33
`a)
`Shedding Rainwater ....................................................................... 34
`b)
`Aesthetic Appeal ............................................................................ 44
`To Increase Tension in the Canopy ........................................................... 46
`a)
`Sagging .......................................................................................... 47
`b)
`The Risk of the Rooftop Collapsing, Bending, or Leaking
`Rainwater ....................................................................................... 52
`Tension ........................................................................................... 54
`c)
`VIII. CONCLUSION .................................................................................................................. 59
`
`
`
`
`
`3.
`
`-i-
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`Ex. 2014 - Page 2
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`I.
`
`INTRODUCTION
`
`1.
`
`I have been retained on behalf of Caravan Canopy International, Inc.
`
`(“Caravan” or “Patent Owner”) as an independent expert consultant to provide this
`
`Declaration concerning technical subject matter relevant to the Petition for Inter
`
`Partes Review of U.S. Patent No. 5,944,040 (the “’040 patent”) filed by Walmart,
`
`Inc. (“Walmart” or “Petitioner”). (Paper No. 1, “Petition” or “Pet.”).
`
`2.
`
`I submit this Declaration to offer my expert opinion regarding the
`
`validity of the challenged claims of the ’040 patent in light of the grounds of
`
`unpatentability set forth by Walmart in its Petition.
`
`3.
`
`I have set forth my academic and professional qualifications and
`
`relevant experience in Section II of this Declaration and have attached a copy of
`
`my curriculum vitae as Appendix A.
`
`4.
`
`In forming the opinions I express in this Declaration, I considered the
`
`materials referenced in Appendix B and the references discussed in this
`
`Declaration. Further, I relied on my own knowledge, training, and over 40 years of
`
`experience in designing, developing, teaching, and consulting in the industrial
`
`design industry.
`
`5.
`
`I am being compensated at my standard hourly rate.
`
` My
`
`compensation is not related in any way to the outcome of this proceeding, and I
`
`have no other interest in this proceeding. I have not been retained by either Patent
`
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`Owner or Petitioner prior to this matter.
`
`6.
`
`It is my opinion that claims 1-3 of the ’040 patent are not unpatentable
`
`in view of the grounds of unpatentability Walmart set forth in its Petition. The
`
`substance and bases of my opinions appear below.
`
`II. BACKGROUND AND QUALIFICATIONS
`
`7.
`
`I am an industrial designer and a design researcher and educator. I
`
`have a Bachelor’s Degree in Industrial Design from the University of Kansas,
`
`received in 1974, and a Master’s Degree in Product Design from North Carolina
`
`State University, received in 1982.
`
`8.
`
`By way of background, I’ve found the following excerpt from a 2004
`
`brochure from the Industrial Designer’s Society of America (IDSA) to be a helpful
`
`oversight of the field of industrial design (emphasis added):
`
`Industrial design is the profession that determines the form of a
`manufactured product, shaping it to fit the people who use it and the
`industrial processes that produce it…. Preparation for practicing
`Industrial Design requires a baccalaureate degree in that field.
`Industrial design links knowledge about technology and the visual
`arts with knowledge about people. In addition to a thorough
`understanding of the physical sciences, engineering principles,
`ergonomics, aesthetics, and industrial materials and processes,
`Industrial Designers should be well-grounded in the social sciences,
`such as psychology, sociology and anthropology, and
`the
`communication arts, such as photography, video, print and electronic
`
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`media.
`
`9.
`
`I have worked as an industrial designer continuously for 46 years
`
`since receiving my undergraduate degree in 1974. In 1980, I began my career as a
`
`full-time faculty member at various universities. From 1980 to 1984, I was an
`
`Assistant Professor of Industrial Design at Auburn University. From 1985 to 1986,
`
`I taught Product Design at UNITEC Institute of Technology in Auckland, New
`
`Zealand.
`
`10.
`
`I then returned to the United States and began teaching at the
`
`University of Kansas in 1987 as an associate professor. I am presently a full
`
`professor with the University of Kansas, and my formal title is Professor of
`
`Design, School of Architecture & Design. Also while at the University of Kansas,
`
`I was the Founding and Acting Director of the Center for Design Research from
`
`1991-2005.
`
`11. For 16 years, from 2000-2016, I served as a design consultant to
`
`Infusion Design. My creative activity there centered on collaborative design work
`
`in the transportation and consumer products industries. As a practicing
`
`professional, I have designed commercial and consumer products, transportation
`
`interiors, packaging, and exhibits for over 80 different clients. I have been retained
`
`to create designs for softgoods including boat awnings, bags, footwear, and
`
`competitive athletic clothing, multiple consumer products, and airplane and boat
`
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`interiors.
`
`12.
`
`In 2005, as Director of the Center for Design Research, I led a design
`
`team on a design project for Wenzel titled “New Product Ideas for Family
`
`Camping Tents”. Our team developed several design alternatives that explored
`
`new configurations for family tents for improved usability in a price sensitive
`
`product category.
`
`13. As a design practitioner and educator, I have conducted and/or
`
`directed research into the study of markets from a product design perspective, as
`
`well as researching human factors and product usability. I have given
`
`presentations on design at several institutions around the world on topics including
`
`ergonomics, design education, design practice, and contemporary issues in the
`
`practice of industrial design.
`
`14. My work has been featured in numerous articles and texts, including
`
`the text “Think Wrong,” relating to design innovation and processes. “Think
`
`Wrong” features a story about my design process, focusing on my philosophy of
`
`working with and manipulating physical materials early in the design process to
`
`develop prototypes early in the design process.
`
`15.
`
`I have developed and designed numerous consumer products from
`
`nonconventional materials, such as bamboo and bamboo composites, including
`
`bicycles, skateboards, and paddleboards, in collaboration with HERO, a not-for-
`
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`profit organization located in Greensboro, Alabama. Designs in this field
`
`challenge designers to develop workable designs within the limitations imposed by
`
`non-conventional materials and structural requirements of the product.
`
`16.
`
`In my role as a professor, I have taught an Industrial Design Studio
`
`course nearly every semester since approximately 1980, which is a product-
`
`focused course. As part of the Industrial Design Studio, I have supervised groups
`
`of students developing a variety of different products.
`
`17. Over the years, I have served as an expert witness since approximately
`
`the year 2000, and have been retained as an expert witness in approximately thirty
`
`cases, including cases involving utility patents. As an expert witness, I have
`
`provided opinions relating to numerous consumer products. Many of the cases for
`
`which I have been retained have involved issues relating to alleged design patent
`
`infringement and alleged utility patent infringement and/or alleged invalidity.
`
`18.
`
`I am an inventor on 12 patents, including U.S. Patent No. 7,900,781
`
`for “Storage System,” U.S. Patent No. 5,490,676 for “Playing Cards with Gripping
`
`Surface,” U.S. Patent No. D600,928 for “Step Stool,” and U.S. Patent No.
`
`6,820,286 for “Protective Mask.”
`
`19.
`
`In Fall 2012, I was awarded a sabbatical to teach and conduct design
`
`research at the Industrial Design Centre at the Indian Institute of Technology-
`
`Bombay in Mumbai, India. I have been a facilitator and advisor to the Swedish
`
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`Industrial Design Foundation’s Sommardesignkontoret. In 2009, I was one of only
`
`two American designers invited to participate in ICSID (International Congress of
`
`Societies of Industrial Design) Interdesign Citymove, Gellivare, Sweden. In 2016,
`
`I was a Visiting Professor in the Mechanical Engineering Department at Högskolan
`
`i Halmstad (Halmstad University) in Halmstad, Sweden.
`
`20.
`
`In 2004, I was included in ID Magazine’s “Design 50.” The editors at
`
`ID chose to profile the work of 50 US designers in their January/February 2004
`
`Issue - one from each state. I was honored as the designer chosen to represent
`
`Kansas. ID is the largest and most prestigious journal in the US for our profession.
`
`21.
`
`I am a 2015-16 Fulbright Senior Scholar. I am also a 2019-2020
`
`Global Fulbright Scholar.
`
`22.
`
`I was one of “133 Distinguished Industrial Design Professionals and
`
`Professors” to sign the Amicus Brief supporting Apple in its case against Samsung
`
`before the Supreme Court. Other signatories included Dieter Rams, Norman
`
`Foster, Robert Brunner, Alexander Wang, Paula Scher, and Jasper Morrison.
`
`23.
`
`I have offered testimony or prepared expert opinions in numerous
`
`matters in the past five years.
`
`24. Based on these and other experiences, I believe that I am qualified to
`
`give opinions as an industrial designer skilled in the art with respect to the field of
`
`the ’040 patent, namely collapsible tent frames and collapsible tents. Due to my
`
`-6-
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`work and having worked with other industrial designers over the course of my
`
`career, I also believe I am qualified to give an opinion about what would have been
`
`understood by a person of ordinary skill in the art in the field of collapsible tents
`
`like those at issue here around the date of the invention of the ’040 patent, i.e.,
`
`around the year 1997.
`
`III. APPLICABLE LAW
`
`25.
`
`I understand the following law is applicable with regard to the validity
`
`or patentability of a United States patent relevant to this proceeding. I have
`
`applied this law to the facts in this matter in my analysis and in rendering my
`
`opinions.
`
`26.
`
`I understand that a patent claim may be invalid under (pre-AIA) 35
`
`U.S.C. § 103 if the differences between the subject matter claimed and the prior art
`
`are such that the subject matter as a whole would have been obvious at the time the
`
`invention was made to a person of ordinary skill in the art to which said subject
`
`matter pertains. I have been advised that, to determine if a patent is obvious, one
`
`considers: (1) the scope and content of the prior art; (2) differences between the
`
`prior art and the claims; (3) the level of ordinary skill in the art; and (4) secondary
`
`considerations such as commercial success and failure of others.
`
`27.
`
`I understand that multiple references, when combined, may render a
`
`patent claim obvious. I have been advised that the following rationales may
`
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`support a conclusion of obviousness: (a) combining prior art elements according
`
`to known methods to yield predictable results; (b) simple substitution of one
`
`known element for another to obtain predictable results; (c) use of a known
`
`technique to improve similar devices (methods, or products) in the same way; (d)
`
`applying a known technique to a known device (method, or product) ready for
`
`improvement to yield predictable results; (e) “obvious to try” — choosing from a
`
`finite number of identified, predictable solutions, with a reasonable expectation of
`
`success; (f) known work in one field of endeavor may prompt variations of it for
`
`use in either the same field or a different one based on design incentives or other
`
`market forces if the variations are predictable to a person of ordinary skill in the
`
`art; and (g) some teaching, suggestion, or motivation in the prior art that would
`
`have led a person of ordinary skill to modify the prior art reference or to combine
`
`prior art reference teachings to arrive at the claimed invention.
`
`28.
`
`I further understand that obviousness requires a showing that a person
`
`of ordinary skill in the art would have been motivated to combine the teachings of
`
`the prior art references to arrive at the claimed invention, and that the person of
`
`ordinary skill in the art would have had a reasonable expectation of success in
`
`doing so.
`
`
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`IV. LEVEL OF ORDINARY SKILL IN THE ART
`
`29.
`
`I have been informed that a person of ordinary skill in the art
`
`(“POSITA”) is a hypothetical person who is presumed to have known the relevant
`
`art at the time of the invention. I understand that, in determining the level of a
`
`POSITA, the following factors may be considered: (1) the type of problems
`
`encountered in the art; (2) the prior art solutions to those problems; (3) the rapidity
`
`with which innovations are made; (4) the sophistication of the technology; and (5)
`
`the education level of active workers in the field.
`
`30.
`
`In rendering my opinions, I have been asked to consider the level of
`
`ordinary skill possessed by those working in the field of the invention of the ’040
`
`patent as of the earliest effective filing date, May 23, 1997. In my opinion, the
`
`level of ordinary skill in the art did not meaningfully change between May 23,
`
`1997 and May 21, 1998, the date on which the ’040 patent was filed.
`
`31.
`
`In my opinion, an individual of ordinary skill in the art would have
`
`been a person having a bachelor’s degree in the mechanical arts, including but not
`
`limited to mechanical engineering and industrial design, with at least two years’
`
`experience in the field of consumer product design, development, and/or
`
`manufacturing, and having at least a basic understanding of ergonomics, which is
`
`the applied science relating to designing products that are to be used by people so
`
`that the people can interact with the products in an efficient and safe manner. As
`
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`of May 23, 1997, I was at least a person of ordinary skill in the art based on my
`
`education and experience.
`
`V. THE ’040 PATENT
`32. The ’040 patent describes a collapsible tent frame. (Ex. 1001,
`
`Abstract). The ’040 patent further describes the inventive collapsible tent frame as
`
`being “capable of making, pitching or striking a tent easily and quickly” and as
`
`providing “an enlarged and heightened interior space to users.” (Id., 1:6-10).
`
`33. The ’040 patent describes some problems with prior collapsible tent
`
`frames being that “the center pole ribs 3 are positioned across the upper portion of
`
`the interior space” which “limit[s] the height of the interior space.” (Id., 1:53-60;
`
`see also Figure 2 of the ’040 patent, reproduced below). The ’040 patent further
`
`describes that, due to these relatively low supporting elements, “a user [must] be
`
`careful lest one bumps one’s head against the center pole ribs 3 or the connector 4
`
`while going out of, coming into or standing in the tent,” such that the prior
`
`collapsible tent frame was “inconvenient to users.” (Id., 1:61-64).
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`
`
`34. From that background, the ’040 patent provides its inventive
`
`collapsible tent frame in which:
`
`When the tent is pitched with the frame being fully stretched as
`described above, the center pole 50 moves upwardly along with the center
`pole ribs 30, so the tent frame of this invention heightens the interior space
`of the tent in comparison with a typical collapsible tent frame. Therefore,
`
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`the tent frame of this invention allows users to freely go out of, come into or
`stand in the tent without being concerned about bumping one's head against
`the center pole ribs 30 or the center pole 50.
`(Id., 3:29-37).
`
`35. The ’040 patent concludes its disclosure by stating:
`
`When the frame is stretched so as to pitch a tent, the center pole
`is fully moved upwardly along with the center pole ribs. The tent
`frame thus heightens the interior space of the tent in comparison with
`a typical collapsible tent frame and allows users to freely go out of,
`come into or stand in the tent without being concerned about bumping
`one's head against the center pole ribs or the center pole. The
`collapsible tent frame of this invention is thus convenient to users.
`(Id., 4:12-19).
`
`36.
`
`In my opinion, the ’040 patent provides an inventive collapsible tent
`
`frame that is convenient to users by increasing the usable interior height (also
`
`referred to as headroom) of the assembled tent.
`
`VI. HUMAN FACTORS IN DESIGN
`
`37. At a high level, human factors in design describes that consideration
`
`and application of ergonomic and aesthetic factors influence the design of
`
`products, systems, etc. that will be used by people. While human factors in design
`
`can be (and are) applied across numerous different types of products, systems, etc.,
`
`I will focus on physical consumer goods here because the ’040 patent is directed to
`
`just that, a consumer good (i.e., a product to be used by a person).
`
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`38. A basic step of human factor analysis when designing consumer
`
`goods is the use of anthropometric analysis and study. Anthropometric analysis
`
`may be generally defined as the scientific study of the measurements and
`
`proportions of the human body, and in the context of consumer goods, relates to
`
`how a person (i.e., the consumer) would interact with the good.
`
`39. The ’040 patent provides a basic anthropometric analysis of prior
`
`collapsible tent frames and the inventive collapsible tent frame. For example, the
`
`’040 patent describes how a consumer (referred to as a “user” in the ’040 patent)
`
`would be inconvenienced and/or harmed by hitting his or her head on certain low-
`
`positioned support elements extending across the interior space of the assembled
`
`tent. This is a typical anthropometric analysis where one looks for risk factors for
`
`harm or inconvenience to a user. In the context of the ’040 patent, a user
`
`approaching the assembled prior tent shown in FIGS. 1 and 2 of the ’040 patent
`
`would see the canopy and its height above the ground and may assume that the
`
`judged (or perceived height) of the canopy is the actual height of the interior space
`
`of the tent because the support elements may not be visible from the user’s point of
`
`view while approaching the tent. Thus, as the user enters the tent, he or she may
`
`believe that they have sufficient headroom to stand up under the canopy, not
`
`realizing that their perceived height of the interior space of the tent, based on their
`
`judgment of the height of the canopy as he or she approached the tent, does not
`
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`comport with the actual usable interior height of the tent due to the low-positioned
`
`support elements. Thus, a user may stand up abruptly under the tent, striking their
`
`head against one or more of the low-positioned support elements.
`
`40. Given the field of the ’040 patent—collapsible tent frames—I believe
`
`that a POSITA would have conducted a human factors analysis on any collapsible
`
`tent frame design and/or modification prior to putting it into public use.
`
`VII. WALMART’S GROUNDS OF UNPATENTABILITY
`
`41.
`
`I understand that Walmart alleges that the claims of the ’040 patent
`
`are unpatentable based on seven different grounds of unpatentability. I will
`
`address Walmart’s grounds below, noting that Grounds 6 and 7 appear to be
`
`identical as to claims 1 and 2 (i.e., the arguments in Ground 7 as to claims 1 and 2
`
`are incorporated by reference from the arguments in Ground 6). To avoid
`
`repetition, I will address aspects of Walmart’s alleged motivations to combine the
`
`primary references (Yang and Tsai) with certain ones of the secondary references
`
`(Lynch, alleged AAPA, and Berg) that are generally applicable across all of
`
`Grounds 1-7.
`
`A. Walmart’s General Motivations To Combine The References
`
`42.
`
`In my opinion, Walmart advances three alleged motivations that it
`
`generally applies to all seven of its grounds of unpatentability: 1) to increase
`
`headroom under the tent; 2) to increase the pitch of the tent canopy; and 3) to
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`increase tension in the tent canopy, with only minor, non-substantive variations
`
`across the different grounds. The substantial overlap and repetition in the alleged
`
`motivations to combine Yang and Tsai with the secondary references is clearer in
`
`the following table:
`
`Ground of
`Unpatentability
`
`Ground 1: Yang + Lynch
`
`Alleged Motivations to Combine
`
`1) a) “increased headroom inside the tent” (Pet.,
`
`p.36);
`
` b) “push up the tent’s rooftop ‘to increase space
`
`for activities” (Id., p.40);
`
`2) a) “increased pitch of the tent roof to shed
`
`rainwater” (Id., p.36);
`
` b) “increased support and pitch of the tent roof to
`
`make the canopy more aesthetically pleasing” (Id.);
`
`3) a) “to create more tension in the rooftop to
`
`reduce the risk of the rooftop collapsing, bending,
`
`or leaking rainwater when raining” (Id., p.39); and
`
` b) “creating more tension in the rooftop to
`
`reduce the risk of the rooftop ‘collapsing, bending,
`
`or leaking rainwater when raining.’” (Id., p.40).
`
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`1) a) “raising the tent roof and providing more head
`
`space” (Id., pp.47);
`
` b) “provide greater headroom” (Id., p.48);
`
`2) a) “increase
`
`the
`
`roof pitch, which
`
`is
`
`Ground 2: Yang +
`
`advantageous to shed rainwater” (Id.); and
`
`alleged AAPA
`
` b) “provide a steeper roof pitch to shed water
`
`and
`
`create
`
`a more
`
`aesthetically pleasing
`
`appearance” (Id., pp.48-49); and
`
`3) “to stretch and reduce sagging in the roof” (Id.,
`
`p.49).
`
`1) a) “increase headspace” (Id., p.50);
`
` b) “increased headroom” (Id., p.51);
`
`3) a) “improve tensioning of the tent fabric and
`
`thereby reduce canopy sag” (Id., p.50); and
`
` b) “increased tensioning of the rooftop” (Id.,
`
`p.51).
`
`1) a) “improves upon and addresses the known
`
`problem of collapsible canopies having reduced
`
`head space” (Id., p.55);
`
` b) “raising the tent roof and providing more head
`
`-16-
`
`Ground 3: Yang + Berg
`
`Ground 4: Tsai + Lynch
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`space under the canopy” (Id.);
`
` c) “increase interior roof height” (Id., p.56);
`
`2) a) “increase the roof pitch and that steeper roof
`
`pitches were advantageous to shed rainwater” (Id.,
`
`p.55);
`
` b) “increase roof pitch” (Id., p.56); and
`
`3) “to stretch and hold up the roof covering ...
`
`thereby improving tensioning of the roof fabric and
`
`reducing canopy sag” (Id., p.55).
`
`1) a) “addresses the known problem of collapsible
`
`canopies having reduced head space” (Id., p.69);
`
` b) “raising the tent roof and providing more head
`
`Ground 5: Tsai +
`
`space under the canopy” (Id.);
`
`alleged AAPA
`
`2) “increase the roof pitch and that steeper roof
`
`pitches were advantageous to shed rainwater” (Id.);
`
`and
`
`3) “to stretch and hold up the roof covering” (Id.).
`
`Ground 6: Tsai + Berg
`
`1) a) “increase headspace” (Id., pp.74, 76);
`
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`Ground 7: Tsai + Berg +
`
` b) “increased headroom” (Id., p.74); and
`
`Carter1
`
`3) “improve tensioning of the tent fabric and
`
`thereby reduce canopy sag” (Id., pp. 74, 76).
`
`43. As can be seen from the above table, I find there to be three general
`
`motivations to combine the primary references with the secondary references to
`
`argue that claim 1 is unpatentable: 1) to increase headroom under the tent; 2) to
`
`increase the pitch of the tent canopy to shed rainwater and make the canopy more
`
`aesthetically pleasing; and 3) to increase tension in the canopy to reduce the risk of
`
`the canopy collapsing, bending, or leaking rainwater and to reduce canopy sag.
`
`For the reasons discussed below, in my opinion, Walmart’s alleged motivations to
`
`combine the references are deficient at least because they are contrary to the
`
`common sense of a POSITA at the time of the invention, already provided or
`
`achieved by the primary reference, or contrary to the teachings of Walmart’s cited
`
`art and other relevant, contemporaneous art.
`
`1. To Increase Headroom Under the Tent
`
`44. For each of Grounds 1-7, Walmart alleges that a POSITA would have
`
`been motivated to modify the primary reference in view of the secondary reference
`
`to increase headroom inside the tent to arrive at the invention of claim 1. (See Pet.,
`
`
`1 The analysis of claim 1 in Ground 7 is simply incorporated-by-reference from the analysis
`claim 1 in Ground 6. (See Pet., pp.78-79).
`
`-18-
`
`Patent Owner CCI
`Ex. 2014 - Page 20
`
`

`

`pp. 36 (Ground 1), 48 (Ground 2), 50 (Ground 3), 55 (Ground 4), 69 (Ground 5),
`
`74 (Ground 6), and 79 (Ground 7—incorporating by reference its analysis of claim
`
`1 for Ground 6)). Walmart appears to use slightly different terminology to refer to
`
`this motivation, including “increased headroom” (p. 35), “increase space for
`
`activities” (p. 39), and “increase headspace” (p. 50), but I don’t see any substantive
`
`difference in these terms.
`
`45.
`
`In my opinion, Walmart and Walmart’s expert, Dr. Richard W. Klopp,
`
`have either misunderstood or mischaracterized how “headroom” and similar terms
`
`would be understood by a POSITA in alleging that a POSITA would have been
`
`motivated to modify each of the Yang and Tsai in view of Lynch, the alleged
`
`applicant admitted prior art (“AAPA”), and Berg to include the “center pole” of
`
`claim 1 to “increase headroom.”
`
`46. For example, in setting forth its first ground of rejection, Walmart
`
`alleges that “a POSITA would have been motivated to modify the roof bearing
`
`beam 8 in Yang to have an extended center pole to heighten and hold up the
`
`fabric tent roof. Ex. 1003, ¶¶74-79. Such a design would further push up the
`
`tent’s rooftop ‘to increase space for activities’....” (Pet., p. 40) (emphasis
`
`added). Similarly, Dr. Klopp alleges that “Yang teaches a desire to raise the roof
`
`of the tent covering in order to provide additional head room: ‘The rooftop is
`
`pushed up to increase space for activities for which it is used.” (Ex. 1003, p. 36
`
`-19-
`
`Patent Owner CCI
`Ex. 2014 - Page 21
`
`

`

`(citing Ex. 1004, pp. 5-6)). FIG. 4 of Yang and FIG. 2 of Lynch are reproduced
`
`below for reference.
`
` FIG. 4 OF YANG
`
`
`
`
`
`
`
`
` FIG. 2 OF LYNCH
`
`
`
`47.
`
`In my opinion, a POSITA would have understood that the usable
`
`“headroom” in (or under) a collapsible tent frame, which Walmart appears to refer
`
`to as the “space for activities,” is limited by the lowest structure(s) that hinder or
`
`block movement, which, in the case of collapsible tent frames, are the supporting
`
`elements (or canopy supporting elements) that extend underneath a canopy, not the
`
`canopy itself. This common sense understanding of usable “headroom” is
`
`consistent with the disclosures of at least the ‘040 patent, Yang, Lynch, and Losi.
`
`48. For example, the ‘040 patent states, with reference to the collapsible
`
`tent frame illustrated in FIGS. 1 and 2, that “the above collapsible tent frame has
`
`the following problem. That is, ... the center pole ribs 3 are coupled to the joints 2a
`
`-20-
`
`Patent Owner CCI
`Ex. 2014 - Page 22
`
`

`

`of the side pole ribs 2. Therefore, when pitching a tent, the center pole ribs 3 are
`
`positioned across the upper portion of the interior space as shown in FIG. 2,
`
`thus limiting the height of the interior space. It is thus necessary for a user to be
`
`careful lest one bumps one's head against the center pole ribs 3 or the connector 4
`
`while going out of, coming into or standing in the tent.” (Ex. 1001, 1:54-63)
`
`(emphasis added). FIGS. 1 and 2 of the ‘040 patent are reproduced below for
`
`reference.
`
`FIG. 1 OF THE ’040 PATENT
`
`
`
`
`
` FIG. 2 OF THE ’040 PATENT
`
`49.
`
`In my opinion, a POSITA would have understood that the usable
`
`“headroom” is limited by the central support elements, such as the center pole ribs
`
`3 and the center pole 6 and its constituent elements, including the connector 4 and
`
`the slide guider 5, as shown in FIGS. 1 and 2 of the ‘040 patent, and not by the
`
`-21-
`
`Patent Owner CCI
`Ex. 2014 - Page 23
`
`

`

`canopy itself, which is illustrated in FIG. 2 above.
`
`50. The difference between how Walmart and Dr. Klopp interpret
`
`“headroom” and how, in my opinion, a POSITA would have understood
`
`“headroom” in the context of the art is captured by the difference between “ceiling
`
`height” and “clear ceiling height.” Put another way, Walmart and Dr. Klopp
`
`appear to use “ceiling height” in their analysis while, in my opinion, a POSITA
`
`would have used “clear ceiling height” in a proper analysis.
`
`51. Ceiling height is simply the distance between the floor and the
`
`underside of the roof, in this case the canopy, while clear ceiling height is the
`
`distance from the floor to the underside of the lowest obstruction, such as a
`
`sprinkler, light fixture, etc. in commercial and residential buildings, but in this case
`
`the canopy supporting elements. A POSITA would understand that “headroom” in
`
`the context of collapsible tent frames is the clear ceiling height rather than simply
`
`the ceiling height.
`
`52.
`
`In my opinion, a POSITA would have been motivated to design a
`
`collapsible tent frame to have a clear ceiling height that accounts for the height of
`
`an average to slightly above-average human user rather than by simply considering
`
`the ceiling height. FIG. 2 of the ’040 Patent is reproduced below with my
`
`annotations (not to scale) to show the difference between ceiling height and
`
`headroom (i.e., usable headroom or clear ceiling height). In this annotated figure,
`
`-22-
`
`Patent Owner CCI
`Ex. 2014 - Page 24
`
`

`

`the center pole 6 increases the ceiling height but does not increase headroom (i.e.
`
`usable headroom or clear ceiling height), which remains limited by the canopy
`
`supporting elements. Thus, as explained in more detail below, in my opinion, a
`
`POSITA would not have been motived to simply add a center pole to the
`
`collapsible tent frames of Yang or Tsai to increase headroom as such a
`
`modification would simply increase ceiling height without any change to useable
`
`headroom (or clear ceiling height).
`
`FIG. 2 OF THE ‘040 PATENT (ANNOTATED)
`
`
`
`53. Yang further supports this common sense understanding. Yang
`
`discloses that its invention “has superior points such as follow: . . . 8. The roofto

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