throbber
Leonard Barton
`
` 1 UNITED STATES PATENT AND TRADEMARK OFFICE
` __________
`
` 2
`
` BEFORE THE PATENT TRIAL AND APPEAL BOARD
` 3 __________
`
` 4 SONY CORPORATION
` Petitioner
`
` 5
`
` v.
`
` 6
`
` YISSUM RESEARCH DEVELOPMENT COMPANY
` 7 OF THE HEBREW UNIVERSITY OF JERUSALEM
` Patent Owner
` 8 __________
`
` 9 Cases IPR2013-00218 (Patent 6,665,003 B1)
` IPR2013-219 (Patent 7,477,284 B2)
` 10 __________
`
` Deposition of
`
` LEONARD BARTON
`
` Tuesday, April 15, 2014
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` 11
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` 19
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` 20
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` 21
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` 22 REPORTED BY:
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` 23 ANNE M. TORREANO
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` 24 CSR #10520, RPR, CCRR, CLR
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` 25 FILE NO. 14-17151
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`

`

`Leonard Barton
`
` 1 BE IT REMEMBERED that, pursuant to the laws
`
` 2 governing the language the taking and use of
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` 3 depositions, on Tuesday, April 15, 2014, commencing at
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` 4 3:35 p.m. at the law offices of Tensegrity Law Group,
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` 5 LLP, 555 Twin Dolphin Drive, Redwood Shores,
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` 6 California, before me, ANNE M. TORREANO, CSR No. 10520,
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` 7 personally appeared LEONARD BARTON, called as a witness
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` 8 by the Petitioner, who, being by me first duly sworn,
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` 9 was thereupon cross-examined by the Patent Owner as a
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` 10 witness in said action.
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` 11
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` 12 A P P E A R A N C E S
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` 13
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` 14 For Patent Owner YISSUM RESEARCH DEVELOPMENT COMPANY OF
`
` 15 THE HEBREW UNIVERSITY OF JERUSALEM:
`
` 16 TENSEGRITY LAW GROUP, LLP
`
` 17 BY: WILLIAM NELSON
`
` 18 555 Twin Dolphin Drive
`
` 19 Suite 360
`
` 20 Redwood Shores, California 94065
`
` 21 (650) 802-6075
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` 22 william.nelson@tensegritylawgroup.com
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` 23
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` 24
`
` 25 (CONTINUED ON THE NEXT PAGE)
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`

`Leonard Barton
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` 1 A P P E A R A N C E S
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` 2 (CONTINUED)
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` For Patent Owner YISSUM RESEARCH DEVELOPMENT COMPANY OF
`
` THE HEBREW UNIVERSITY OF JERUSALEM:
`
` HAYNES BOONE, LLP
`
` BY: GREGORY P. HUH
`
` 2505 North Plano Road
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` Suite 4000
`
` Richardson, Texas 75082
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` (972) 739-6939
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` gregory.huh@haynesboone.com
`
` For Petitioner SONY:
`
` KENYON & KENYON, LLP
`
` BY: WALTER E. HANLEY, JR.
`
` BY: MICHAEL E. SANDER
`
` One Broadway
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` New York, New York 10004-1007
`
` (212) 425-7200
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` whanley@kenyon.com
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` msander@kenyon.com
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` 23 Also Present:
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` 24 IFRAN ESSA, Ph.D.
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` 25
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`Leonard Barton
`
` 1 EXAMINATION INDEX
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` 2 LEONARD BARTON PAGE
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` 3 BY MR. NELSON 5
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` 4 BY MR. SANDER 24
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` 5
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` 6
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` 7
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` 8 EXHIBIT INDEX
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` 9 SONY PAGE
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` 10 EXHIBIT 1042/1040 Wikipedia article titled 16
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` 11 "Stereoscopy"
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` 12
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`Leonard Barton
`
` 1 TUESDAY, APRIL 15, 2014 3:35 P.M.
`
` 2 P R O C E E D I N G S
`
` 3 LEONARD BARTON,
`
` 4 having been duly sworn to tell the truth,
`
` 5 testified as follows:
`
` 6 EXAMINATION
`
` 7 BY MR. NELSON:
`
` 8 Q. Mr. Barton, thank you for coming out this
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` 9 afternoon to talk with us. I appreciate it. My name's
`
` 10 Will Nelson. I'll be asking questions of you in this
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` 11 deposition.
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` 12 And have you ever had your deposition taken
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` 13 before?
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` 14 A. No.
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` 15 Q. Okay. Well, I'm going to ask you a series of
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` 16 questions, and I'll wait for you to give your answers.
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` 17 The only piece of advice I can offer is that
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` 18 it's important to answer questions with a "yes" or
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` 19 "no," not an "uh-huh" or nod or shake of your head,
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` 20 because the court reporter's taking everything down
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` 21 that I ask you and then everything that you say in
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` 22 return.
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` 23 Can you try to do that for me?
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` 24 A. I understand. Yes, I shall.
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` 25 Q. Thank you.
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`Leonard Barton
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` 1 A. Just remind me if I slip into it.
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` 2 Q. Will do. Will do.
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` 3 So you're here because you submitted two
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` 4 declarations in connection with a dispute between Sony
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` 5 and HumanEyes; is that right?
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` 6 A. That is correct.
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` 7 Q. Okay. So I'm going to hand you a copy of the
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` 8 declarations. And just so we're on the same page, I'm
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` 9 going to ask you to confirm. So there's one of these
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` 10 that is titled, underneath the names of the parties --
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` 11 one of these titled are IPR2013-218.
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` 12 Do you see that one in front of you?
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` 13 A. Yes.
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` 14 Q. And there's another one that's titled
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` 15 IPR2013-219.
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` 16 Do you see that?
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` 17 A. Yes, I do.
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` 18 Q. Okay. Will you just take a quick look at
`
` 19 these? My only question for you right now is: Are
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` 20 these copies of the declarations that you submitted and
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` 21 signed?
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` 22 A. To the best of my knowledge, yes. They're
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` 23 essentially identical declarations with a few new
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` 24 cases.
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` 25 Q. I understand.
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`Leonard Barton
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` 1 And that's your signature dated April 5, 2014
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` 2 on the 219 as well as on the 218; is that right?
`
` 3 A. Yes.
`
` 4 Q. Okay. Did you write these declarations?
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` 5 A. Yes. Essentially, yeah.
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` 6 Q. Okay. Well, let me ask you this question:
`
` 7 How did you come to be involved in this case, sir?
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` 8 A. I was approached by an assistant to Mr. Sander
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` 9 through my Wikipedia account. I have a blind address.
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` 10 They just submitted -- they don't see my address, and
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` 11 then it's routed to me by Wikipedia.
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` 12 Q. Okay. And they asked you to -- some
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` 13 questions, I take it, about something you've done on
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` 14 Wikipedia?
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` 15 A. Yes.
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` 16 Q. Okay. And the result of your discussions with
`
` 17 these folks, Mr. Sander's assistant, are these
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` 18 declarations?
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` 19 A. Right.
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` 20 Q. Okay.
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` 21 A. Now, the contents in terms of what was desired
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` 22 to be stated, not actual statement but the line items,
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` 23 those were under --
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` 24 Q. I think I understand. You had a conversation
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` 25 with the lawyers; they sort of took it down and gave
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`Leonard Barton
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` 1 you a version of it that you approved or signed;
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` 2 correct?
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` 3 A. Well, yes. I mean, these are my words.
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` 4 Q. I understand, sir. Okay.
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` 5 Have you been paid for your time in connection
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` 6 with these declarations?
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` 7 A. Not yet.
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` 8 Q. Fair enough. Simple.
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` 9 Are you going to be paid in connection with
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` 10 your time for these declarations?
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` 11 A. I expect to be.
`
` 12 (REPORTER INTERRUPTION.)
`
` 13 MR. NELSON: We're ready to go again?
`
` 14 BY MR. NELSON:
`
` 15 Q. Are you being or will you be paid on an hourly
`
` 16 basis for your participation in this case?
`
` 17 A. Yes.
`
` 18 Q. And what is your hourly rate for your
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` 19 participation in this case?
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` 20 A. For in-office work it's $75 an hour. For
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` 21 out-of-office work it's $125 an hour.
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` 22 Q. And your expectation is that Sony -- it's Sony
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` 23 that's paying your fees here?
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` 24 A. That has not been arranged. I don't know
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` 25 whether that would be paid through Kenyon & Kenyon or
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` 1 through Sony.
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`Leonard Barton
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` 2 Q. Okay. And am I correct -- is it fair to say
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` 3 that the subjects overall of your declaration regards a
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` 4 picture you took and put on a Wikipedia page?
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` 5 A. I've been led to believe that that is so.
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` 6 Q. Okay. Let's just look at your declaration and
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` 7 see where it leads us. Okay? Why don't you look at
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` 8 the one that is in the 218 case, just so we're all on
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` 9 the same page.
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` 10 Paragraph 3 says, "I have edited hundreds of
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` 11 Wikipedia articles and have contributed over 200
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` 12 photographs to Wikipedia."
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` 13 Do you see that?
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` 14 A. Yes.
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` 15 Q. Do you know what a stereo image is?
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` 16 A. Stereoscopic image?
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` 17 Q. Stereoscopic image, sir, what is that?
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` 18 A. That is an image that has two images which are
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` 19 either -- that are presented or composited in such a
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` 20 way that each eye views one of the other images. So
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` 21 you have a left and right. And the brain then produces
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` 22 a stereoscopic illusion.
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` 23 Q. Okay. And of the hundreds -- the 200
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` 24 photographs or over 200 photographs that you've
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` 25 contributed to Wikipedia, how many of those were
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`Leonard Barton
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` 1 stereoscopic edges?
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` 2 A. Probably around half a dozen.
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` 3 Q. You say a little later in paragraph 3, "Copies
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` 4 of my stereoscopic photographs have appeared in
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` 5 Wikipedia articles such as 'Anaglyph,' '3D' and
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` 6 'Stereoscopy.'"
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` 7 Do you see that?
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` 8 A. Yes.
`
` 9 Q. Okay. Now, I wanted to ask you something
`
` 10 about paragraph 4. You state that "The Wikipedia
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` 11 article entitled 'Stereoscopy,' that is accessible as a
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` 12 URL here that ends with 'stereoscopy,' includes a
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` 13 red/cyan stereoscopic anaglyph image created from a
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` 14 pair of images that I captured in 2004."
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` 15 Do you see that?
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` 16 A. Yes.
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` 17 Q. Is that a true statement as we sit here today?
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` 18 A. At the moment, no.
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` 19 Q. It's not on the Wikipedia page anymore, is it?
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` 20 A. No. Someone went through and combined some
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` 21 articles. However, I believe that one of the exhibits
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` 22 that Mr. Sander presented to me does have essentially a
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` 23 permalink. All the edit history of an article can be
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` 24 accessed all the way down to its original creation,
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` 25 even though it was many years ago.
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`Leonard Barton
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` 1 Q. Sure.
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` 2 And it's your understanding that this older
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` 3 version of the page has an image you took that's a
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` 4 stereographic image?
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` 5 A. Yes.
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` 6 Q. Okay. So it's your understanding that anybody
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` 7 that wants to can edit a Wikipedia page and put
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` 8 whatever they want up there; correct?
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` 9 A. Yes.
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` 10 Q. Okay. And is it your sense that someone did
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` 11 that to your image? They came and edited the page and
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` 12 now that image is gone, or at least gone in the current
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` 13 version?
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` 14 A. That kind of thing happens. Sometimes for
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` 15 good reason, sometimes for vandalism, sometimes for
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` 16 annoyance.
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` 17 Q. Are you going to put your image back?
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` 18 A. I may create an article concerning baseline --
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` 19 you know, varying baselines that would probably be long
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` 20 baseline photography. There would be probably a
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` 21 reference in that article.
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` 22 Q. What do you mean by "long baseline
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` 23 photography"?
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` 24 A. Well, for objects that are at normal viewing
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` 25 distance, say, for example, we're taking an image --
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`Leonard Barton
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` 1 I'm taking an image of you in three dimensions; I could
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` 2 get good depth perception on this with a separation,
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` 3 you know, certain separation.
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` 4 Now, if I wanted to take a good discrimination
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` 5 between, say, those distant buildings, say those two
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` 6 buildings over there, if I use the same image offset
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` 7 that would be appropriate for taking a picture across
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` 8 the table, then those objects would not be
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` 9 discriminated. They would essentially be presented
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` 10 pretty much as being at the same depth, which would be
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` 11 distant.
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` 12 And by photographing them with more widely
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` 13 separated cameras, then I get the same stereoscopic
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` 14 separation that would be appropriate for across the
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` 15 table.
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` 16 Q. Okay. And by "separation," you mean distance
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` 17 between the capturing positions of the two images?
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` 18 A. Yes. Transverse to the line of sight.
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` 19 Q. Okay. And so by "long baseline photography,"
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` 20 you mean that this displacement between capturing
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` 21 positions is substantial, a substantial displacement?
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` 22 A. Well, it's more than the normal intraocular
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` 23 distance of about two and a half inches.
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` 24 Q. Could be a hundred feet?
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` 25 A. Could be, but that would be an appropriate or
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`Leonard Barton
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` 1 close picture, but it might be insufficient for very
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` 2 long distance picture.
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` 3 Q. Could be more than a hundred feet?
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` 4 A. Yes.
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` 5 Q. Okay. And so your declaration, as I
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` 6 understand it, concerns an image that you took, if I
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` 7 understand paragraph 4 of your declaration correctly,
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` 8 from Dinosaur Hill in Pleasant Hill; is that correct?
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` 9 Dinosaur Park?
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` 10 A. Yes.
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` 11 Q. Okay. And if I understand your declaration,
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` 12 the rest of your declaration just concerns your
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` 13 recollection of what you did to capture the images;
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` 14 correct?
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` 15 A. Yes.
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` 16 Q. Okay.
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` 17 A. And composite them.
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` 18 Q. And to composite them. Right.
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` 19 A. And to upload them.
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` 20 Q. So paragraph 5 says, "I used a Sony DSC P5 to
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` 21 record the two images."
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` 22 Okay. What's a DSC P5? That's a digital
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` 23 camera?
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` 24 A. Yes, it's fairly early in the history of
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` 25 digital photography. It was about turn of the
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`Leonard Barton
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` 1 century. It's a low cost. It uses a memory stick
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` 2 recording technology. It has a optical viewfinder
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` 3 which I find very nice.
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` 4 Q. Sure. Okay.
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` 5 So if I understand, you went to the top of the
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` 6 hill; correct?
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` 7 A. Correct.
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` 8 Q. No, you were on the ground?
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` 9 A. Well, Dinosaur Hill Park has hilly terrain.
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` 10 When you come from Pleasant Hill Road, you go down
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` 11 Dinosaur Hill Park. There's a parking area there, and
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` 12 the hill itself is behind you when you're now in the
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` 13 face of the park.
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` 14 Q. Okay. Okay.
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` 15 A. So I was not at the peak.
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` 16 Q. All right. But as you say in your
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` 17 declaration, you did try to ensure that the elevation
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` 18 between the two photos was the same?
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` 19 A. Certainly.
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` 20 Q. Okay. Why did you do that?
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` 21 A. Well, consider that if I was to take a picture
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` 22 of you and -- say I had two cameras mounted on a
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` 23 board. But now if I elevate one camera on this board
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` 24 to a standoff, then these pictures are not going to be
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` 25 properly aligned horizontally to allow them to be
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` 1 composited into a stereo image.
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`Leonard Barton
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` 2 Q. Okay. So you say in your declaration that you
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` 3 took the first picture --
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` 4 A. May I correct that? I should say an
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` 5 acceptable stereo image.
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` 6 Q. Okay.
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` 7 A. It's maybe a little disconcerting visually.
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` 8 Q. Understood.
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` 9 So you took the first image. And did you just
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` 10 walk a few feet to the next shooting spot?
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` 11 A. I estimated it about a hundred feet.
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` 12 Q. A hundred feet? Why a hundred feet?
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` 13 A. Because of the distance of the hills --
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` 14 actually, I was trying to get a stereoscopic image of
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` 15 Mt. Diablo and its foothills. Hundred feet does
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` 16 discriminate between the foothills, and the main
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` 17 Mt. Diablo has two peaks that are visible from Dinosaur
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` 18 Hill Park, which is South Peak and North Peak. And
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` 19 when I composited the images and viewed them, I did not
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` 20 get any discrimination between those two images. In
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` 21 other words, the offset was not sufficient to resolve
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` 22 those in a stereoscopic presentation. So I cropped the
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` 23 image just to the foothills portion.
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` 24 Q. Okay. And you -- after you did some work on
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` 25 the image as described in paragraph 6, you uploaded it
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`Leonard Barton
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` 1 to Wikipedia.
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` 2 Is that what your declaration says? That's
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` 3 paragraph 7.
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` 4 A. Yes.
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` 5 Q. Okay.
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` 6 A. And I subsequently then, same day, included it
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` 7 in that article.
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` 8 Q. Okay. I'm going to hand you this. Ask you --
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` 9 I'm not going to ask you to read it yet. It's pretty
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` 10 lengthy. But I am going to ask you if you can find the
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` 11 edge that's the subject of your declaration.
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` 12 MR. SANDER: Well, I'm going to object to
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` 13 this. This does not adhere to the exhibit that was
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` 14 actually submitted into evidence.
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` 15 MR. NELSON: Well, let's take a break and go
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` 16 get that one, then. That's fine.
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` 17 MR. SANDER: I think we have one here.
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` 18 THE WITNESS: One does have to be careful
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` 19 about Wikipedia as far as dates.
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` 20 MR. NELSON: Sure.
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` 21 (RECESS TAKEN.)
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` 22 MR. NELSON: We're back on?
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` 23 (SONY EXHIBIT 1042, 1040 INTRODUCED.)
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` 24 BY MR. NELSON:
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` 25 Q. Okay. So Mr. Barton, I'm going to direct
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`Leonard Barton
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` 1 your attention to what was marked as Sony 1042 and Sony
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` 2 1040, the Wikipedia article about stereoscopy.
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` 3 A. Right.
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` 4 Q. And I'm going to ask you if you can find your
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` 5 image that's the subject of your declaration in this
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` 6 version of the Wikipedia article.
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` 7 A. Yeah, you had sent me a black-and-white, and
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` 8 then I made note on that that was my image.
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` 9 Q. Mr. Barton, you'll want to get that one right
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` 10 there.
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` 11 A. This is --
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` 12 Q. Oh, this is the souvenir one?
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` 13 A. Yes.
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` 14 Q. Oh. You want this one. There we go.
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` 15 MR. SANDER: Do you have one?
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` 16 MR. NELSON: Nah. I gave it away.
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` 17 THE WITNESS: The purpose has -- this has a
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` 18 perfectly satisfactory rendering of the imaging
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` 19 question.
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` 20 BY MR. NELSON:
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` 21 Q. Right. It's just important that we use the
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` 22 one that's already been submitted.
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` 23 A. I understand.
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` 24 Q. So I'm just using that.
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` 25 A. Are you ready to start questions and answers
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`Leonard Barton
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` 1 now, or was that included?
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` 2 Q. We are on, sir. We are on the record.
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` 3 A. Okay.
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` 4 Q. So --
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` 5 A. We're on item 8, here?
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` 6 Q. Well, I'm just asking you if you can find in
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` 7 the Wikipedia article that I gave you the picture that
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` 8 you took that's the subject of your declaration.
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` 9 A. Yes.
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` 10 Q. Okay. Where is it, sir?
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` 11 A. It's on page 13 of 19.
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` 12 Q. Okay. And is it the image that's described
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` 13 with title "Long baseline image showing prominent
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` 14 foothill ridges; click the image for more information
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` 15 on the technique"?
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` 16 A. Yes.
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` 17 Q. Sir, do you know what a mosaic image is?
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` 18 A. Yes.
`
` 19 MR. SANDER: Objection. It's beyond the scope
`
` 20 of the direct testimony.
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` 21 BY MR. NELSON:
`
` 22 Q. Sir, do you know what a mosaic image is?
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` 23 A. Yeah.
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` 24 Q. Okay. What's a mosaic image?
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` 25 A. That's an image that is composited from a
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`Leonard Barton
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` 1 number of smaller images. Or images of lesser extent.
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` 2 MR. SANDER: Same objection.
`
` 3 BY MR. NELSON:
`
` 4 Q. And sir, is this -- well, it's really two
`
` 5 images here, isn't it, sir, composited one over the
`
` 6 other or layered one over the other?
`
` 7 A. Yes.
`
` 8 Q. Are the images here mosaic images?
`
` 9 A. No.
`
` 10 MR. SANDER: Objection. Beyond the scope.
`
` 11 It's okay.
`
` 12 THE WITNESS: Excuse me. Excuse me.
`
` 13 BY MR. NELSON:
`
` 14 Q. No, no, it's fine.
`
` 15 These images were taken using a conventional
`
` 16 photography. You took one photo. You moved a hundred
`
` 17 feet, and you took another photo; correct, sir?
`
` 18 A. Correct. Single images.
`
` 19 Q. Single images.
`
` 20 A. Okay. And it's cropping of the image, too.
`
` 21 Q. Okay. And, sir, have you ever created a
`
` 22 mosaic image?
`
` 23 MR. SANDER: Beyond the scope.
`
` 24 THE WITNESS: Excuse me.
`
` 25 Yes, I have a number of them.
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`

`

`Leonard Barton
`
` 1 BY MR. NELSON:
`
` 2 Q. Good. I'm going to ask a question, but he
`
` 3 gets to object. You'll want to let him finish up and
`
` 4 then --
`
` 5 A. I'm sorry. I'm just not into the groove here
`
` 6 yet.
`
` 7 Q. Understood. You will probably not have the
`
` 8 opportunity to get into the groove because we'll move
`
` 9 along pretty quickly.
`
` 10 The next question I have is, have you ever
`
` 11 created a pair of mosaic images for stereoscopic
`
` 12 viewing?
`
` 13 MR. SANDER: Objection. Beyond the scope.
`
` 14 THE WITNESS: No.
`
` 15 BY MR. NELSON:
`
` 16 Q. Looking at the exhibit here, the "Stereoscopy"
`
` 17 article at Sony 1042 and Sony 1040, apart from
`
` 18 contributing the image, did you write any of this
`
` 19 article?
`
` 20 A. Oh, yes. To tell you exactly what I wrote, I
`
` 21 would have to hear the history of the article and I can
`
` 22 tell you exactly what I've added other than perhaps an
`
` 23 incidental edit that was done without being logged in.
`
` 24 But those are fairly rare.
`
` 25 Q. Sir, did you write any part of section 6
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`

`Leonard Barton
`
` 1 describing baseline suggestion selection?
`
` 2 MR. SANDER: Objection. Beyond the scope of
`
` 3 the direct.
`
` 4 THE WITNESS: I'm sorry. Section 6?
`
` 5 BY MR. NELSON:
`
` 6 Q. Sir, I think that starts on page 10.
`
` 7 A. It appears to me that this is not my writing
`
` 8 here. Nor even -- I believe if you look at the history
`
` 9 you'll see that that was added at some later date, and
`
` 10 subsequently to probably my last edit. Otherwise I
`
` 11 would have noted that addition, and I didn't note it
`
` 12 until I recently found the article.
`
` 13 Q. If I could direct your attention to the next
`
` 14 page, page 11 --
`
` 15 A. I'm sorry. I was just going through the index
`
` 16 on that. So you suggested that was on page 10?
`
` 17 Q. Yes, sir. Starting at the very bottom it
`
` 18 says --
`
` 19 A. Well, in the middle?
`
` 20 Q. Well, that's page 11, sir.
`
` 21 A. Oh, I'm sorry. You did double-sided copies.
`
` 22 Right. In other words, we were talking about from
`
` 23 here. Are these -- this is not my writing and I have
`
` 24 not reviewed it in detail. It was done subsequent to
`
` 25 my previous edits.
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`

`

`Leonard Barton
`
` 1 Q. Okay. I'm not going to ask you questions
`
` 2 about what it says in there. I just want to understand
`
` 3 whether you wrote it.
`
` 4 So my question to you is, looking halfway down
`
` 5 you'll see on page 11 a title "Longer baseline for
`
` 6 distant objects 'Hyper Stereo.'"
`
` 7 Will you find that for me?
`
` 8 A. Here?
`
` 9 Q. Yes, sir.
`
` 10 Can you confirm for me, did you write the text
`
` 11 that follows that line on pages 11, 12 and 13?
`
` 12 MR. SANDER: Objection. Beyond the scope of
`
` 13 the direct testimony.
`
` 14 THE WITNESS: When you say 13, you mean 13 up
`
` 15 to the paragraph titled "A practical example"?
`
` 16 MR. NELSON: Yes, sir.
`
` 17 THE WITNESS: But not including that?
`
` 18 MR. NELSON: Not including that.
`
` 19 THE WITNESS: No, I did not write any of that.
`
` 20 BY MR. NELSON:
`
` 21 Q. Below the image that you contributed, do you
`
` 22 see a heading that says, "Shorter baseline for ultra
`
` 23 closeups 'Macrostereo'"?
`
` 24 A. Yes, I do.
`
` 25 Q. Did you write any part of that section?
`
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`

`

` 1 MR. SANDER: Objection. Beyond the scope of
`
`Leonard Barton
`
` 2 the direct testimony.
`
` 3 THE WITNESS: No, I did not.
`
` 4 BY MR. NELSON:
`
` 5 Q. If you turn to page 14, at the bottom you'll
`
` 6 see a heading that says, "Baseline tailored to viewing
`
` 7 method."
`
` 8 Do you see that?
`
` 9 A. Yes.
`
` 10 Q. Did you write any of that section?
`
` 11 MR. SANDER: Same objection.
`
` 12 THE WITNESS: No.
`
` 13 Sorry.
`
` 14 MR. SANDER: Sorry.
`
` 15 Same objection. Beyond the scope of the
`
` 16 direct testimony.
`
` 17 THE WITNESS: No, I did not.
`
` 18 BY MR. NELSON:
`
` 19 Q. Okay. If you look at page 15, do you see a
`
` 20 heading titled "Variable base for 'geometric stereo'"?
`
` 21 A. Yes, I see that section.
`
` 22 Q. Did you write any part of that section?
`
` 23 MR. SANDER: Same objection.
`
` 24 THE WITNESS: No, I did not.
`
` 25 MR. NELSON: Let's go off the record for a
`
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`23
`
`

`

`Leonard Barton
`
` 1 minute.
`
` 2 (DISCUSSION OFF THE RECORD.)
`
` 3 MR. NELSON: Mr. Barton, I don't have any more
`
` 4 questions. If you'd like to expand your hourly time
`
` 5 for this case, I'm happy to continue, but I don't have
`
` 6 anything else to ask.
`
` 7 MR. SANDER: Great. I just have one quick
`
` 8 question.
`
` 9 EXAMINATION
`
` 10 BY MR. SANDER:
`
` 11 Q. In looking at paragraph 4 of your declaration,
`
` 12 the first sentence, you said -- earlier in your
`
` 13 testimony you stated that the image that you uploaded
`
` 14 is no longer -- that that first sentence is no longer
`
` 15 true; correct?
`
` 16 A. The link, but the article has been changed.
`
` 17 This takes you to the current article; however, I do
`
` 18 believe that the image that you sent me, the 13-page
`
` 19 article, the black-and-white copy, there was a
`
` 20 permalink on that that says what the date was.
`
` 21 Q. Right. I just --
`
` 22 A. And that does include that image.
`
` 23 Q. So my only question is, on the date that you
`
` 24 signed this --
`
` 25 A. It was there.
`
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`

`

`Leonard Barton
`
` 1 Q. -- the image was there?
`
` 2 A. The image was there, yes.
`
` 3 MR. SANDER: Great. Thank you. Thank you.
`
` 4 MR. NELSON: Thanks for your time, sir.
`
` 5 THE WITNESS: You're welcome.
`
` 6 (DEPOSITION CONCLUDED AT 4:15 P.M.)
`
` --- oOo ---
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`25
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`

`

`Leonard Barton
`
` 1 CERTIFICATE OF REPORTER
`
` 2 I, ANNE M. TORREANO, hereby certify that the
`
` 3 witness was duly sworn by me, before commencement of
`
` 4 testimony by the witness, to testify the truth, the whole
`
` 5 truth, and nothing but the truth in the within-entitled
`
` 6 cause; that said deposition was taken at the time and
`
` 7 place therein stated, in the presence of the above-noted
`
` 8 people; that the testimony of said witness was reported by
`
` 9 me, a Certified Shorthand Reporter and disinterested
`
` 10 person, and was thereafter transcribed into typewriting
`
` 11 and is a true record of the testimony given by the
`
` 12 witness, and that the pertinent provisions of the
`
` 13 applicable code or rules of civil procedure relating to
`
` 14 the notification of the witness and counsel for the
`
` 15 parties hereto of the availability of the transcript of
`
` 16 the deposition for reading and signing have been met.
`
` 17 And I further certify that I am not a relative or
`
` 18 employee of a party or of an employee of an attorney or
`
` 19 agent of a party, or interested, directly or indirectly,
`
` 20 in the proceeding either as counsel, attorney, agent, or
`
` 21 otherwise.
`
` 22 DATED: April 17, 2014
`
` 23
`
` 24
`
` 25
`
` ANNE M. TORREANO, CSR No. 10520
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`
`

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