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HANDBOOK OF» GEOPHYSICAL EXPLQRATI-ON "
`
`, SEISMIC EXPLORATION ‘
`
`Klaus Helbig and Sven Treitel, Editors
`
`VOLUME 39
`
`COding and OOOdmg:
`
`by LUC IKELLE
`
`SOiSmiO Om,
`
`ThO OOnCOpI: Of multishOO‘Eing
`
`WesternGeco Ex. 1012, pg. 1
`
`WesternGeco Ex. 1012, pg. 1
`
`

`

`
`
`Coome AND Drcoome: SEISMEC DATA
`
`THE CONCEPT or MULTISHOOTING
`
`LUC T. IKELLE
`
`Robert R. Berg Professor
`CASP Project
`Geology and Geophysics, Texas A&M University, College Station
`Texas
`
`
`
`5
`
`mmmenMWMM/wlm)MM“wN
`
`Amsterdam 0 Boston 9 Heidelberg 0 London 9 New York 6 Oxford
`Paris a San Diego 0 San Francisco 9 Singapore to Sydney 0 Tokyo
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`
`
`WesternGeco Ex. 1012, pg. 2
`
`WesternGeco Ex. 1012, pg. 2
`
`

`

`Elsevier
`
`The Boulevard, Langforcl Lane, Kidlington, Oxford OX5 1GB, UK
`Radarweg 29, PO Box 211, 1000 AE Amsterdam, The Netherlands
`
`Copyright © 2010 Elsevier B.V. All rights reserved.
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`
`No responsibility is assumed by the publisher for any injury and/or damage
`to persons or property as a matter of products liability, negligence or otherwise, or
`from any use or operation of any methods, products, instructions or ideas contained
`in the material herein.
`
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`
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`
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`
`
`
`Working together to grow
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`www.elsevier.eom I www.bookalcl.org I wvxrwsabreorg
`
`
`
`
`WesternGeco Ex. 1012, pg. 3
`
`WesternGeco Ex. 1012, pg. 3
`
`

`

`lkelle
`
`lismic
`eek a
`data.
`d the
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`S we
`case
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`will
`hem
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`eous
`unses
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`that
`that
`
`:ting
`this
`it is,
`l the
`st of
`
`
`
`Introduction 45
`
`
`
`
`Box 1.3: A BRIEF REVIEW OF THE COCKTAIL—PARTY
`PROBLEM
`
`
`
`The decoding of real rnultishot data is similar to a very well—known
`challenging problem in auditory perception, the cocktail—party problem.
`
`This problem can be stated as follows: Imagine 1 people speaking
`
`simultaneously in a room containing two microphones, as depicted
`
`in Figure 1.24. The output of each microphone is the mixture of I
`
`voice signals,just as multishot data are a mixture of data generated by
`
`single sources. In signal processing, the I voice signals are the sources,
`
`and the microphones’ recordings are the signal mixtures. To avoid any
`
`confusion between seismic sources and the sources in the cocktail—
`
`party problem, we simply continue to call the latter voice signals.
`
`Solving the cocktail—party problem consists of reconstructing from
`
`the signal mixture the voice signal emanating from each person. We
`
`can see that solving this problem is quite similar to decoding multishot
`
`data; in the cocktail—party problem, the voice signals correspond to
`
`single—shot data and a mixture signal corresponds to one sweep of
`
`multishot data.
`
`
`If the two microphones in the cocktail—party problem represent
`human ears (constituting the organs of hearing), we end up with the
`
`cocktail—party problem as first formulated by Colin Cherry and his
`
`co—workers [Cherry (1953, 1957, 1961); Cherry and Taylor (1954);
`
`Cherry and Sayers (1956, 1959); Sayers and Cherry (1957)]. In his
`
`1957 paper, Cherry wrote: ‘One of our most important faculties is
`
`our ability to listen to, and follow, one speaker in the presence of
`
`others. This is such a common experience that we may take it for
`
`granted. No machine has been constructed to do just this, to filter out
`
`one conversation from a number jumbled together.’ In other words,
`
`the cocktail—party problem refers to the remarkable (but not always
`
`perfect) human ability to selectively understand a single speaker in
`
`a noisy environment. The noise is primarily generated by the other
`
`speakers attending the cocktail party. If the cocktail party is taking
`
`place in a room, the noise will also include reverberations.
`
`The earliest references, such as Cherry (1953) and Cherry and
`
`Taylor (1954), use the term cocktail—party efikzt rather than cocktail-party
`
`problem or cocktail-party phenomenon, which are commonly used today.
`
`(continued)
`
`
`WesternGeco Ex. 1012, pg. 4
`
`WesternGeco Ex. 1012, pg. 4
`
`

`

`Luc T. Ikelle
`
`Mixture
`
`Voice signal
`
`WWW
`Mixing process
`Demixing process
`
`Figure 1.24 Cocktail party problem. If I people speak at the same time in a room
`containing two microphones, then the output of each microphone is a mixture
`of two voice signals. Given these two signal mixtures, a decoding process aims at
`recovering the original I voice signals just like the decoding process of multishot
`data does.
`
`
`
`
`There are also two basic approaches to the study of the audio
`cocktail—party problem:
`(1) Computational auditory—scene analysis
`(CASA) and (2) blind—source separation (BSS). The CASA approach
`consists of studying and imitating human hearing. To this end,
`computational models have been developed that mimic the several
`stages of auditory perception from the acoustical processing in the ear
`to the neural and cognitive processes in the brain. Readers are referred
`to van der Kouwe et al. (2001) for a m ore detailed review of recent
`progress in CASA.
`The blind—source separation (BSS) approach essentially uses the
`statistical properties of voice signals, and the mixtures or the mixing
`processes in an attempt
`to solve the separation problem from a
`purely mathematical point of View. As the term blind denotes,
`the mixing matrices and the voice signals are unknown — the
`
`(continued)
`
`
`WesternGeco Ex. 1012, pg. 5
`
`WesternGeco Ex. 1012, pg. 5
`
`

`

`introduction
`
`47
`
`Box 1 .3 continued
`
`
`
`mathematical problems posed in 1385 are identical to the ones in
`(1.48) and (1.49) if we assume that x, is fixed. However, it is possible
`(and in fact absolutely necessary) to make assumptions about the
`statistics of voice signals. Two of the most successful BSS methods
`are the principal—components analysis (PCA) and the independent—
`components analysis (ICA). These two methods are also relevant to
`seismic—data decoding (see Chapters 2 and 3 for details).
`So what are the difierences between the cocktail—party problem
`and the seismic—multishooting problem? If we consider, for example
`the decoding aspect in these two problems, and compare Figures 1.23
`and 1.24, the only real difference is that in the seismic—multishooting
`problem, we have an extra degree of freedom through the receiver
`positions (Kr). This degree of freedom can be used to facilitate
`the decoding process, and even the imaging process, of seismic
`multishot data. Also, because we are dealing with relatively—controlled
`experiments in seismics, we automatically have an advantage in the
`seismic multishooting problem, as we have more control over the
`encoding process of source signatures. Actually,
`there are similar
`advantages in the cocktail-party problem, although these are not yet
`fully exploited in the decoding of the cocktail—party problem. One
`can use the differences between male and female voices, the accent of
`the speakers, the languages of speakers, etc. In fact, the human brain
`uses this knowledge in the decoding process.
`
`
`
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`
`Wimmwwmmmw
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`'. Ikelie
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`1.5.2. Source encoding
`
`Multishooting is similar to multiple—access technology (multiple access refers
`to the sharing of a common resource in order to allow simultaneous
`communications by multiple users), which is widely used in cellular
`communications to allow several subscribers to share the same channel.
`
`The three basic decoding methods in communication applications are
`time—division multiple access (TDMA), frequency—division multiple access
`(FDMA), and code—division multiple access (CDMA). The characteristics
`of these methods are illustrated in Figure 1.25.
`In TDMA systems, time is divided into, say, I contiguous discrete time
`intervals, as shown in Figure 1.25(a). In FDMA systems, the total frequency
`bandwidth is divided into I contiguous discrete—frequency channels, as
`depicted in Figure 1.25(b). In CDMA systems, the signal is continuously
`distributed throughout the entire time or frequency axis. The frequency
`and time axes are not divided among subscribers, as is done in the FDMA
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`WesternGeco Ex. 1012, pg. 6
`
`WesternGeco Ex. 1012, pg. 6
`
`

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