`__________________
`
`BEFORE THE PATENT TRIAL AND APPEAL BOARD
`__________________________________________________________________
`
`SONY CORPORATION
`Petitioner
`
`v.
`
`YISSUM RESEARCH DEVELOPMENT COMPANY OF THE
`HEBREW UNIVERSITY OF JERUSALEM
`Patent Owner
`
`
`
`Case No. IPR2013-00219 (SCM)1
`
`
`
`Patent No. 7,477,284
`Issue Date: Jan. 13, 2009
`Title: SYSTEM AND METHOD FOR CAPTURING AND VIEWING
`STEREOSCOPIC PANORAMIC IMAGES
`
`__________________________________________________________________
`
`
`
`PETITIONER’S REPLY TO PATENT OWNER’S RESPONSE TO
`PETITION UNDER 37 C.F.R. § 42.23
`
`
`
`__________________________________________________________________
`
`
`
`1 Case IPR2013-00327 has been merged with this case.
`
`
`
`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`I.
`
`Introduction
`
`Patent Owner (“Yissum”) attempts to distinguish claims 1-4, 7, 10, 20, 27-29
`
`and 36-38 of U.S. Patent No. 7,477,284 (the “’284 Patent”) over the prior art on two
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`bases: (1) that each of Kawakita and Asahi fails to teach “a processor [to] generate a
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`plurality of mosaics . . . [that] provide a sense of depth of the scene”; and (2) that
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`Asahi fails to teach “a display that receives a plurality of the mosaics and displays
`
`them so as to provide a sense of depth of the scene.” (Patent Owner’s Response
`
`(“Resp.”) 13, 24, 30). Yissum’s first argument relies a non-existent claim limitation.
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`None of the claims call for a processor that generates mosaics that provide a sense of
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`depth of the scene. Yissum rewrites the claims to incorporate a function of the
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`display (“displays them so as to provide a sense of depth of the scene”) into the
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`processor element. Yissum does not dispute that Kawakita discloses such a display.
`
`Yissum’s argument that Asahi does not disclose such a display relies on Prof.
`
`Essa’s opinion that “stereoscopic viewing” is not viewing, but instead is calculating
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`height. Prof. Essa’s opinion is contradicted by the term itself, by the context in which
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`the term appears, by the entirety of Asahi’s disclosure, by the usages of the term in
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`other references, and by Prof. Darrell.
`
`1
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`II. The Board Should Find Claims 1-4, 7, 10, 20, 27-29 and 36-38
`Unpatentable
`
`A.
`
`1.
`
`Claims 1-4, 7, 10, 27-29, 36 and 38 Are Unpatentable Over Kawakita on
`the Grounds Stated in the Decision on Institution
`
`Yissum Relies on a Non-Existent “Processor” Limitation
`
`Yissum argues that claims 1-4, 7, 10, 27-29, 36 and 38 are patentable over
`
`Kawakita because Kawakita fails to teach “a processor [to] generate a plurality of
`
`mosaics . . . [that] provide a sense of depth of the scene.” (Resp. at 13). The claims
`
`contain no such limitation.
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`Each of independent claims 1 and 27 is directed to an “imaging apparatus” that
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`comprises “at least one imager,” “a processor” and “a display.” (Sony-1001 at 13:62 –
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`14:13, 16:5-30). That the “processor” and the “display” are separate elements is clear
`
`from dependent claims 2 and 28, which each recite that “the imaging apparatus is a
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`portable hand-held device including a housing for accommodating the at least one
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`imager, the processor and the display.” (Id. at 14:14-17, 16:31-34). Independent claim
`
`38 is directed to a “method for processing image data” and contains no reference “a
`
`processor.” (Id. at 17:3-25). The final step of the method is “displaying a plurality of
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`the mosaics so as to provide a sense of depth of the scene.” (Id. at 17:24-25).
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`Yissum rewrites claims 1 and 27 by substituting ellipses for much of the claim
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`text to obscure the fact that the “display,” not the processor, performs the function of
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`“displaying [the mosaics] so as to provide a sense of depth of the scene.” Yissum
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`does not argue that Kawakita fails to disclose such a display. Kawakita clearly does
`
`2
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`disclose such a display, as the Board has correctly noted. (Decision on Institution
`
`(IPR2013—00219, Paper 16) (“Decision”) at 22-24).
`
`The Board has construed the term “display” to mean “one or more elements
`
`that receive a plurality of the mosaics and display the plurality of mosaics so as to
`
`provide a sense of depth of the scene from which the mosaics were generated for
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`viewing by a person.” (Decision at 22). Kawakita discloses that a “field test was
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`conducted applying these techniques to panoramic images of an elevator hallway in
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`which the distance to objects varies greatly.” (Sony-1004 at 18, § 7). The “panoramic
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`images” are shown in Fig. 5, and were generated by mosaicking “slit images excised
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`from frame images,” as described in §§ 2-5. (Sony-1004 at 16, § 5). Kawakita states
`
`that the mosaics were displayed to persons and provided a sense of depth: “As a result
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`of stereoscopic viewing with alignment control of the panoramic images using the
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`calculated depth parallax angles with 10 research personnel, there were no noticeable
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`double images in the objects attended to, and the sense of depth was faithfully
`
`reproduced.” (Sony-1004 at 18, § 7). It is inherent that “one or more elements”
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`received the mosaics to display them. Therefore, Kawakita does disclose a display, as
`
`defined by the Board. As noted above, Yissum does not argue otherwise.
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`Instead, Yissum makes irrelevant arguments that all of Kawakita’s mosaic pairs
`
`that are capable of providing a sense of depth require parallax adjustment to align the
`
`images, that the adjustment is performed on one sight line direction at a time, and
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`that, therefore, the processor does not generate mosaics that provide a sense of depth
`
`3
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`of the entire scene. (Resp. at 13-17). However, under the Board’s construction, the
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`display need only “display the plurality of mosaics so as to provide a sense of depth of
`
`the scene from which the mosaics were generated for viewing by a person.” This
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`construction does not preclude adjustment of the mosaics to align them for display,
`
`nor does it require that the display provide a sense of depth along all sight line
`
`directions in the scene at one time. The Board has construed the term “sense of
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`depth of the scene” to mean “the visual perception of differential distances among
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`objects in a person’s line of sight.” (Decision at 17-18). Therefore, the construction
`
`is met if there is a perception of differential distances along a line of sight. Once
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`adjustment is performed for a line of sight, a “sense of depth of the scene” is
`
`provided.” Therefore, Yissum’s irrelevant arguments should be rejected.
`
`2.
`
`Yissum’s Arguments Concerning the Non-Existent “Processor”
`Limitation Mischaracterize Kawakita’s Disclosure
`
`
`In attempting to distinguish Kawakita on the basis of the non-existent
`
`“processor” limitation, Yissum mischaracterizes Kawakita’s disclosure in two respects.
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`First, Yissum contends that Kawakita discloses that all mosaic image pairs that are
`
`capable of providing a sense of depth require parallax adjustment. Second, Yissum
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`contends that Kawakita discloses that the mosaic image pairs that require adjustment
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`for “faithful stereoscopic viewing” provide no sense of depth without adjustment.
`
`Yissum is incorrect in both respects.
`
`4
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`
`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`a)
`
`Kawakita Does Not Disclose That All Mosaic Image Pairs That
`Are Capable of Providing a Sense of Depth Require Adjustment
`
`Yissum’s argument that Kawakita’s mosaic image pairs require parallax
`
`adjustment in order to provide a sense of depth is based on the following passage:
`
`When the left and right panoramic images obtained using the foregoing
`procedure are viewed binocular stereoscopically, a stereoscopic view is
`possible that faithfully reproduces the positional relationships, if the
`image was captured from a sufficient distance. However, if the camera
`was placed at a comparatively close distance, or if the distance from the
`camera to the objects varies greatly, the positions representing the left
`and right panoramic images must be adjusted.
`
`(Sony-1004 at 16-17).
`
`As the Board correctly observed in the Decision on Institution, this passage
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`states that Kawakita’s unadjusted mosaic pairs “faithfully reproduce the positional
`
`relationships” unless: (1) the camera is too close to the objects, or (2) the distance
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`from the camera to the objects varies greatly. (Decision at 23; Sony-1004 at 16).
`
`However, Yissum argues that the passage refers to two scenarios: (1) the
`
`objects in the image are at roughly the same distance, and (2) the objects are at
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`different distances. (Resp. at 13-15). Yissum ignores the word “greatly” in Kawakita’s
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`second exception. That is, Yissum mischaracterizes the second exception to include
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`any variation of object distance, not just great variation. (Resp. at 1314). Yissum then
`
`argues adjustment is required in all instances, because depth perception requires
`
`5
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`objects to be at different distances and Kawakita’s images require adjustment if
`
`objects are at different distances. (Resp. at 14-15).
`
`Yissum relies on Prof. Essa’s testimony, which asserts that adjustment is
`
`required because Kawakita’s use of optical flow results in the left and right image
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`strips in a given image having different widths. (YRD-2010 (Essa Decl.) at ¶¶ 32-33).
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`However, on cross examination, Prof. Essa conceded that Kawakita describes
`
`extracting left and right strips of the same width in a given image. (Sony-1043 at
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`140:16-20; Sony-1003 at 16; Sony-1044 at ¶ 19). Further, Prof. Essa agreed that
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`where neither of Kawakita’s two exceptions applies, faithful stereoscopic viewing is
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`possible without adjustment, and Kawakita’s second exception does not include
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`variations in object distance that are not great variations. (Sony-1043 at 144:6
`
`156:25).
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`Therefore, Kawakita does in fact disclose the generation of mosaic image pairs
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`that provide a sense of depth without adjustment.
`
`b) Even Kawakita’s Mosaic Image Pairs that Require Adjustment
`for “Faithful Stereoscopic Viewing” Can Provide a Perception
`of Depth Without Adjustment
`Prof. Darrell did not make inconsistent statements on cross examination, as
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`Yissum contends, in testifying that unadjusted image pairs recorded under the
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`Kawakita’s exceptional conditions (object too close; object distance varies greatly) can
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`nevertheless provide a perception of depth. (Resp. 17-21; YRD-2008 at 58:22 - 60:5).
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`Kawakita states that adjustment is required only for “faithful stereoscopic viewing,” i.e.,
`
`6
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`adjustment that results in “no noticeable double images in the objects attended to.”
`
`(Sony-1003 at 18 (emphasis added); Sony-1044 at ¶ 22). Therefore Kawakita equates
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`“faithful stereoscopic viewing” with no noticeable double images at all, i.e., near
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`perfect stereoscopic viewing. (YRD-2008 at 59:8-16).
`
`Prof. Darrell explained that an image pair that produces an imperfect
`
`perception of depth is still a stereoscopic image pair. (YRD-2008 at 59:17 – 60:5).
`
`Prof. Darrell also explained that where object distances vary greatly, “it’s difficult to
`
`have a perception of depth that is consistent for all objects.” (Id. at 63:7-23). That is
`
`because disparities along different lines of sight vary with object distance. (Sony-1044
`
`at ¶¶ 22, 23). The disparities with respect to some objects in the scene may permit
`
`stereo fusion but may not with respect to other objects. (Id.).
`
`The fact that a stereoscopic image pair can provide a perception of depth along
`
`one line of sight but not others is confirmed by Prof.’s Essa’s own example, the YRD-
`
`2007 anaglyph. Prof. Essa has testified that “[w]hen viewed with a pair of red/cyan
`
`glasses, the images of exhibit YRD-2007 are a stereoscopic image pair that can be
`
`stereoscopically fused by a person so as to provide a perception of depth where a lion
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`is perceived in the foreground and a building is perceived in the background.” (YRD-
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`7
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`2010 at ¶ 25). 2 Prof. Darrell agrees. (YRD-2008 at 34:19 – 35:8). However, when a
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`viewer’s line of sight is directed to the flagpole in the background, the viewer sees a
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`double image. (Sony-1044 at ¶ 23). Other elements of YRD-2007 appear double
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`when viewed with red/cyan glasses. (Sony-1044 at ¶ 23). Yet, both experts agree that
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`YRD-2007 is a stereoscopic image pair that provides a perception of depth. (YRD-
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`2010 at ¶ 25; YRD-2008 at 34:19 – 35:5; Sony-1044 at ¶ 23).
`
`B.
`
`1.
`
`Claims 1, 3, 20, 27, 29 and 37 Are Unpatentable Over Asahi on the
`Grounds Stated in the Decision on Institution
`
`Asahi Does Disclose the Claimed “Display”
`
`Yissum argues that Asahi does not teach “a display that receives a plurality of
`
`the mosaics and displays them so as to provide a sense of depth of the scene” because
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`a person of ordinary skill in the art as of 1998 would understand “stereoscopic
`
`viewing” in Asahi to mean calculating height. (Resp. at 24-30). Yissum relies on the
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`opinion of Prof. Essa. (YRD-2010 at ¶ 48-49). Prof. Essa’s opinion is contradicted
`
`by the term itself, by the context in which the term appears, by the entirety of Asahi’s
`
`disclosure, by the usages of the term in other references, and by Prof. Darrell.
`
`
`2 Because of a vision problem, Prof. Essa testified he is unable to stereoscopically
`
`view YRD-2007, but formed his conclusions on “the fact that this is a standard image
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`from the web known to have these properties.” (Sony-1043 at 106:3 – 107:7).
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`8
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`First, the ordinary meaning of “viewing” is not “calculating.” Viewing is
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`seeing. (Sony-1045; Sony-1046).
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`Second, the term “stereoscopic viewing” appears only once in Asahi’s
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`disclosure, in reference to mosaics of images recorded under special conditions: where
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`the “travel speed when imaging is constant, and the orientation of the camera is also
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`constant.” (Sony-1006 at ¶ 0035). Asahi then addresses the need for vertical parallax
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`removal as part of the process of calculating height under the variables of flying
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`speed, flight path deviations, and altitude changes, among other things, that typify
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`video imaging from aircraft. (Sony-1006 at ¶ 0036-0071; see also Fig. 4). Prof. Essa
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`states that “stereoscopic viewing,” “does not refer to displaying images to a person,”
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`but supports his opinion only by citing uses of other terms in Asahi: “stereoscopic
`
`image,” “stereo images,” and “stereo matching.” (YRD-2010 at ¶ 49). The fact that
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`“stereoscopic viewing” is used in a particular unique context in Asahi underscores that
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`its meaning is distinct from the other terms Prof. Essa cites as being associated in
`
`Asahi with calculating height.
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`Third, height calculation is specifically addressed extensively in Asahi, and
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`where addressed, the language is clear. (e.g., Sony-1006 at Abstract (“height is
`
`calculated”), Claim 1 (“height calculation step”), Claim 11 (“height calculation
`
`means”), ¶ 0008 (“Heights are calculated”), ¶ 0010 (“heights are calculated”), ¶ 0056
`
`(“calculating height”), ¶ 0063 (“height can be calculated”), ¶ 0070 (“height data can be
`
`computed”)).
`
`9
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`
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`Fourth, other references use the term “stereoscopic viewing” and “stereo
`
`viewing” to refer to human viewing of stereoscopic images. Kawakita uses the terms
`
`“stereoscopic viewing” and “stereo viewing” to refer to human viewing. (Sony-1003
`
`at 14 (“stereo viewing”), 16, 17, 18, 19 (“stereoscopic viewing”); Sony-1043 at 212:18
`
`– 213:23; Sony-1044 at ¶ 28). Helava (Sony-1042) also uses the term “stereo
`
`viewing,” in the context of stereo images for photogrammetry, to refer to human
`
`viewing of a display of stereoscopic image pair. (Sony-1011 at 70; Sony-1044 at ¶ 28).
`
`Finally, Prof. Darrell opines that although a person of ordinary skill in the art as
`
`of 1998 might understand terms such as “stereo images” and “stereoscopic images” to
`
`refer to images for calculating distance, depending on the context, the word “viewing”
`
`would have been understood to refer to human observation. (Sony-1044 at ¶ 24). In
`
`contrast, as noted above, Prof. Essa supports his opinion that “stereoscopic viewing,”
`
`“does not refer to displaying images to a person,” by avoiding the word “viewing” and
`
`instead citing the usages in Asahi of other terms, e.g., “stereoscopic image.” (YRD-
`
`2010 at 49 (emphasis added)).
`
`2.
`
`Yissum’s Argument Concerning the Non-Existent “Processor”
`Limitation With Respect to Asahi Should Be Rejected
`
`As with Kawakita, Yissum attempts to distinguish the claims over Asahi based
`
`on a “processor” limitation that is not recited in any claim, i.e., that Asahi fails to teach
`
`“a processor [to] generate a plurality of mosaics . . . [that] provide a sense of depth of
`
`the scene.” (Resp. at 30). Yissum’s argument should be rejected on that basis alone.
`
`10
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`However, Yissum’s argument with respect to Asahi is also premised on an
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`additional error. Yissum states that “to construct images capable of providing a
`
`perception of depth to a person, the images must be generated in accordance with the
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`separation and from the perspective of human eyes.” (Resp. at 30). Yissum cites two
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`passages from U.S. Patent No. 6,665,003 (the “’003 Patent”), which is incorporated by
`
`reference into the ’284 Patent. (See Resp. at 30, citing Sony-1001 [sic: Sony-1002] at
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`2:55-59 and 3:8-31). Neither of these passages supports the proposition that only
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`images “generated in accordance with the separation and from the perspective of
`
`human eyes” can provide a perception of depth to a person. Moreover, the ’003
`
`Patent explicitly discloses that images recorded from viewpoints separated by
`
`distances (called the “baseline”) that are larger or smaller than the distance between
`
`human eyes will provide a sense of depth when viewed by a person.3 (Sony-1002 at
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`7:17-26; Sony-1044 at ¶ 9).
`
`3 Another patent that the ’284 Patent incorporates by reference—U.S. Patent No.
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`6,831,677 (the “’677 Patent”)—explains the concept of “disparity,” which affects
`
`whether stereo fusion will occur on viewing a stereoscopic pair of images. (Sony-1001
`
`at 1:34-40; Sony-1041 at 1:26-57). Disparity in the context of a stereoscopic pair of
`
`images “will depend on the distance of the points in the scene from the position at
`
`which the images were recorded and the distance between the viewpoints at which the
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`images were recorded.” (Sony-1041 at 1:54-57). By increasing the baseline for distant
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`
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`11
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`The ’003 Patent differentiates between “normal stereoscopy”—in which a pair
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`of images are recorded using a baseline that approximates the distance between
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`human eyes—and “exaggerated” or “reduced” stereo—in which a pair of images is
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`recorded using a baseline that is larger or smaller, respectively than the approximate
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`distance between human eyes. (Sony-1002 at 7:17-26, 11:21-26; Sony-1043 at 82:11-
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`15, 86:3-11; Sony-1044 at ¶ 9). “Normal stereoscopy” images will reproduce the same
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`perception of depth that the viewer would have in viewing the scene directly, whereas
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`“exaggerated” or “reduced” stereo images will provide a perception of depth, but not
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`the same perception of depth that the viewer would have in viewing the scene
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`directly. (Sony-1043 at 95:16-96:3; Sony-1044 at ¶ 9). “Exaggerated stereo” images of
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`distant objects, also referred to as “hyper stereo” by those skilled in the art, can
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`provide a perception of depth to a human viewer that the viewer would not
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`experience in viewing the scene directly because the distance is too great to perceive
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`depth with unaided vision.4 (Sony-1044 at ¶ 16; Sony-1042). For example, the
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`objects and decreasing the baseline for close objects, an equivalent disparity could be
`
`provided “that would be within the range such that a person could perceive depth in
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`viewing the images.” (Sony-1044 at ¶ 14).
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`4 The ’677 Patent explains that the “maximum stereoscopic range, however, can be
`
`extended by use of aids such as binoculars, which, in addition to magnifying, can also
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`serve to increase the baseline.” (Sony-1041 at 1:38-41; Sony-1044 at ¶ 12).
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`12
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`anaglyph below, which appears in the Wikipedia article referenced in the source of
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`Yissum’s definition of “stereoscopy” (YRD-2003), was made from images recorded
`
`100 feet apart. (Sony-1044 at ¶ 16; Sony-1040 at 13).
`
`
`
`Therefore, the fact that Asahi’s images are not “generated in accordance with
`
`the separation and from the perspective of human eyes” (Resp. at 30) is irrelevant.
`
`Yissum also argues, based on Prof. Essa’s opinion, that Asahi’s images are not
`
`capable of providing a perception of depth because the images have defects. (Resp. at
`
`31-32; YRD-2010 at ¶ 52-53). Prof. Essa’s opinion is based on the fact that image of
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`the letter “F” in Fig. 11 is warped. (YRD-2010 at ¶ 52). Asahi describes Fig. 11 as
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`illustrating the assignment of “exterior orientation elements . . . to each line of the
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`continuous mosaic image.” (Sony-1010 at ¶ 0036; Sony-1044 at ¶ 30). This step is
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`described in a passage about the vertical parallax removal process, which is not
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`required in the circumstance in which “stereoscopic viewing” is said to be possible.
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`(Sony-1010 at ¶ 0035; Sony-1043 at 191:16-25; Sony-1044 at ¶ 30). According to
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`Prof. Darrell, “if some defects were introduced in the mosaic images recorded under
`
`that circumstance, . . . the defects would not be so severe in every case as to preclude
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`13
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`Petitioner’s Reply to Patent Owner’s Response
`IPR2013-00219 (Patent 7,477,284)
`depth from being perceived upon viewing an appropriate display of a pair of the
`
`mosaics.” (Sony-1044 at ¶ 30).
`
`Yissum finally argues that Asahi fails to teach “horizontal aligned images” for
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`human viewing. (Resp. at 23). However, on cross examination, Prof. Essa could not
`
`say that a person of ordinary skill in the art as of 1998 would not know how to align
`
`stereoscopic image pairs for viewing. (Sony-1043 at 166:20 – 167:9). Prior art
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`references “must be ‘considered together with the knowledge of one of ordinary skill
`
`in the art’.” In re Paulsen, 30 F.3d 1475, 1480 (Fed. Cir. 1994) (quoting In re Samour,
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`571 F.2d 559, 562 (CCPA 1978)). According to Prof. Darrell, a person of ordinary
`
`skill in the art as of 1998 “would understand that the left and right eye images must be
`
`horizontally aligned and would understand how to align the images,” as evidenced by
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`“the numerous anaglyph images that were available at the time.” (Sony-1044 at ¶ 26).
`
`III. Conclusion
`Sony respectfully requests that claims 1-4, 7, 10, 20, 27-29 and 36-38 of the
`
`’284 Patent be cancelled.
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`
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`Dated: March 24, 2014
`
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`
`
`_/s/ Walter Hanley__
`Walter Hanley, Lead Counsel, Reg. No 28,720
`whanley@kenyon.com
`Michelle Carniaux, Backup Counsel, Reg. No. 36,098
`mcarniaux@kenyon.com
`KENYON & KENYON LLP
`One Broadway, New York, NY 10004-1007
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`14
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`Certificate of Service Under 37 C.F.R. § 42.6(e)(4)
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`I certify that I caused a true and correct copy of the forgoing to be served via
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`Electronic Mail on the following:
`
`William Nelson and Robert Gerrity
`Robert.gerrity@tensegritylawgroup.com
`William.nelson@tensegritylawgroup.com
`Tensegrity Law Group LLP
`555 Twin Dolphin Dr., Suite 360
`Redwood Shores, CA 94065
`
`
`David McCombs and David O’Dell
`David.mccombs.ipr@haynesboone.com
`David.odell.ipr@haynesboone.com
`Haynes and Boone, LLP
`2323 Victory Avenue, Suite 700
`Dallas, Texas 75219
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`_/s/ Michael E. Sander __
`Michael E. Sander
`Reg. No. 71,667
`msander@kenyon.com
`KENYON & KENYON LLP
`One Broadway
`New York, NY 10004-1007
`Tel: 212-425-7200
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`Dated: _ March 24, 2014___
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