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`__________________
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`BEFORE THE PATENT TRIAL AND APPEAL BOARD
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`__________________________________________________________________
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`SONY CORPORATION
`Petitioner
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`Patent No. 7,477,284
`Issue Date: Jan. 13, 2009
`Title: SYSTEM AND METHOD FOR CAPTURING AND VIEWING
`STEREOSCOPIC PANORAMIC IMAGES
`__________________________________________________________________
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`EXPERT DECLARATION OF TREVOR DARRELL
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`No. IPR2013-00327
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`__________________________________________________________________
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`
`
`Petition for Inter Partes Review
`of U.S. Pat. No. 7,477,284
`IPR2013‐00219
`EXHIBIT
`Sony‐
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`No. IPR2013-00327
`Expert Declaration of Trevor Darrell
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`I, Trevor Darrell, do hereby make the following declaration:
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`1. I am a Professor in Residence at the University of California, Berkeley in the
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`department of Electrical Engineering and Computer Sciences, College of
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`Engineering and have served in that capacity since 2011.
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`2. I am also the head of the Computer Vision Group at the International
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`Computer Science Institute (a research organization affiliated with Berkley) and
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`have served in that capacity since 2008.
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`3. I received my B.S.E. degree in Computer Science and Engineering from the
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`University of Pennsylvania in 1988, received a M.S. degree from the Media Lab
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`at the Massachusetts Institute of Technology (“MIT”) in 1991 and received a
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`Ph.D. from MIT in 1996.
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`4. I am an author of nearly two hundred publications in peer reviewed journals
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`and conferences in computer vision and related fields. At Berkeley, I teach
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`graduate level courses including CS 280 Computer Vision and CS 294 Object
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`Activity Recognition Seminar. I have also given numerous lectures and
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`attended many conferences on computer vision and related fields. A list of my
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`publications and invited lectures can be found in the attached CV. See Sony-
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`1115.
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`5. I submit this declaration in support of the Petition for Inter Partes Review of
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`U.S. Pat. No. 7,477,284, No. IPR2013-00327. I have previously submitted a
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`declaration in support of the Petition for Inter Partes Review of U.S. Pat. No.
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`7,477,284, No. IPR2013-00219.
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`6. I have reviewed U.S. Pat. No. 7,477,284 (the “’284 Patent”) as well as U.S. Pat.
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`No. 6,665,003 (the “’003 Patent”), which is incorporated into the ’284 Patent
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`by reference.
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`7. Based upon my experience and education, I consider myself to be a person of
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`at least ordinary skill in the field of technology disclosed by the ’284 Patent,
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`including the generation and display of stereoscopic images as well as
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`stereoscopic panoramic images.
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`8. In 1998, a person with ordinary skill in the art with respect to the technology
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`disclosed by the ’284 Patent would have at least a Master of Science degree in
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`Electrical Engineering, Computer Engineering, or Computer Science as well as
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`two to three years of additional graduate level experience or related industry
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`experience.
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`9. In preparing this declaration, I have reviewed the following publications:
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`a. Certified English Translation of VRSJ Research Report including
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`Yasuhiro Kawakita, Yoshitaka Hamaguchi, Akitoshi Tsukamoto,
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`Toshihiko Miyazaki, Generation of Panoramic Stereo Images from Movie Using
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`Single Video Camera, Kansai Laboratory Research & Development Group,
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`OKI Electric Industry Co., Ltd. (Nov. 27, 1997) (“Kawakita”);
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`Expert Declaration of Trevor Darrell
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`b. Hiroshi Ishiguro, Masashi Yamamoto, and Saburo Tsuji, Acquiring
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`Omnidirectional Range Information, SYSTEMS AND COMPUTERS IN JAPAN,
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`Vol. 23, No. 4, 47-56 (1992) (“Ishiguro”);
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`c. U.S. Pat. No. 1,422,527 (“Berger”);
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`d. U.S. Pat. No. 5,737,491 (“Allen”);
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`e. U.S. Pat. Pub. No. 2001/0010546 A1 (“Chen”).
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`10. With respect to Kawakita:
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`a. Kawakita discloses a technique to generate stereoscopic panoramic
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`images by excising slit images from images captured by a rotating camera
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`and mosaicing the respective slit images together. In Section 1 of the
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`paper, Kawakita also discusses creating a 2D panoramic image using
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`center slit images.
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`b. A person of ordinary skill in the art reading Kawakita would understand
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`that the processing steps disclosed by Kawakita would necessarily have
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`been performed by a processor within a computer or workstation. The
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`video imager described in Kawakita records frames of 320x240 pixels.
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`Kawakita also describes digital processing steps including “template
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`matching” and receiving “detection results” as part of the procedure for
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`determining slit widths. It would have been necessary and obvious to
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`employ a processor to perform these steps, especially in light of the
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`number of pixels being processed, which would be unfeasible to
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`perform by hand.
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`c. In fact, virtually every imaging project to which I have contributed,
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`including the nearly 200 listed in my CV, has employed a processor, such
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`as, for example, within a computer or workstation.
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`d. A person of ordinary skill in the art reading the “Field Test” section of
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`Kawakita would understand Kawakita to report that stereoscopic
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`panoramic mosaic images generated using the technique described in the
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`paper were displayed and that “the sense of depth was faithfully
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`reproduced.” Even if the report of stereoscopic viewing of the
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`panoramic mosaic images were not included in Kawakita, a person
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`ordinary skill in the art reading the remainder of Kawakita would
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`understand that stereoscopic display of the panoramic mosaic images to
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`be disclosed or, at least, obvious. Indeed, section 6 of Kawakita, entitled
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`“Stereoscopic Viewing Using Depth Parallax Angle” describes
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`adjustments to the relative positions of the panoramic mosaic images in
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`order to display them for stereoscopic viewing.
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`e. A person of ordinary skill in the art reading Kawakita would understand
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`that it would be preferable to miniaturize the image generation
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`components disclosed by Kawakita so that they would all fit within a
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`single housing including the imager, processor, and display.
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`11. With respect to Ishiguro:
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`a. Ishiguro discloses a method for generating a stereoscopic
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`omnidirectional image pair. Ishiguro also discloses using a single series
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`of vertical slit images to create a 2D panoramic image.
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`b. It would have been commonplace, if not necessary, for scientists such as
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`Ishiguro and his colleagues to stereoscopically view the images generated
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`by the technique disclosed by Ishiguro on a stereoscopic display in order
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`to confirm that the mosaic images accurately presents relative depths of
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`objects in the scene.
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`12. With respect to Kawakita and Chen:
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`a. Both Kawakita and Chen are directed towards image processing systems
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`which generate stereoscopic images of a scene to provide a sense of
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`depth.
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`b. A person of ordinary skill in the art developing the imaging technology
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`described by Kawakita, would be motivated to include a processor, such
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`as described by Chen, to divide segments from the captured images of a
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`scene and generate mosaics. Further, as stated in ¶ 10.b,c, such a
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`processor would have been obvious and necessary.
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`c. Similarly, a person of ordinary skill in the art developing the imaging
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`technology described by Kawakita, would be motivated by the
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`disclosures of both Kawakita (see ¶ 10.d.) and Chen to include a stereo
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`image display for displaying the mosaics to provide a sense of depth.
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`d. A person of ordinary skill in the art reading Kawakita would also
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`understand that Kawakita discloses an experimental arrangement for
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`laboratory use and that order to implement Kawakita’s arrangement as a
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`transportable unit for field use or as a commercial product, it would be
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by Kawakita so that they would all fit within a
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`single housing including the imager, processor, and display.
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`13. With respect to Chen and Allen:
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`a. A person of ordinary skill in the art developing imaging technology (such
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`as the technology disclosed by Chen) for potential consumer market use
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`would have looked to supplement their technology with user friendly
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`camera features commonplace in the consumer camera market.
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`b. Accordingly, a person of ordinary skill in the art would have been
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`motivated to combine the teachings of Chen with Allen to include a
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`communications apparatus, such as the wireless transceiver described by
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`Allen, into the camera described by Chen, in order to transmit the
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`generated images to a computer or other device.
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`c. Allen’s disclosure of a wireless transceiver to transmit image data from a
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`camera is one known solution to the obvious need for some means for
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`transferring image data from a digital camera to enable display of images
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`on other devices, or printing of images, or off-camera storage, or and
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`other uses of the image data.
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`d. Indeed, a person of ordinary skill, just employing common sense, would
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`find it apparent that an imaging apparatus from which the image data
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`could not be removed would have limited utility, and that it would be
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`advantageous, if not essential, to have some means to get image data off
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`the imaging apparatus.
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`14. With respect to Ishiguro and Chen:
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`a. Both Ishiguro and Chen are directed towards image processing systems
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`which generate stereoscopic images of a scene to provide a sense of
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`depth.
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`b. A person of ordinary skill in the art familiar with Ishiguro’s image
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`capturing and processing system would look to Chen’s teaching of a
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`stereo image display for displaying the mosaics to provide a sense of
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`depth.
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`c. A person of ordinary skill in the art reading Ishiguro would also
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`understand that Ishiguro discloses an experimental arrangement for
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`laboratory use and that order to implement Ishiguro’s arrangement as a
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`transportable unit for field use or as a commercial product, it would be
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`necessary and normal to miniaturize and package the image generation
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`components disclosed by Ishiguro so that they would all fit within a
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`single housing including the imager, processor, and display. A person of
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`ordinary skill in the art familiar with the system disclosed by Ishiguro
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`would look to Chen’s teaching of enclosing the imager, processor,
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`display, and all other components of the camera system in the same
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`housing, as was well known in camera design, to produce the predictable
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`result of making the imaging apparatus disclosed in Ishiguro more
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`compact and user friendly.
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`15. With respect to Ishiguro and Berger:
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`a. Berger discloses an anaglyph print technology. As Berger states, an
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`anaglyph is a print of two oppositely colored superimposed images,
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`which, when viewed simultaneously with an anaglyphscope (e.g., red-
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`cyan glasses), provide a sense of depth. Berger, 1:48-53.
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`b. A person of ordinary skill in the art reading Ishiguro would be aware of
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`the technology disclosed by Berger and it would have been obvious to
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`JUN-27-2013 16:11
`06/27/2013 12:27 FAX
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`KENYON & KENYON
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`212 425 5288
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`P.003/003
`1410003/0003
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`No. IPR2013-00327
`Expert Declaration of Trevor Darrell
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`display the stereoscopic images disclosed in Ishig~u:o using the anaglyphs
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`disclosed by Berger.
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`I declare under penalty of perjury that the foregoing is true and correct.
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`Dated June::? ? 2013
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`Trevor Darrell
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`10
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`TOTAL P.003
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