Patent No. 8,230,099
`Petition For Inter Partes Review
`
`UNITED STATES PATENT AND TRADEMARK OFFICE
`_______________
`
`BEFORE THE PATENT TRIAL AND APPEAL BOARD
`_____________
`
`Yamaha Corporation of America
`Petitioner
`
`v.
`
`Black Hills Media, LLC
`Patent Owner
`
`Patent No. 8,230,099
`Issue Date: July 24, 2012
`Title: SYSTEM AND METHOD
`FOR SHARING PLAYLISTS
`_______________
`
`Inter Partes Review No. ______
`____________________________________________________________
`
`DECLARATION OF V. MICHAEL BOVE, JR.
`
`
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`
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`Yamaha Corporation of America Exhibit 1002 Page 1
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`

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`I, V. Michael Bove, Jr., make this declaration in connection with the
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`proceeding identified above.
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`I.
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`INTRODUCTION
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`1.
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`I have been retained by counsel for Yamaha Corporation of
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`America (“Yamaha”) as a technical expert in connection with the proceeding
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`identified above. I submit this declaration in support of Yamaha’s Petition for
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`Inter Partes Review of United States Patent No. 8,230,099 (“the '099 patent”).
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`2.
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`I am being paid at an hourly rate for my work on this matter. I
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`have no personal or financial stake or interest in the outcome of the present
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`proceeding.
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`II. QUALIFICATIONS
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`3.
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`I am employed as a Principal Research Scientist at the
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`Massachusetts Institute of Technology, where I am also currently head of the
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`Object-Based Media group at the Media Laboratory, co-director of the Center for
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`Future Storytelling, and co-director of the consumer electronics working group
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`CE2.0. I was also co-founder of and technical advisor to WatchPoint Media, Inc.,
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`an interactive television products and services company with offices in Lexington,
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`Massachusetts and London, England, which is now part of Ericsson. I currently
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`serve as technical advisor to One Laptop Per Child, creators of an inexpensive
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`laptop computer for children in developing nations.
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`
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`1
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`Yamaha Corporation of America Exhibit 1002 Page 2
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`4.
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`I hold an S.B. in Electrical Engineering, an S.M. in Visual Studies,
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`and a Ph.D. in Media Technology, all from the Massachusetts Institute of
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`Technology. I have authored over ninety journal and conference papers on
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`distributed media, interactive media, and digital media. I have supervised over
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`fifty graduate theses, and since 1990 have taught a graduate subject at MIT called
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`Signals, Systems, and Information for Media Technology. I am a Fellow of the
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`Society of Photo-Instrumentation Engineers, a member of the Board of Editors of
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`the Journal of the Society of Motion Picture and Television Engineers, and a
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`member of a number of other professional organizations including the Optical
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`Society of America, the Association for Computing Machinery, and the Institute of
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`Electrical and Electronic Engineers. I am a named inventor on seventeen U.S.
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`patents, including U.S. Patent No. 7,249,367, which was cited in the prosecution of
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`the '099 patent. I served as General Chair of the 1996 ACM Multimedia
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`Conference and of the 2006 IEEE Consumer Communications and Networking
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`Conference (CCNC’06). Attached as Appendix A is a copy of my curriculum
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`vitae.
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`III. MATERIALS CONSIDERED
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`5.
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`In preparing this declaration, I have reviewed, among other things,
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`the following materials: (a) the '099 patent and its prosecution history; (b) U.S.
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`Patent No. 6,502,194 (“Berman”); (c) U.S. Patent Application Publication
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`
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`2
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`Yamaha Corporation of America Exhibit 1002 Page 3
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`US2002/0068558 A1 (“Janik '558”); (d) U.S. Patent Application Publication
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`US2002/0065902 A1 (“Janik '902”); and (e) the Petition for Inter Partes Review of
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`the '099 patent to which my declaration relates.
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`IV. DEFINITIONS AND STANDARDS
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`6.
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`I have been informed and understand that claims are construed
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`from the perspective of one of ordinary skill in the art at the time of the claimed
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`invention, and that during inter partes review, claims are to be given their broadest
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`reasonable construction consistent with the specification.
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`7.
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`I have also been informed and understand that the subject matter of
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`a patent claim is obvious if the differences between the subject matter of the claim
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`and the prior art are such that the subject matter as a whole would have been
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`obvious at the time the invention was made to a person having ordinary skill in the
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`art to which the subject matter pertains. I have also been informed that the
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`framework for determining obviousness involves considering the following
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`factors: (i) the scope and content of the prior art; (ii) the differences between the
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`prior art and the claimed subject matter; (iii) the level of ordinary skill in the art;
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`and (iv) any objective evidence of non-obviousness. I understand that the claimed
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`subject matter would have been obvious to one of ordinary skill in the art if, for
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`example, it results from the combination of known elements according to known
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`methods to yield predictable results, the simple substitution of one known element
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`3
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`Yamaha Corporation of America Exhibit 1002 Page 4
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`for another to obtain predictable results, use of a known technique to improve
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`similar devices in the same way or applying a known technique to a known device
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`ready for improvement to yield predictable results. I have also been informed that
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`the analysis of obviousness may include recourse to logic, judgment and common
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`sense available to the person of ordinary skill in the art that does not necessarily
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`require explication in any reference.
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`8.
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`In my opinion, a person of ordinary skill in the art pertaining to the
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`'099 patent would have at least a bachelor’s degree in computer science or
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`electrical engineering, and at least one year of practical experience with networked
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`multimedia.
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`9.
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`I have been informed that the relevant date for considering the
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`patentability of the claims of the '099 patent is May of 2004. Based on my
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`education and experience in the fields of networked digital media and consumer
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`electronics, I believe I am qualified to provide opinions about how one of ordinary
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`skill in the art in 2004 would have interpreted and understood the '099 patent and
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`the prior art discussed below.
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`V. THE '099 PATENT
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`10.
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`The claims of the '099 patent are directed to a system and method
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`for a wireless remote control device to receive a playlist of songs from a remote
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`
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`4
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`Yamaha Corporation of America Exhibit 1002 Page 5
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`source, allowing a user to select one or more songs from the playlist for playback
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`on a media player that is associated with but separate from the remote control.
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`VI. CLAIM CONSTRUCTION
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`11.
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`I have been asked to provide my opinion on two claim terms:
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`“playlist” and “remote source,” by discussing what one of ordinary skill in the art
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`at the time of the patent filing would regard as the broadest reasonable
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`interpretation consistent with the specification. In each case my opinion agrees
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`with the position taken in Yamaha’s Petition for Inter Partes Review.
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`A.
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`12.
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`“playlist”
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`The term “playlist” appears in all of the independent claims of the
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`'099 patent. A discussion of playlists in the specification (1:33-2:26) describes a
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`playlist as “a list of a user’s favorite selections.” While this section of the patent
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`specification discusses playlists generated based on a user’s selections of songs, it
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`also describes the sharing of playlists and “identifying playlists that are likely to
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`contain selections that will be enjoyed by a user.” The specification elsewhere
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`(4:15-17) discloses “a method of defining a playlist, wherein the method comprises
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`defining a user profile and the user profile is used to determine selections that may
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`be enjoyed by a user,” at 4:32-44 discloses creating a playlist based on song
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`popularity during a particular period of time, and at 4:51-61 discloses
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`automatically updating a playlist without user intervention. Accordingly, it is my
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`Yamaha Corporation of America Exhibit 1002 Page 6
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`opinion that the broadest reasonable interpretation of “playlist” does not require
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`that it be generated by a particular user but rather that it is simply a list of media
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`items from which a user may make selections.
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`B.
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`13.
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`“remote source”
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`The term “remote source” appears in all of the independent claims
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`of the '099 patent. The use of this term in several of the dependent claims provides
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`context for the meaning of this term. Claim 6 (which depends on claim 1) requires
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`that “the remote source is a central server,” implying that the “remote source” of
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`claim 1 should be understood more broadly. Other claims dependent on claim 1
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`give alternate possibilities, including a peer-to-peer network (claim 7) and the
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`media player device itself (claim 9). The latter example is consistent with the
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`specification, for example, at 9:9-13 and 10:31-36, where it is stated that the
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`playlist can be communicated from the media player to a remote control. This
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`suggests that “remote” should be understood to require separateness rather than
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`physical distance, in the same way that a “remote control” does not need to be –
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`and indeed commonly is not – far distant from the device it controls. Thus it is my
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`opinion that one of ordinary skill in the art would understand “remote source” to be
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`a playlist source separate from the remote control device.
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`
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`6
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`Yamaha Corporation of America Exhibit 1002 Page 7
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`VII. ANALYSIS OF PRIOR ART
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`A. Berman
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`14.
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`I have been asked my opinion as to whether one of ordinary skill in
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`the art would find that, although the Berman reference does not explicitly disclose
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`a wireless remote control, it does disclose the replication of the GUI of the user
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`display on a remote control device at 13:60-64. In my opinion, it would have been
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`obvious that the remote control device could be implemented as a handheld
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`wireless device. Because nearly all the remote control devices used with home
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`audio systems since at least the 1980s have been wireless, it is my opinion that one
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`of skill in the art would easily understand that the Berman remote control device
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`could be wireless.
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`B.
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`15.
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`Janik '558 In Combination With Janik '902
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`I have also been asked my opinion as to whether one of ordinary
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`skill in the art would have found it obvious that the personal computer in the Janik
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`'558 reference could be selected for audio playback using webpad 92, in light of
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`the Janik '902 reference. I note that one of ordinary skill in the art would have
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`understood that both references relate to the same overall system, which includes a
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`wireless remote control that displays playlists, and thus would have found it
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`obvious to combine features of one reference with those of the other. I note also
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`that FIG. 3 of the Janik '558 reference shows that the speakers of the PC can be
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`7
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`Yamaha Corporation of America Exhibit 1002 Page 8
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`selected as a destination for audio playback through a graphical user interface
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`I
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`(GUI) operating on the PC. This reference does not explicitly disclose selecting
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`the PC for audio playback using the disclosed webpad. However, the Janik '902
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`reference (at [0069]) does disclose the ability of its webpad to make a selection
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`from among different locations as a playback destination for audio. Accordingly,
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`it is my opinion that it would have been obvious to one of ordinary skill in the art
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`to provide this playback device selection capability, including the capability to
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`select the PC speakers, on the remote of Janik '558 as well as on the PC in that
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`reference, replicating the capability on the PC’s GUI. This would further increase
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`the operating convenience of the system by allowing for remote control Via the
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`webpad even when listening through the PC.
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`* * *
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`I declare that all statements made herein of my own knowledge are true and
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`that all statements made on information and belief are believed to be true, and that
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`these statements were made with knowledge that willful false statements and the
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`like so made are punishable by fine or imprisonment, or both, under section 1001
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`of Title 18 of the United States Code.
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`Dated: September 19, 2013
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`
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`i i mag/2.3.. --
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`V. Michael Bove, Jr.
`
`Yamaha Corporation of America
`
`Exhibit 1002
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`Page 9
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`Yamaha Corporation of America Exhibit 1002 Page 9
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`Last updated June 2013
`
`Massachusetts Institute of Technology
`School of Architecture and Planning Personnel Record
`Victor Michael Bove, Jr.
`Media Arts and Sciences Program
`
`Date of Birth
`23 December 1960
`
`Citizenship
`United States of America
`
`Education
`M.I.T., S.B. Electrical Engineering, June 1983
`M.I.T, S.M. Visual Studies, September 1985
`M.I.T., Ph.D. Media Technology, June 1989
`
`Title of Thesis for Most Advanced Degree
`V. M. Bove, Jr., Synthetic Movies Derived from Multi-Dimensional Image Sen-
`sors, Ph.D. thesis, M.I.T., June 1989.
`
`Principal Fields of Interest
`Applications of machine analysis to media-related applications (adding intel-
`ligence to live interpersonal communications and authored content), advanced
`user interfaces for consumer electronics, novel imaging hardware (in particular
`holographic television)
`
`Non-M.I.T. Experience
`R.C.A. Microcomputer Products Division, Summer Student Employee, May
`1980-Aug. 1980
`Co-Founder and Technical Advisor, WatchPoint Media, Inc., 1999-2003
`
`History of M.I.T. Appointments
`Technical Assistant, May 1983-Sept. 1983
`Graduate Research Assistant, Sept. 1983-April 1989
`Postdoctoral Research Associate, April 1989-July 1989
`Assistant Professor of Media Technology, July 1989-July 1993
`Associate Professor of Media Technology, July 1993-July 1997
`
`1
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`Declaration of V.M. Bove Appendix A Page 1
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`

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`Principal Research Scientist, MIT Media Laboratory, July 1997-present
`
`Consulting Record
`Aware, Inc., July-Sept. 1991
`Bell Northern Research, August 1991, August-Sept. 1995
`Plaza Investment Managers, Inc., July-August 1992
`World Book Publishing (encyclopedia revisions), March 1993
`Van Nostrand Reinhold (book manuscript reviewing), April 1994-present
`Analog Devices, Inc., July-August 1994
`Blackside Productions, Inc. (consultant for the TV series “Breakthrough: Peo-
`ple of Color in American Science”), October-December 1994
`Axiom Venture Partners, Nov. 1995-March 1996
`Data Translation Inc./Kenyon and Kenyon (consultant on patent case), March
`1996
`Naval Undersea Warfare Center, June 1996
`Copyright Clearance Center, Inc., Sept. 1996-Sept. 1997
`Artech House Publishers (book manuscript reviewing), 1996-2002
`Research Grants Council of Hong Kong (proposal evaluator), Feb. 1997-present
`Hughes Electronics (expert witness before International Trade Commission),
`Feb. 1997-July 1997
`Mercury Computer, May 1997
`Thomson Consumer Electronics (expert witness before International Trade Com-
`mission), June 1997-August 1998
`Swedish Research Council for Engineering Sciences (proposal evaluator), Au-
`gust 1997
`Texas Instruments, 1998-2003
`Cirrus Logic, Inc., Dec. 1998-Jan. 2000
`Ezenia!, Inc., Jan. 1999-Aug. 2000
`Thomson Consumer Electronics (expert witness), Nov. 2000-Feb. 2002; 2007-
`2008.
`Intel, Jan. 2001-April 2001
`Bain and Co., Jan. 2001-April 2001
`DirecTV, Inc. (expert witness), 2002-2009
`DRTV Systems Ltd., April 2002
`Pause Technology (expert witness), 2003
`Polycom (expert witness), 2003
`Forney Corporation (expert witness), 2003-2005
`
`2
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`Declaration of V.M. Bove Appendix A Page 2
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`

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`IPIX Corp. (expert witness), 2005
`Motorola, Inc. (expert witness), 2006-2008, 2011-present
`Scientific Atlanta (expert witness), 2006-2008
`Technical Advisor, One Laptop Per Child, 2006-present
`Technical Advisor, TDVision Systems, 2006-present
`Eastman Kodak (expert witness), February 2007-January 2008
`EchoStar (expert witness), 2007-2008
`Funai (expert witness), 2007-2010
`Kyocera Sanyo Telecom and Palm, Inc. (expert witness) 2009-2010
`Thomson Licensing, 2010
`Research in Motion, Ltd. (expert witness), 2011-present
`Twentieth Century Fox Home Entertainment (expert witness), 2011-2012
`HTC, (expert witness), 2011-present
`
`Department and Institute Committees, Other Assigned Duties
`School of Architecture and Planning Committee on Academic Computing Needs,
`1989-1990
`Freshman advisor and seminar leader, 1990-present
`The Tech advisory board, 1991-present
`Independent Activities Period Policy Committee, 1991-1994, 1995-1997
`Media Arts & Sciences Program IAP Coordinator, 1992-present
`Media Arts & Sciences Departmental Committee on Graduate Students, 1994-
`1997, 2005-2006 (acting head, spring semester 1996)
`Committee on the Undergraduate Program Subcommittee on Freshman Advis-
`ing, 1998-1999
`Media Arts & Sciences Undergraduate Officer, 1996-present
`Founder and Director, Media Arts& Sciences Freshman Program, 1999-present
`
`Government and Other Committees, Service, etc.
`Committee on Open High-Resolution Systems, 1990-1991
`Federal Communications Commission Advisory Committee on Advanced Tele-
`vision Service, Planning Subcommittee Working Party 4, 1992
`Local Arrangements Chair, IEEE International Conference on Multimedia Com-
`puting and Systems, 1994
`Conference Co-Chair, SPIE Conference on Integration Issues in Large Commer-
`cial Media Delivery Systems, 1995, 1996
`Board of Editors, SMPTE Journal, 1995-present
`
`3
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`Declaration of V.M. Bove Appendix A Page 3
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`

`

`Conference Co-Chair, SPIE Conference on Reconfigurable Technology for Rapid
`Product Development and Computing, 1996
`General Chair, ACM Multimedia Conference, 1996
`Organizer, Objects of Communication Symposium, 1996
`Conference Co-Chair, SPIE Conference on Multimedia Networks and Applica-
`tions, 1997, 1998, 1999, 2000
`Conference Co-Chair, SPIE Conference on Media Processors, 1999, 2000, 2001,
`2002, 2003, 2004, 2005
`Manuscript reviewer for six journals and three book publishers
`Associate Editor, Optical Engineering, 2004-present
`ARDA Exploratory Program Executive Committee member, 2004-2006
`Technical Advisory Panel, Council for Research Excellence, 2005-present
`General Chair, IEEE Consumer Communications and Networking Conference
`2006
`Emmy Advanced Media Committee, National Academy of Television Arts and
`Sciences, 2006-present
`Board of Governors, National Academy of Media Arts and Sciences, 2007-
`present
`Conference co-chair, SPIE Practical Holography conference, 2011, 2012, 2013
`Conference co-chair, International Symposium on Display Holography, 2012
`Co-Chair, Optical Society of America 3D Display Technology, Perception, and
`Application Incubator Meeting, 2012
`
`Awards Received
`I.B.M. Communications Doctoral Fellowship, 1986 and 1987
`Sony Corporation Career Development Professorship, 1991-1995
`IEEE ASIC ’93 (Conference on Application Specific Integrated Circuits) Speaker’s
`Award, 1993
`IEEE Computer Society Certificate of Appreciation, 1994
`Alex W. Dreyfoos, Jr. Career Development Professorship, 1995-1997
`Marquis Who’s Who in Science and Engineering, 1996-1997; Who’s Who in the
`East, 1997, 1998; Who’s Who in Entertainment, 1997; Who’s Who in America,
`2001
`ACM Recognition of Service Award, 1997
`Distinguished Alumnus Award, John Piersol McCaskey High School, Lancaster
`PA, 1997
`Fellow, IC2 Institute, University of Texas at Austin, 2001
`Fellow, SPIE, 2002
`
`4
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`Declaration of V.M. Bove Appendix A Page 4
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`

`

`INDEX: Design to Improve Life Award (as member of team that designed OLPC
`XO laptop), 2007
`Effie Award (bronze) for work on Sprite Slam Dunk Competition, 2013
`
`Current Organization Membership
`American Institute of Physics
`Association for Computing Machinery (ACM)
`Institute of Electrical and Electronic Engineers (IEEE)
`Optical Society of America (OSA)
`Society of Photo-Instrumentation Engineers (SPIE) (Fellow, 2002-present; As-
`sociate Editor, Optical Engineering, 2004-2011)
`Society of Motion Picture and Television Engineers (SMPTE) (Manager, New
`England Section, 1993-1995; Board of Editors, 1995-present)
`
`Patents
`1. U.S. Patent 4,673,981, “Unrecordable Video Signals,” (co-inventors Andrew
`Lippman and Jerome Wiesner)
`2. U.S. Patent 5,185,852, “Antialiasing Apparatus and Method for Computer
`Printers,” (co-inventor Christopher Mayer)
`3. U.S. Patent 5,946,425, “Method and Apparatus for Automatic Alignment of
`Volumetric Images Containing Common Subject Matter,” (co-inventor Tamas
`Sandor)
`4. U.S. Patent 6,022,648, “Bistable, Thermochromic Recording Materials for
`Rendering Color and Gray Scale,” (co-inventor Joseph Jacobson).
`5. U.S. Patent 6,642,940, “Management of Properties for Hyperlinked Video,”
`(co-inventors Edmond Chalom, Jonathan Dakss, and Nuno Vasconcelos).
`6. U.S. Patent 6,816,628, “Methods for Outlining and Filling Regions in Multi-
`Dimensional Arrays,” (co-inventors Karen Sarachik, Jonathan Dakss, and Joshua
`Wachman).
`7. U.S. Patent 6,879,720, “Methods for Outlining and Filling Regions in Multi-
`Dimensional Arrays,” (co-inventors Karen Sarachik, Jonathan Dakss, and Joshua
`Wachman).
`8. U.S. Patent 6,944,228, “Method and Apparatus for Encoding Video Hyper-
`links,” (co-inventors Jonathan Dakss and Daniel Katcher).
`9. U.S. Patent 6,978,053, “Single-Pass Multilevel Methods for Applying Mor-
`phological Operators in Multiple Dimensions,” (2 co-inventors).
`10. U.S. Patent 7,117,517, “Method and Apparatus for Generating Data Struc-
`tures for a Hyperlinked Television Broadcast,” (4 co-inventors).
`11. U.S. Patent 7,120,924, “Method and Apparatus for Receiving a Hyperlinked
`
`5
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`Declaration of V.M. Bove Appendix A Page 5
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`Television Broadcast,” (5 co-inventors).
`12. U.S. Patent 7,249,367, “Method and Apparatus for Switching Between
`Multiple Programs by Interacting with a Hyperlinked Television Broadcast,” (3
`co-inventors).
`13. U.S. Patent 7,367,042, “Method and Apparatus for Hyperlinking in a Tele-
`vision Broadcast,” (6 co-inventors).
`14. U.S. Patent 7,636,365, “Smart Digital Modules and Smart Digital Wall Sur-
`faces Combining the Same,” (3 co-inventors).
`15. U.S. Patent 8,010,986, “Synchronization and Automation in an ITV Envi-
`ronment,” (4 co-inventors).
`16. U.S. Patent 8,149,265, “Holographic Video Display System,” (3 co-inventors).
`17. U.S. Patent 8,356,329, “Method and Apparatus for Interaction with Hyper-
`links in a Television Broadcast,” (8 co-inventors).
`18. U.S. Patent applied for 2001, “Program Stream Switching in a Hyperlinked
`Video Broadcast,” (2 co-inventors).
`19. U.S. Patent applied for 2007, “Self-Refreshing Display Controller for a Dis-
`play Device in a Computational Unit,” (3 co-inventors).
`20. U.S. Patent applied for 2009, “Tangible Social Network,” (1 co-inventor).
`21. U.S. Patent applied for 2010, “Methods and Apparatus for Holographic
`Animation,” (2 co-inventors).
`22. U.S. Patent applied for 2012, “Methods and Apparatus for Accessing Pe-
`ripheral Content,” (2 co-inventors).
`23. U.S. Patent applied for 2013, “Force-Sensing Net,” (3 co-inventors).
`24. U.S. Patent applied for 2013, “Context-Aware Omnidirectional Projector,”
`(4 co-inventors).
`
`6
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`Declaration of V.M. Bove Appendix A Page 6
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`

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`Teaching Experience of V. Michael Bove, Jr.
`
`FT89, 4.994, Media Arts and Sciences Doctoral Proseminar, taught unit on sig-
`nals and systems (3 weeks), 10 students
`ST90, 4.998, Digital Image Processing for Hard Copy, 12 students
`FT90, 4.890, Signals and Systems for Media Technology, one of four instructors,
`12 students
`FT90, 4A05 (freshman advising seminar), Case Studies in Visual Communica-
`tions, 9 students
`ST91, 4.964, Digital Image Processing for Hard Copy, 6 students
`FT91, 4.890, Signals and Systems for Media Technology, one of four instructors,
`12 students
`FT91, 4A05 (freshman advising seminar), Case Studies in Visual Communica-
`tions, 9 students
`ST92, 4.964, Digital Image Processing for Hard Copy, 9 students
`FT92, 4.890, Signals and Systems for Media Technology, one of two instructors,
`13 students
`FT92, 4A05 (freshman advising seminar), Case Studies in Visual Communica-
`tions, 8 students
`IAP93, “Ernie Kovacs”
`ST93, 4.964, Digital Image Processing for Hard Copy, 8 students
`FT93, MAS101/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 20 students
`FT93, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`nications, 8 students
`IAP94, “A Look Back at Colorization”
`ST94, MAS814, Digital Image Processing for Hard Copy, 8 students
`FT94, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`nications, 8 students
`FT94, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 16 students
`IAP95, “Dimensional Transcendence,” one of three instructors
`ST95, MAS814, Digital Image Processing for Hard Copy, 5 students
`FT95, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`nications, 7 students
`FT95, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 15 students
`ST96, MAS961, On Being Meta, one of three instructors, 14 students
`FT96, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`
`7
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`Declaration of V.M. Bove Appendix A Page 7
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`nications, 8 students
`FT96, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, sole instructor, 19 students
`ST97, MAS814, Digital Image Processing for Hard Copy, 7 students
`ST97, MAS961, On Being Meta, one of three instructors
`FT97, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`nications, 8 students
`FT97, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 10 students
`ST98, MAS816, On Being Meta, one of three instructors
`FT98, MASA05 (freshman advising seminar), Case Studies in Visual Commu-
`nications, 8 students
`ST99, MAS814, Digital Image Processing for Hard Copy, 12 students
`ST99, MAS111, Introduction to Doing Research in Media Arts and Sciences, 12
`students
`FT99, MASA09 (freshman advising seminar), Television, Inside and Out, 8 stu-
`dents
`ST00, MAS111, Introduction to Doing Research in Media Arts and Sciences, 15
`students
`ST00, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 24 students
`FT00, MASA09 (freshman advising seminar), Television, Inside and Out, 8 stu-
`dents
`ST01, MAS111, Introduction to Doing Research in Media Arts and Sciences, 25
`students
`ST01, MAS814, Digital Hard Copy, 6 students
`FT01, MASA09 (freshman advising seminar), Television, Inside and Out, 9 stu-
`dents
`FT01, MAS160/MAS510, Signals, Systems, and Information for Media Tech-
`nology, one of two instructors, 14 students
`ST02, MAS111, Introduction to Doing Research in Media Arts and Sciences, 25
`students
`ST02, MAS890, Workshop in Community-Maintainable Online Collaborative
`Spaces, 20 students
`FT02, MASA09 (freshman advising seminar), Television, Inside and Out, 9 stu-
`dents
`ST03, MAS111, Introduction to Doing Research in Media Arts and Sciences, 15
`students
`FT03, MASA18 (freshman advising seminar), Engineering: the Good, the Bad,
`
`8
`
`Declaration of V.M. Bove Appendix A Page 8
`
`

`

`and the Ugly, 10 students
`FT03, MAS160/MAS510/MAS511, Signals, Systems, and Information for Me-
`dia Technology, one of two instructors, 24 students
`ST04, MAS111, Introduction to Doing Research in Media Arts and Sciences, 15
`students
`FT04, MASA18 (freshman advising seminar), Engineering: the Good, the Bad,
`and the Ugly, 7 students
`ST05, MAS111, Introduction to Doing Research in Media Arts and Sciences, 15
`students
`FT05, MAS160/MAS510/MAS511, Signals, Systems, and Information for Me-
`dia Technology, 14 students
`ST06, MAS111, Introduction to Doing Research in Media Arts and Sciences, 10
`students
`FT06, MASA18 (freshman advising seminar), Engineering: the Good, the Bad,
`and the Ugly, 11 students
`ST07, MAS111, Introduction to Doing Research in Media Arts and Sciences, 10
`students
`FT07, MASA18 (freshman advising seminar), Engineering: the Good, the Bad,
`and the Ugly, 10 students
`FT07, MAS160/MAS510/MAS511, Signals, Systems, and Information for Me-
`dia Technology, 12 students
`FT07, MAS110, Fundamentals of Computational Media Design, 25 students
`
`ST08, MAS111, Introduction to Doing Research in Media Arts and Sciences, 18
`students
`FT08, MAS110, Fundamentals of Computational Media Design, 25 students
`
`ST09, MAS111, Introduction to Doing Research in Media Arts and Sciences, 9
`students
`ST09, MAS963, New Media Storytelling, 10 students
`FT09, MAS110, Fundamentals of Computational Media Design, 25 students
`
`FT09, MASA19 (freshman advising seminar), Designing Consumer Electronics,
`9 students
`ST10, MAS111, Introduction to Doing Research in Media Arts and Sciences, 21
`students
`ST10, MAS963, New Media Storytelling, 9 students
`FT10, MAS110, Fundamentals of Computational Media Design, 28 students
`
`FT10, MASA19 (freshman advising seminar), Designing Consumer Electronics,
`10 students
`ST11, MAS111, Introduction to Doing Research in Media Arts and Sciences, 12
`
`9
`
`Declaration of V.M. Bove Appendix A Page 9
`
`

`

`students
`FT11, MAS110, Fundamentals of Computational Media Design, 30 students
`
`FT11, MASA19 (freshman advising seminar), Designing Consumer Electronics,
`10 students
`ST12, MAS111, Introduction to Doing Research in Media Arts and Sciences, 20
`students
`ST12, MAS160/MAS510/MAS511, Signals, Systems, and Information for Me-
`dia Technology, 6 students
`FT12, MAS110, Fundamentals of Computational Media Design, 30 students
`
`FT12, MASA19 (freshman advising seminar), Designing Consumer Electronics,
`10 students
`ST13, MAS111, Introduction to Doing Research in Media Arts and Sciences, 20
`students
`
`10
`
`Declaration of V.M. Bove Appendix A Page 10
`
`

`

`Publications of V. Michael Bove, Jr.
`
`Books
`(for book chapters see Other Major Publications)
`1. S. A. Benton and V. M. Bove, Jr., Holographic Imaging, Wiley, 2008.
`
`Papers in Refereed Journals
`1. V. M. Bove, Jr., “A Probabilistic Method for Integrating Multiple Sources
`of Range Data,” Journal of the Optical Society of America A, 7, Dec. 1990, pp.
`2193-2198.
`2. V. M. Bove, Jr. and A. B. Lippman, “Scalable Open Architecture Televi-
`sion,” SMPTE (Society of Motion Picture and Television Engineers) Journal,
`101, Jan. 1992, pp. 2-5.
`0 3. A. Singh and V. M. Bove, Jr., “Multidimensional Quantizers for Scalable
`Video Compression,” IEEE Journal on Selected Areas in Communications, 11,
`Jan. 1993, pp. 36-45.
`4. V. M. Bove, Jr., “Entropy-Based Depth from Focus,” Journal of the Optical
`Society of America A, 10, Apr. 1993, pp. 561-566.
`0 5. K. Tsunashima, J. B. Stampleman, and V. M. Bove, Jr., “A Scalable
`Motion-Compensated Subband Image Coder,” IEEE Transactions on Commu-
`nications, 42, Apr. 1994, pp. 1894-1901.
`6. V. M. Bove, Jr. and J. A. Watlington, “Cheops: A Reconfigurable Data-Flow
`System for Video Processing,” IEEE Transactions on Circuits and Systems for
`Video Technology, 5, Apr. 1995, pp. 140-149.
`7. V. M. Bove, Jr., “Object-Oriented Television,” SMPTE Journal, 104, Dec.
`1995, pp. 803-807.
`8. V. M. Bove, Jr., “Multimedia Based on Object Models: Some Whys and
`Hows,” IBM Systems Journal, 35, 1996, pp. 337-348.
`9. V. M. Bove, Jr., “Beyond Images,” Convergence: The Journal of Research
`into New Media Technologies, 2, Autumn 1996, pp. 30-46.
`0 10. J. A. Watlington and V. M. Bove, Jr., “Stream-Based Computing and
`Future Television,” SMPTE Journal, 106, April 1997, pp. 217-224.
`0 11. J. A. Watlington and V. M. Bove, Jr., “A System for Parallel Media
`Processing,” Parallel Computing, 23:12 December 1997, pp. 1793-1809.
`0 12. S. Agamanolis and V. M. Bove, Jr., “Multilevel Scripting for Responsive
`Multimedia,” IEEE Multimedia, 4:4 October-December 1997, pp. 40-50.
`0 13. V. M. Bove, Jr., J. Dakss, S. Agamanolis, E. Chalom, “Adding Hyperlinks
`to Digital Television,” SMPTE Journal, 108, November 1999, pp. 795-801.
`14. V. M. Bove, Jr. and W. Butera, “The Coding Ecology: Image Coding Via
`
`0Outgrowths of supervised theses or research projects.
`
`11
`
`Declaration of V.M. Bove Appendix A Page 11
`
`

`

`Competition among Experts,” IEEE Transactions on Circuits and Systems for
`Video Technology, 10, October 2000, pp. 1049-1058.
`0 15. V. M. Bove, Jr., J. Dakss, E. Chalom, and S. Agamanolis, “Hyperlinked
`Television Research at the MIT Media Laboratory,” IBM Systems Journal, 39,
`2000, pp. 470-478.
`0 16. S. Agamanolis and V. M. Bove, Jr., “Viper: a Framework for Responsive
`Television,” IEEE Multimedia, 10:3, July-Sept. 2003, pp. 88-98.
`0 17. V. M. Bove, Jr. and Wilfrido Sierra, “Personal Projection,” SMPTE
`Motion Imaging Journal, 113, Jan. 2004, pp. 17-21.
`0 18. V. M. Bove, Jr. and J. Mallett, “Collaborative Knowledge Building by
`Smart Sensors,” BT Technology Journal, 22:4, Oct. 2004, pp. 45-51.
`0 19. D. Butler, V. M. Bove, Jr., and S. Sridharan, “Real-Time Adaptive
`Foreground/Background Segmentation,” EURASIP Journal on Applied Signal
`Processing, 14: